The Modern Influence Of Honey Singh

Throughout history sound has been used to help convey a story. As early as the 1900’s, without today’s technology, movies would often be accompanied by a soundtrack played on a piano or record players. In 1927 The Jazz singer was released, a warner bros movie that featured music and dialog on the actual filmstrip. This film is

“The most exciting moment is the moment when I add the sound… At this moment, I tremble.” (Akira Kurosawa) Sound is arguably the most important concept in cinema studies, being there ever since the beginnings. It can radically change the way a motion picture is looked at and it can render what the director may sometimes find hard to depict using only his camera. Looking upon silent cinema one discovers an era which wasn’t at all silent, but rich in sound of different forms, from the simple narration of the images shown on screen, accompanied by a piano, to the complex score later composed specifically for that film. An example of that complex score is shown in Sunrise, a film by F.W. Murnau, which lies at the border between silent cinema and sound cinema. Considered to be one of the first films with an actual score, Sunrise is a great example of the multitude of dimensions and effects sound can have.

In writing A Taste of Honey, what impact did Shelagh Delaney hope to have upon her audience? What techniques did she use to achieve these aims? Shelagh Delaney wrote "A Taste of Honey" in 1958 when she was only 18. "A Taste of Honey" is a story about the relationship between a girl and her mother.

This early film music had many influences from different genres, such as jazz and blues, ragtime, vaudeville, and the style of music from Broadway musicals was also becoming popular. 4 Film “composers” of this era had a wealth of popular music to draw on in order to create the music for the silent films they were working on. The varying genres also meant that they were able to create different styles and moods of music to suit the different genres of film, or the different

Background music plays a really important role in today’s film industry. The music supplement to the film, in order to create a more complete work. Composers write their music on the basis of the story line and director put the music in the right spot, in order to draw audience’s attention and emotion into the film. Moreover, lyrics will bring out the movie plot and presents people’s feeling of the movie. There is a good example, which called “City of Stars”. It is a song from a musical romantic comedy film, La La Land, composed by Justin Hurwitz and the lyrics were provided by Benj Pasek and Justin Paul. “La La Land” tells a love story which a jazz pianist and an aspiring actress, who meet and fall in love while pursuing their dreams. However, when time goes by, the reality keeps them farther and farther away. The “City of Stars” reflects a very mixed feelings, such as the pictures, the song, and the latest moment. There seems a thousand words of regret which cannot be said. Even

CENTRAL IDEA/THESIS: Film scores are an undoubtedly important part of the movie watching experience, however you may not know about how they were first introduced, the process it takes to make them, or how they have changed over time.

Music can be extraordinarily influential in films, as it has the ability to evoke emotion not displayed by on-screen action. Music used in films can play many roles; it can depict time and place, mood, atmosphere, character, and can be used to underscore the onscreen drama and titles. Alan Silvestri and John Williams successfully manipulate the use of music in film to establish characters (along with their personality, actions and changing emotions), as well as underscore the mood for the entirety of their given films. The contrasts of Silvestri’s “The Feather Theme” with Williams’ “Batman Theme” exemplify the power of music in film.

In the movies, there are a number of factors that will impact the quality of the film and the story. This is because producers and directors are using different techniques that will enhance their ability to entertain. The Sound of Music is taking numerous ideas and is integrating them together. To fully understand what is happening, there will be an examination of the film and various concepts. This will be accomplished by focusing on: the storytelling, acting, cinematography, editing, sound, style / directing, impact of the film on society / vice versa, genre, application of at least one approach and overall textual themes. Together, these elements will highlight the effects of the film and how it has influenced others inside the industry.

The release of Gordon Hollingshead and Alan Crosland’s The Jazz Singer in 1927 marked the new age of synchronised sound in cinema. The feature film was a huge success at the box office and it ushered in the era David Bordwell describes as ‘Classical Hollywood Cinema’; Bordwell and two other film theorists (Janet Staiger and Kristin Thompson) conducted a formalist analysis of 100 randomly selected Hollywood films from the years 1917 to 1960 in order to fully define this movement. Their results yielded that most Hollywood made films during that era were centred on, or followed, specific blueprints that formed the finished product. Through this analysis of Hollywood films the theorists were able to establish stylised conventions and modes of

The importance of music in movies is highly regarded for manipulating the viewer’s emotions and helping them immerse into the story. Music is one of the prime elements in cinema. Without it a movie would feel dull and unexciting. There are three elements in a movie: one is acting, the second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack of sensation and excitement. Both acting and picture can stand independently from one another, but music is the one that makes the movie memorable.

King Kong is the perfect example of the early development of motion picture music in the twentieth century. The music was not only essential to the film, but musical scores also made the film better for the audience. Clever composers created a true musical drama; Max Steiner was known for his musical ability including films like Gone with the Wind. Steiner spent a lot of amount on the music of film King Kong 1933. The music meant everything to that picture, and the picture meant everything to RKO, because it saved the studio from bankruptcy…. The impact of King Kong on the movie-going public was astonishing. It emerged into a country frightened, impoverished, in the grip of the Great Depression.

Though these aforementioned motifs are used quite extensively in Hollywood film music, the use of music to augment the cinematic scene in Hollywood films is seen most noticeably during instances of grandeur and opulence. To accompany these scenes, the film scorers elect to use large ensembles, with each family of instrument partaking in the production. This correlation has become a staple in Hollywood films, as “orchestral size not only indicated musical choice or financial well-being but became a status symbol for the music director” (Morcom 70). Such an implementation of emotional mimicry is found in the movie The Lord of the Rings: The Twin Towers, when Howard Shore’s “Helm’s Deep” played during the Helms Deep Charge. In the middle of the Rohirrim charge at Helms Deep, Gandalf the White presents himself at the top of the hill on a great white stallion. Gandalf is magnificence personified, so the choice in musical accompaniment simply strengthens the delivery of this fact to the audience. Therefore, as seen from all three previously discussed styles, there exists a pattern in the field of music, where an inherent sense of strategy and intention is employed when selecting the notes in a piece. In American culture, the general view of film music is that “song sequences, seen as distractions, cast doubt on a film's narrative authenticity by limiting creativity, plot development, and characterization, resulting in a genre that appears to lack cinematic realism as compared to

Muzaffar Ali used a variety of songs in his movie which included Ghazals, sad (songs of Pathos), marriage, religious and playful songs with the help of music director Khayyam. By the traditional instruments, Khayyam scored the background music to represent a situation well and smoothly carry the sequences. Also, Khayyam wants to get the attention of the viewers/audiences by his music compositions. Khayyam portrayed his music passion throughout each scenes BGM. For example, when there is a sad or happy scene, he increased and decreased the tempo of the music and the quality of the sound (timbre) to enhance the visuals based on the situation. Through the clever use of ‘raag’ and ‘ras’, Khayyam got the heart of the listening audience. All of the songs in the film have been pictured well and are a feast for the eyes and the ears.

Indian melody is usually based on ragas, a type of melodic mode. Many ragas exist, and each features specific “ethical and emotional properties.” Indian music does not use the Western major and minor tonal systems, or emphasize harmony. Instead the melodies incorporate seven-note thats. Unlike Western scales, the interval pattern varies for each that. “Two of the most common thats, Asavari and Bilawal, closely approximate the Aeolian mode (natural minor scale) and Ionian mode (major scale), respectively.” Traditional Indian music is monodic, with most compositions having a single melodic line, with percussion and drone accompaniment. Most Indian classical music is not contrapuntal, instead, “The interest and complexity of this music lies in its melodies and rhythms.” Talas, the rhythmic patterns, are the basis for the complexity of rhythms accompanied within songs. Talas are long rhythmic cycles, unlike the Western practice of organizing rhythm into short measures. Vocal music is part of Indian tradition, and “vocal techniques are the basis of good instrumental technique.” In general, Indian vocalists do not use vibrato, giving a tonal quality that may sound nasal, flat, or lifeless, very foreign to the Western listener. However, in Indian music, this can be described as a "clean, clear sound" that does not mask or

What drives a scene in a movie, television show, or video game is the music in the background. Movies and television shows often share the same element when using an orchestra score as background music. “Music adds to the emotional quality of the film. There is some empirical evidence to support this: fast and loud music arouses, slow and soft music calms. Motion and emotion are often entwined”. (Schaefer, 1998). The audience feel more emotional as you hear the sad melody of a violin during a dramatic scene. For some films that have