The Mission Station Of Spain

The film “The Mission” (1986) was written by Robert Bolt and directed by Roland Joffe. It explores the various relationships distinguished between Spanish Jesuits and Indian (Guarani) civilization situated along the borders of Paraguay, Argentina, and Brazil around 1750. Although, as stated in the beginning of the movie that “The Mission” is “based on true historical events”, Bolt and Joffe distort the portrayal of the Guarani and Jesuit relationships. This essay will examine the distortions of the Guarani tribe and the inaccurate “historical” events that took place within the movie.

Convinced of the superiority of Catholicism to all other religions, Spain insisted that the primary goal of colonization was to save the Indians from heathenism and prevent them from falling under the sway of Protestantism. The aim was neither to exterminate nor to remove the Indians, but to transform them into obedient Christian subjects of the crown. To the Spanish colonizers, the large native populations of the Americas were not only souls to be saved but also a labor force to be organized to extract gold and silver that would enrich their mother country. Las Casas’ writings and the abuses they exposed contributed to the spread of the Black Legend-the image of Spain as a uniquely brutal and exploitative colonizer. This would provide of a potent justification for other European powers to challenge Spain’s predominance in the New World.

As a result, the historical and believability aspects of play outduel the film through individual and all the characters a whole. Although the

Similar in theme, Roland Joffé's film, The Mission, portrays an eighteenth century South America in which there are two opposing colonial forces. On one side there are "imperialist plunderers", both Spaniards and the Portuguese, who want to get rich and are ready and willing to utilize any method possible in order to fulfill their insatiable desire for riches including slavery and the massacre of the natives. On the other hand, there are Jesuit missionaries who desire to peacefully convert the natives to Christianity. (Ebert, http://www.suntimes.com/ebert) An interesting connection that can be made between the life of Bartolomé De Las Casas and a character in The Mission is with Robert De Niro's character, Mandosa. At one time Captain Mandosa was in charge of massacres of natives and owned many slaves, but after he killed his brother out of jealousy for his brother's lover, he repented his sins by joining the priesthood and helping the mission attain their goals. This has similarities with how De Las Casas got involved in working for the plight of the Indians.

La Otra Conquista was set in 1520 in colonial Latin America. The story focuses on Topiltzin, a young Aztec scribe and son of Moctezuma and his struggle with religion during the conquest. A Spanish Friar named Diego makes it his mission to convert Topiltzin into civilised Christianity. Hernan Cortes who is the voice of power in Tenochtitlan grants Friar Diego his wish to take Topiltzin, who is now called Tomas by the Spanish, to the mission. Topiltzin must learn how to navigate this new world while still holding to his own culture. Struggling against both spiritual and personal difficulties, Topiltzin tries to show Friar Diego how similar Christian beliefs are to the Aztec beliefs. Overall, the film stays fairly true to history with some exceptions that director used to move the storyline forward. Religion played a key role in the film as it did in the conquest itself. The Spanish conquistadors and friars were there for converting the Aztec to Christianity through whatever means necessary. Whereas the Native Americans were trying to hold onto their beliefs and culture throughout the horrific takeover. In order to communicate their wishes, the Spanish needed someone who could translate so they taught Native Americans to speak Spanish who could then communicate into the tribal language. The most famous of these was La Malinche, who is referenced in the film although at this time is her replacement, Dona Isabel or Tecuichpo. The film is fairly accurate to how this would have looked historically. The conquistadors are appropriately harsh, cruel and violent. At any moment trying to exert their power over the Native Americans and quick to subdue. In summary, La Otra Conquista was a fairly historically accurate film that portrayed the tension and violence of the time.

Restall’s ultimate goal in writing this book is to provide readers and scholars alike with a more realistic viewpoint and history of the Spanish conquest. He wishes to dispel the many myths that accompany the epic tale so as to provide a better understanding of who the natives were and, more importantly to Restall, who the Spanish were. He does an excellent job of questioning the who, what, and where of the personalities and motives of the men involved in conquest. These questions are heartily answered in a well-written and easy to read history book.

After observing local natives, the first Spanish conquistadors came to the conclusion that the Native Americans were barbaric and in dire need of Christian teachings. Thus, Spanish colonists made it their mission to convert the local natives to Christianity, using violence when there was resistance. In 1597, there were a series of uprisings by the Guale Indians in present-day Florida. They destroyed many missions, explaining that the Spanish missionaries had attempted to eliminate their religious practices such as feasts and celebrations. The Spanish also oppressed the Native Americans, and used them as a labor force under the encomienda system. The French, on the other hand, are known for their peaceful alliances with the Native Americans. Colonists established trade agreements with the local natives, obtaining raw goods such as fur and timber. Their peaceful relationship may in fact be attributed to the Spanish; the “Black Legend” of Spanish cruelty towards Native Americans made other European countries eager to prove themselves different. The French took pride in the fact that they treated the Native Americans more humanely than their Spanish counterparts. In addition, the French were not interested in expanding their territory, unlike the Spanish. They were simply looking for trade opportunities, and a mutual relationship with the Native Americans was advantageous. The primary goal of Spain

Leon-Portilla based the stories told in this book upon old writings of actual Aztec people who survived the Spanish massacres. The actual authors of the stories told in this book are priests, wise men and regular people who survived the killings. These stories represent the more realistic view of what really happened during the Spanish conquest. Most of the history about the Aztec Empire was based on Spanish accounts of events, but Leon-Portilla used writings from actual survivors to illustrate the true history from the Indians’ point of view.

The film The Other Conquest is a drama about the aftermath of the 1520’s Spanish Conquest of Mexico told from the perspective of the indigenous Aztec people. It explores social, religious, and psychological changes that brought the historical process of colonization that both defined the South American continent and highly reminds us of today’s neocolonialism.

The role of the Roman Catholic Church in Spain’s conquest and colonization of continental America was a two-fold process whereby under the façade of conversion and control lay the primary goal of gaining wealth, enforcing laws and the inevitable extension of control while condoning the beginnings of European slavery in the Caribbean.[i]

The purpose of this essay is to analyse the original drama text with a newer film version, while comparing the

The Alamo itself was a Spanish Mission, which had a main purpose of converting natives in the area to Catholicism, the official Spanish religion. The time period in which it was establish along with several other missions was during the Spanish Mission Period, which lasted from the early to late 18th century. The Alamo’s original name was San Antonio de Valero in honor of Saint Anthony de Padua (Official Alamo Website). It changed locations several times before it finally was moved to its current location in 1724. It was the first of five Spanish missions in the current San Antonio area and was home to many Spanish missionaries and Indian converts. However, converting natives was not it’s only purpose. It also served to convert the natives to the Spanish way of life in order to create a self-sufficient population that could grow and sustain it-self as loyal Spanish subjects to keep other European powers out of this area. But this strategy did not last for long. Near the end of the 18th century, the Indian convert population had dwindled because of increased exposure to new diseases carried by Europeans.

As a new and mysterious world awaits to be discovered, daring conquistadors leave their home country of Spain in a journey of exploration. Two men by the name of Narvaez and Cabeza de Vaca set sail to thwart the untrustworthy Cortez who, behind the backs of Narvaez and Cabeza de Vaca, sailed to the New World with half of Narvaez’s crew in search of treasures. However, the journey would prove to be treacherous as the conquistadors would have to encounter hostile Native Americans and strange terrain they have never seen before. Throughout the expedition, future encounters between the Native Americans and conquistadors were heavily influenced by the personalities of the individuals and past experiences the Native Americans faced.

In the second conflict, we see the Jesuits, a religious order recently created fight for the rights of the Guaraní in the film The Mission. The film shows it viewers how this religious order worked in the New World along with the Portuguese and the Spanish, both of whom had almost opposite agendas from the Jesuits. In Memory of Fire, readers see Galeano’s take on this major conflict with both sides being addressed. Ultimately the expulsion of the Jesuits ordered by King Charles III might show just how and why this era of Religious Conquest in the New World ended.

This paper will take a look into the movie Amadeus, to see if the film accurately