The Modern Cartesian Subject And The Post-Modern Subject

For one to begin the quest into Descartes’ dualism, one must first look at the argument of the real distinction. In Descartian thought, the “real distinction”

My intent in this essay is to illustrate that the arguments regarding the existence of God and the fear of deception in Descartes’ Meditations on First Philosophy, are quite weak and do not justify his conclusions. To support these claims, I will begin by outlining two specific meditations and explain the proposed arguments. Later, I will critically analyze his arguments, revealing unjust conclusions. Doubts surrounding the text include the suggested characteristics of God, the condition of perfection, and the nature of deceit. A wrap up will include a discussion on whether or not Descartes (also referred to as Renatus) succeeded in his project.

From the seventeenth century to the late twentieth century there has been a change in society creating a modernist era which saw the ending of feudalism and the devotement of capitalism. (Hudson, 2003:3) This period saw changes in the way individuals lived their lives and viewed the world; there were political changes and systems of punishment. The changes stirred

Methods and Meditations on First Philosophy is a discourse by Rene Descartes, which largely focuses on the nature of humanity and divinity. This essay is a discussion of this discourse, and will summarize, explain and object to various parts of his work. The majority of this essay focuses on Descartes Sixth Meditation, which includes his argument that corporeal things do exist.

Modernism is the heartbeat of culture, or as Clement Greenberg (1992:754) states, modernism involves of what “is truly alive in our culture” and it includes more than just art and literature. Western civilization began to interrogate their foundations and progressed into a self-critical society (Greenberg 1992:754). This notion began with the theories of the philosopher Immanuel Kant (1724-1804); he criticized the means itself of criticism (Greenberg 1992:754). Therefore, Greenberg (1992:754) perceived Kant as the first real Modernist.

Postmodernism or postculturalism, a term often also used, offer a very different and much more radical version of constructivism. They are strongly opposed to the universalist premises of realism, liberalism, Marxism and post-Marxism, and are highly critical of the general phenomenon of the aforementioned modernity (Lawson, p. 145).

Postmodernism is a term which is highly contested in the sociological world, where it is used to indicate a significant detachment from modernism. It is easier to give the uses of the term; ‘to give a name to the present historical period, to name a specific style in arts and architecture and to name a point of rupture or disjuncture in epistemology’ (Buchanan, 2010). For this,

To fully appreciate the differences and similarities between Postmodernism and Modernism, it is required to understand exactly what they are. Modernism is the term we give to the accumulated creations and activities of designers in the early 20th century, who had the theory that traditional forms of literature, religion, social organization, and most of all, art and architecture, had become outdated in the new social, political, and economic environment of a fully industrialised world. One of the main characteristics of Modernism is self-consciousness, which typically caused exstensive experimentations of form and function. The creative process of generating work was also explored, forming new techniques in design. Modernism rejected all ideology of realism and prefers to reference and parody works of the past. Postmodernism, on the other hand, is a radical rejection of Modernist design. Taking place in the late 20th century, it is a movement in art, criticism, and architecture that disputes the majority of modernist tendencies. The Postmodernist analysis of society and culture lead to the expansion of critical theory and advanced the works of architecture, literature, and design. This entire re-evaluation of the western value system of popular culture, love, marriage, economy, that took place from the 1950s and 60s, leading to the peak of the Social Revolution in 1968, is commonly referred as Postmodernity which influenced postmodern thought, as opposed to the term

Rene Descartes Meditations is known to be one of his most famous works, it has also shown to be very important in Philosophical Epistemology. Within the meditation’s he provides many arguments that remove pre-existing notions, and bring it to the root of its foundation which Descartes, then will come up with his indubitable foundation of knowledge to defeat any doubt and to prove God is real. Descartes was a “foundationalist”, by introducing a new way of knowledge and with clearing up how people thought about things prior. Descartes took knowledge to its very foundations, and from there he can build up from it. In this essay, I will be discussing Descartes, and analyzing his first two meditations and arguing that he does indeed succeed in his argument.

It is the purpose of this essay to examine both Descartes’ Cogito argument and his skepticism towards small and universal elements, as well as the implications these arguments have on each other. First, I will summarize and explain the skepticism Descartes’ brings to bear on small and universal elements in his first meditation. Second, I will summarize and explain the Cogito argument, Descartes’ famous “I think, therefore I am” (it should be noted that this famous implication is not actually something ever said or written by Descartes, but instead, an implication taken from his argument for his own existence). Third, I will critique the line of reasoning underlying these arguments. Descartes attacks

project for "any attempt at a postmodernist 'method' is contradictory (an impossible possibility)" (25). In one of the most

In his work Meditations on First Philosophy, published in 1641, René Descartes sets out to establish a set of indubitable truths for the sciences. He begins by discarding all of his beliefs, then works to rebuild his beliefs based on careful thought. Descartes clearly states this goal, saying in the First Meditation, “I will work my way up… I will accomplish this by putting aside everything that admits of the least doubt” (I, 17). He is able to establish his own existence, but struggles to move beyond his internal thoughts to discuss external objects. Descartes decides that the Christian God is the bridge he needs to escape the confines of his own mind, and argues for the existence of God in the Third Meditation in order to move on to discussing the physical world. In this paper I will argue that Descartes’ rationalistic project would have been improved without an appeal to the Christian God, although I will also argue that Descartes thinks this appeal is necessary.

Postmodern writing evolved around WWII in response to Modernism that dominated the 19th c. The two writing styles share many characteristics, but the defeated modernist wallows in his realizations whereas the postmodernist offers a light or hope in conclusion. There is still a sense of foreboding for the postmodernist concerning science and technology. However, they are able to forge past their distrust, accept it as a logical progression, and begin to embrace some elements of advancement. Postmodernists have also lost faith in transcendence and spirituality, but to counter this loss they search and find hope in mystical forces or worldly treasures. Objective reality doesn’t exist for them either, but

The main features of a postmodernist are that he or she is overly subjective, sensitive towards the role of ideology in assertion and maintenance of political and economic power. On the other hand, a modernist for example, there exists objective natural reality which is independent of human beings, their practices and relationships (Duignan, 2014). Such realities

Postmodernism refers to a broad term used to explain movements in philosophy, art, music and critical theory. Postmodernism is viewed as a reaction to the pioneering modernist movement. In literature and art, postmodernism responds against classical ideas. With respect to post-structuralism and structuralism, there is a great difference between postmodernism