The Morality Of Abortion By Judith J. Thomson

The next issue is, in Thomson’s opinion, the most important question in the abortion debate; that is, what exactly does a right to life bring about? The premise that “everyone has a right to life, so the unborn person has a right to life” suggests that the right to life is “unproblematic,” or straight-forward. We know that isn’t true. Thomson gives an analogy involving Henry Fonda. You are sick and dying and the touch of Henry Fonda’s hand will heal you. Even if his touch with save your life, you have no right to be “given the touch of Henry Fonda’s cool hand.” A stricter view sees the right to life as more of a right to not be killed by anybody. Here too troubles arise. In the case of the violinist, if we are to “refrain from killing the violinist,” then we must basically allow him to kill you. This contradicts the stricter view. The conclusion Thomson draws from this analogy is “that having a right to life does not guarantee having either a right to be given the use of or a right to be allowed continued use of another person’s body—even if one needs it for life itself.” This argument again proves the basic argument wrong. The right to life isn’t as clear of an argument as I’m sure opponents of abortion would like it to be or believe it is.

In the article "A Defense of Abortion" Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous "violinist" argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's "violinist" argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not make abortion permissible.

In Judith A. Thomson’s article, ‘A defense of abortion’ Thomson defends her view that in some cases abortion is morally permissible. She takes this stance even with the premise that fetuses upon the moment of conception are in fact regarded as persons. However one criticism of her argument would be that there is a biological relationship between mother and fetus however there is no biological relationship between you and the violinist. Having this biological relationship therefore entails special responsibility upon the mother however there is no responsibility in the case of the violinist. Thomson argues against those who are opposed to abortion with her violinist thought experiment.

With Thomson’s violinist analogy she shows that although disconnecting him would result in death, it would not be morally incorrect. This argument can be applied to a woman’s pregnancy, suggesting that if you accept the prior statement and can find no reasonable difference between the violinist and the fetus occupying the woman’s body, then you should accept that abortion can be acceptable. Thomson

In Thomson’s defence of abortion she argues that abortion is permissible when a mother’s life is not at risk. Working on her interpretation of the secular conservative argument, she first assumes that the premise of a foetus being a person is true, then moves onto the second premise, that a person has the right to life. Analysing what the right to life means, she first looks at the idea that the right to life is the right to have the bare minimum a person needs in order to survive. She quickly rebuts this by providing the Henry Fonda analogy and the violinist analogy. Both of these show that just because a person needs something to survive, like Henry Fonda’s cool hand or another person’s kidneys, a person doesn’t have the right to take it. With this in mind she modifies the argument so that the right to life is the right not to be killed. This she rebuffs with the violin analogy, noting that by pulling the plugs you would in effect be killing the violinist. While the violinist didn’t have the right to your kidneys, it could be argued that he does have the right for you not to intervene. However these are your kidneys, and you should not be forced to allow him continued use. Having ascertained that the right to life is not the right to the bare minimum needed to survive, nor the right not to be killed, she concludes that the right to life is the right not to be killed unjustly, or the

In the “Violinist Analogy,” Thomson argues that in cases of rape and other ways in which a woman might become pregnant without making the decision to have sex, it is not immoral to have an abortion. She makes this argument through the analogy that you are hooked up to a “famous unconscious violinist” and if you unplug yourself you are causing the death of that violinist. This point works very well in the argument that it seems as though abortion is allowable in cases of rape.

Now on a different note, Thomson's main argument is set out to undermine the anti-abortionist argument. The anti-abortionist argument states: Every person has a right to life, the fetus is a person and hence has a right to life. The mother has the right to control her own body, but the fetuses' right to life is stronger than her right to control her body. Therefore, abortion is wrong. How Thomson goes about this is through analogies, and her main argument is through her violinist argument. Thomson asks you imagine that you find yourself hooked up to a famous unconscious violinist. If he can't use your kidneys for nine months, he'll die.

I take that she try to avoid criticisms by those who think fetus are people and to show even if fetus is person, abortion still morally permissible in certain circumstance. In the reading “Thomas” stated, “I am inclined to agree, however, that the prospects for “drawing a line’ in the development of the fetus look dim” (pg.241). Meaning, this is what pro-life want everyone to believe when it comes to abortions. “Thomson” speaks about the example of the different scenario of violinist in her book. In the online article, by Doris Gordon,” She was trying explaining that, unwanted pregnancy and the unconscious violinist are morally equivalent cases. She argues that neither the stranger nor the mother owes the needed life support; the stranger may unplug himself from the violinist, and the mother may unplug herself from her child”. Meaning, if any person was rape and didn’t want to keep the baby they, should have the say so in end the pregnancy. Every woman should have and say so to their body without the society putting into and person mind they are and ‘murder’ if they end and unwanted pregnancy. In an online article by

In the article 'A Defense of Abortion' Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous 'violinist' argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's 'violinist' argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not

Here Thomson assumes that both scenarios will reveal the same conclusion. Just as the reader (1) is under no moral obligation to use his body to support the violinist, a woman (2) is under no obligation to support a human fetus. So Thomson's analogy has directed the reader to the conclusion, that abortion as in the case of unhooking oneself from the violinist is sometimes morally permissible.

To support her argument, Thomson uses the example of a violinist where an unconscious violinist would only stay alive if you were constantly

In this argument it has been established then, that a fetus is a person from the moment of conception. Thompson now introduces her “violinist analogy.” This is a key term in her argument. In this analogy she asks the reader to imagine you wake one morning and find yourself in bed with an unconscious violinist. He has been found to have a fatal kidney ailment, and you alone have the right blood type to save him. You have been kidnapped in the middle of the night, and the violinist’s circulatory system is now plugged into yours. The director of the Hospital is now telling you “Sorry, the Society of Music Lovers did this to you – we would never have permitted it if we had known.” To get unplugged from the violinist will kill him, but in nine months he will be totally recovered from his ailment and you can be safely unplugged from one another. Thompson then asks, “Is it a moral responsibility for the kidnapped person to agree to this situation?” This situation she has concocted is comparable to that of a woman being raped. Pro – lifers say every person has a right to life and that right to life is stronger than the mothers right to decide what happens in her body. Thompson then goes on to say that instead of being plugged to the violinist’s body for nine months – its changed to your whole life. According to the pro –life

In “A Defense of Abortion,” Thomson utilizes several examples and variations thereof to support her claim. Her example of the violinist portrays a scenario where you wake up and find the Society of Music Lovers has kidnapped you and connected you to a transfusion machine, which they connected also to a famous violinist’s circulatory system to keep him alive, all without your consent. Furthermore, Thompson states, the violinist suffers from “a fatal kidney ailment” (Thomson, 353), and “you alone have the right blood type” (Thomson, 353) to support him live and save his life. He only needs your assistance for nine months to filter the poisons from his kidneys and safe his life. After nine months, his recovery will be complete and you can resume your normal life. According to Thomson’s analogy, you have the choice to either remain connected to him for the whole nine months or disconnect yourself from the machine and let the violinist die (Thomson, 351).

Thomson continues to dissect her scenarios that promote her support of abortion. She ends this essay after explaining that although she supports abortion rights, she does not think that all cases are suitable for abortion.

In A Defense of Abortion, Thomson states at the very beginning “it is concluded that the fetus is a person from the moment of conception” (Thomson 449). She then goes in to comparing it to the acorn and the oak tree reference. She uses these two ideas to show that the fetus is already a part of you. It may not be a human at that point, but it is still growing in the stomach of the mother. Thomson then goes into using examples of a violinist who has fatal kidney problems, so your kidneys get hooked to his in order to save his life. Once he gets unhooked from his lifeline, he will die. This example is used to really help understand abortion. Much like the violinist, if the fetus gets unattached to its lifeline, it will die. Thomson then goes into describing the extremist view of a mother letting the fetus become a baby, even though it might very well kill her. She expresses her opinion, “The fetus, being a person, has a right to life, but as the mother is a person too, so has she a right to life” (Thomson 451). She realizes that even though the fetus has been conceived, because it is not a human, the mother should have just as much a life as the