The Moon Is A Harsh Mistress, And Ridley Scott 's 1982 Movie, Blade Runner Essay

What makes something or someone human can often be unclear. Humans have many preconceived notions about who and what they are and what their rightful place in society is. These notions, however, are frequently at odds with reality. The uncertainty of what makes someone human is explored in Ridley Scott's classic science fiction film Blade Runner. Dr. Eldon Tyrell's Tyrell Corporation created the replicants to be sub-human servants that were clearly distinct from and inferior to human beings; the replicants were intentionally designed to be unable to express emotions, particularly empathy, which is believed to be a trait that only human beings can possess. Human beings believe that the quintessential thing that makes them human and distinguishes

Ridley Scott and George Orwell both continually depict control in their texts through the utilisation of various techniques, in order to portray the effect this has on the characters of Blade Runner and 1984 respectively. This is done by both Scott and Orwell expertly and provides the audience with further insight and depth of the characters. Orwell and Scott respectively utilise the surrounding setting of their protagonists to depict the control that they are under, each author does this by likening their protagonist to the setting and displays evidently that the setting has impacted the characters. Motifs and symbols are utilised heavily by Scott and Orwell to further emphasis the control that is currently

One Night the Moon (Rachel Perkins) is a marvellous portrayal of the conflict between the white settler and the Indigenous Australian, at the heart of which, is their attitude to the land and what it represents. The film demonstrates the conflict created through opposing views of land ownership due to misunderstanding and stubbornness over opinions, and highlights the mistreatment the Indigenous people have suffered over this confusion. The film follows a white settler, Jim Ryan, and an indigenous police officer, Albert, and their actions surrounding the disappearance of Jim’s daughter, Emily. The film depicts the conflict caused by their opposing attitudes towards the land, particularly Jim’s territorial view towards ‘his’ land. Perkins attempts to bring the similarity between their conflict in the 1930s and our society now to the fore by subtly hinting at the subconscious of the audience to cause them to consider their own ideas and values.

“2001: A space Odyssey” opens in the African Rift Valley, where a tribe of hominids encounter a stone monument which has obstructed on their domain. This stone monument transmits radio waves that end up expanding their IQ 's, teaching them weaponry and other tool uses to help them live, as they proceed to defeat a rival tribe. Four million years later, we see the luxurious space travel that the vintage science fiction of the 1960’s, with space stations for air terminals and such. Dr. Heywood Floyd is heading to Clavius Base, a United States lunar station. Along the way, he finds out about gossipy tidbits about an unidentifiable disease going around on the Clavius Base and his responsibility to study a four-million-year-old structure. Floyd

“War is peace, Freedom is Slavery, Ignorance is Strength”, These are the moral codes and social conventions citizens of George Orwell's 1984 live by. With high level surveillance and publicly inflicted ideologies that promote the governing force puppeteering its nation, 1984 shares shocking similarities with increased security, political power and technology seen in today's world. In the same vein, Ridley Scott's dystopian futuristic thriller Blade Runner, set in an overpopulated, corrupt, corporation governed world can be compared to the world of today in terms of the rapid development in technology and the political influence large corporations can have on governments. Both texts create a futuristic world that is able to form connections with its audience to varying degrees. But how do George Orwell's 1984 and Ridley Scott’s Blade Runner depicted futuristic worlds specifically relate to the audience of today?

Blade Runner written by Ridley Scott is a movie based in the future. It is Scott's depiction of what is to become of Earth. But technological advances shown in Blade Runner have come to a point where humanity can be questioned. Reality is blurred and the nature of what is human is changing. Replicants appear identical to humans and even have emotions, while the real humans appear cold and unemotional. So who is really human and what does it mean to be humane?

Steven Spielberg's Jaws and Ridley Scott's Gladiator The two films being examined are the thriller Jaws, directed by Steven Spielberg, and the action film Gladiator directed by Ridley Scott. Both directors create epic films; the films are momentous and are designed to manipulate the emotions. A thriller is intended to appeal to basic human instinct to the need of feeling fear and survival. Action movies are designed to appeal to our sense of danger: pace and experience is something we want but don't have in our everyday lives to this extent.

How do we know that we are human and, if we are human, what does it mean to be human? These two philosophical inquiries are explored in great depth in Ridley Scott's film "Blade Runner", and of course the text of Philip K. Dick's wonderful novel Do Androids Dream of Electric Sheep? on which the film is based. Most would agree that these themes exist in the novel, but a handful of critics and academics have some doubt as to their presence in the film. If one examines both the film and the text, one will realize that they both serve to support the same motifs, but do so in different fashions. Many critics argue that the awesome visuals

have found out that he is ‘the one’ who will stop “The Matrix”, he is

How Terminator Two Satisfies the Science Fiction Genre The film, ‘Terminator’ is part of a trilogy; Terminator 2 is the sequel to the first terminator film- Terminator 1. The auteur, James Cameron, produced the first terminator movie in 1984; and because the film was a big success with a range of viewers- the majority of different genre lovers- , James Cameron had decided to create a sequel, which was produced in 1993. The big screen had cost a huge budget in Hollywood, WarnerBrother’s (a franchise, film production business).

The science-fiction film genre serves as an excellent medium for examining shifting power structures, social paranoia and Cold War politics during the 1950s. A number of films released during this period, including: Invasion of the Body Snatchers (1956), The Day the Earth Stood Still (1951), Them (1954) and Attack of the 50ft Woman (1958), are particularly symptomatic of the social and political atmosphere of the time. These films navigate not only narrative based issues such as the threat of aliens and science experiments gone wrong; but also wider issues of the time, such as the Cold War, changes in the US film industry, urbanisation, politics, the growing power of women and most significantly, social concern about nuclear energy.

What if technology became so advanced, that people cannot distinguish between artificial intelligence and humans, not just in looks, but in personalities? These are the worlds created in both Ridley Scott’s 1982 film Blade Runner and Masamune Shirow’s 1989 manga The Ghost in the Shell. Both stories involve self-aware robots that are assimilated into theses culture. In Blade Runner, the protagonist Rick Deckard works as a blade runner, a hunter who captures rogue replicants, to keep the society safe from a robot takeover. Major Kusanagi, from The Ghost in the Shell, works in the cities section 9 police task force. Throughout the book, she tries to take down the Puppeteer, the antagonist who steals the ghosts of humans by hacking into their

Life according to scientists is “the condition that distinguishes animals and plants from inorganic matter, including the capacity for growth, reproduction, functional activity, and continual change preceding death, also the way of life of a human being or animal.”("Life,”) In order for one to have life, one must have the nine characteristics to be considered a living thing. These nine characteristics are; all living things are made up of cells, living things are able to reproduce, living thing use energy, maintain homeostasis, respond and adapt to the environment, grow and develop, have a life span, evolve over time, and are interdependence. All of the nine characteristics

According to Webster's dictionary, life is "the quality that distinguishes a vital and functional being from a dead body; a principle or force that is considered to underlie the distinctive quality of animate beings."

Dystopia is a dehumanized society, where the society are presented to be a utopia, but everything has become misguided towards a corrupted state. The Greek prefix ‘dys’ means ‘ill’ or ‘bad’ therefore “dystopia” means a “bad place” where it’s made of darkness and poverty. Its people lived under the shadow of a totalitarian government.