The Mists Of Avalon: The Women Behind King Arthur Essay

**The Queen of Air and Darkness, a novel written by T.H. White, mainly follows the lives of King Arthur and Morgause, as well as those around them. King Arthur is beginning his reign after pulling a sword of a stone and discovering he is the rightful king of England while Morgause is living a life of selfishness in the Lothian territories with her four sons. In The Queen Of Air and Darkness, White uses diction and tone to express the importance of devotion in the world through the Orkney boys’ relationship with their mother, King Pellinore’s love for Piggy, and Arthur’s mission of making the world a better place.

In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the

A woman’s alternative would be becoming a nun, giving up all social freedoms and dedicating your life to serving the poor and God. Women who were subject to this life received a much more thorough education than other women, in order to properly learn religious concepts and theory. Otherwise, a woman’s education was limited to basic reading abilities paired with instruction on how to do homely activities. A woman of this time period had utterly no voice in politics. Law was man’s law. The life of these women were controlled by the men who surround them, their opinions meaning little to nothing. The life of a woman in medieval times was bleak and varied little. Romantic literature was on the rise, full of damsels in distress that only further perpetuated negative stereotypes of women during these times. These romances were full of helpless women in situations only a man could get them out of, or else they would be doomed. Despite this cultural oppression of women in this time period, some strong female characters were erected in medieval romances. A perfect example of an abnormally strong and independent female main character would be Enide from Erec and Enide written by Chrétien de

There are countless versions of the legend of King Arthur and the knights of the Round Table. Most English versions are based on Sir Thomas Malory's Le Morte d'Arthur, but where did these tales originate, and what different interpretations are there today? This essay seeks to examine the roots and different renditions of the various legends circulating today. The first section deals with the origins of the legend. The second section speculates on who the "real" King Arthur could have been. A comparison of several different versions, and suggestions of why they differ are given in the third section, and the conclusion presents an analysis on the ambiguity of the legend.

Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this

heiress to Avalon, Morgaine. The story is told by each, as they saw it happen.

During a high point in medieval chivalric romance, both Marie de France’s Lanval and the anonymous Sir Gawain and the Green Knight tell fanciful tales of knighthood, chivalry, and spiritual and temporal (courtly) love. Both Lanval and Sir Gawain and the Green Knight portray their female characters as possessing considerable power and influence, within the events in the story and in the structure of the plot. Indeed, the female characters in both works function as the catalysts of the events within the stories, and also as instruments for each author's conveyed meaning. While Lanval presents its female characters in an unorthodox reversal of gender roles, Sir Gawain and the Green Knight employs the female characters as moral and spiritual trials for the hero, Sir Gawain. I will examine how the fairy princess and Queen Gwenevere in Marie de France's Lanval present a reversal of gender roles as was traditionally understood; she presents femininity as powerful, inspiring, and morally dynamic (for a woman can be ideal, or she can be corrupt). I will compare this to the representation of Lady Bertilak and Morgan le Fay in Sir Gawain and the Green Knight, in which they are used to convey a “Biblical” warning for an ecclesiastical audience; particularly that of moral failure and the temptation of the flesh.

King Arthur is an outstanding British leader of the 5th and the 6th centuries, son of Uther Pendragon and the Lady Igraine. Arthur is one of the greatest mythical heroes that the world has ever known. Arthur has had a great influence on other people and many of them looked up to him. The coming of Arthur was prophesied years before he was even born. Arthur was born into a world of chaos and disorder, full of love and tragedy. Nowadays, many of the scholars continue to argue whether or not King Arthur was a real person or just a mythological figure. Based on facts however, many believe that Arthur was not a real person; just a legendary British leader in the 5th and 6th centuries. According to history, there wasn't anyone named King Arthur

Changing Women's Roles in The Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales

Chaucer’s Wife of Bath gives the reader a glimpse into the world of medieval women and at the same time is a commentary on Chaucer’s view of deficiencies of his world. In the Knight’s Tale, the reader sees a resistance to the rights of women, typical of the medieval period and in the Wife’s Tale there is a peek at the beginning of the sovereignty of women of their own

tale and la Mort d' Arthur the leading plot of both these stories is conceived by the wife and Guinevere's lust and pursuit of love and happiness.

In medieval literature, the role of women often represents many familiar traits and characteristics which present societies still preserve. Beauty, attractiveness, and grace almost completely exemplify the attributes of powerful women in both present and past narratives. European medieval prose often separates the characteristics of women into two distinct roles in society. Women can be portrayed as the greatest gift to mankind, revealing everything that is good, pure, and beautiful in a woman's life. On the other side of the coin, many women are compared to everything that is evil and harmful, creating a witch-like or temptress quality for the character. These two aspects of European culture and literature show that the power of

     Until recently, the role of women in literature has seemed to reflect the way they were treated in society. Women were seen as secondary to men, and their sole purpose in life was to please a man’s every desire. This is not the case in three specific literary works. The Odyssey, The Wife of Bath, and Sir Gawain and the Green Knight use the actions of its women characters to greatly enhance important thematic elements. The women in each of these works use feminine psyche to persuade men to do things that men of the time would not usually do. The use of women in these literary works is very contrary to the prevailing ideals of the female and her responsibilities at the

Merriam-Webster's on-line dictionary defines chivalry as "the system, spirit, or customs of medieval knighthood." As Leon Gautier, author of Chivalry, defines this "system" and "spirit" of knighthood by identifying rules of chivalry, two of which are well illustrated in Lanval, "TheWife of Bath's Tale," and "The Wedding of Sir Gawain and Dame Ragnel:" "Thou shalt never lie, and shall remain faithful to thy pledged word," and "Thou shalt be generous, and give largess to everyone"(qtd. in Chivalry). All three stories seem to suggest the predominant theme of a knight living up to his word. This is shown by the fact that, in each story, the knight's oath is taken very seriously, is treated as a contract, and is

A Handbook to Literature by William Harmon and C. Hugh Holman says that a medieval romance is a tale of adventure that contains knights, kings, or distraught women. That person is usually motivated by either love, religion, or s/he is just wanting an adventure. Medieval romance was first seen in