The Most Afflictive Of Them All Short Story

In the Iliad is a very interesting epic with features two main central characters that are similar in some ways but totally different in other ways. In this epic you will be introduced to Hector and Achilles. Two men from each side in the great Trojan-Greek war. They were both heroes to their people despite their clearly different contrast in their personalities. In this paper I will highlight the life of both of these two leaders of the Greek and Trojans in this epic the Iliad. Also a little will be shed of how Homer portrays the characters deeper then an average thought. I will attempt to show the complexity of his thought process in forming the climax of these two characters coming to battle.

Narratives need to have well-developed characters. As authors and translators do revisions and translations, they often change things in a piece, most often how the plot runs and how the characters act. Greek mythology has a strong idea of what makes a hero as well as certain ideals of honor and war. This essay will be looking at the character changes of Paris of Troy -- his cowardice, unmanliness, and lack of spirit -- through the novel The Iliad, by Homer, and the movie Troy, directed by Wolfgang Petersen.

In The Iliad, Homer offers incredible insights into the themes of human interactions. While the epic narrative moves forward, these dynamics are kept intertwined with the devastating battlefield. One of the prominent themes is the father-son relationship and this Iliadic father-son dynamic is focused mostly between Priam and Hector. Looking at scenes featuring both characters, their interactions feature mutual feelings of love, concern, and, most importantly, interdependency. Priam cares for Hector, imparts values tied to the heroic code, and carries expectations for his son. On the other hand, Hector aims to meet Priam’s expectations and repay his father for all that he has done for him. In the background of this relationship, Homer

In The Iliad, Homer plays with the ideas that Zeus, the god and leader of all, ultimately may not be in charge. Countless times during the text, Zeus bends to the wills of prophecies, mortals, and even other gods. As the story develops, Zeus becomes less in charge and more of a puppet for mortals and gods who have contrivances for and against him. Through prophecy, Achilles, and Hera, this essay will glimpse at the idea of Zeus simply being a puppet on strings in the hands of war.

The war began with a grand wedding between Peleus, the son of Aeacus, and Thetis, the sea-goddess. Eris, the goddess of discord, was not invited to the wedding. Enraged at this, she stormed into the wedding and threw a golden apple of discord on a table. The apple had the inscription “For the fairest” a quarrel soon arose between three powerful goddesses. The three goddesses; Hera, Aphrodite, and Athena all wanted the title of fairest. They wanted to Zeus to be the judge of this contest. Not wanting to be involved in the quarrel, Zeus sent Hermes to get Paris, the Trojan prince, so that he could judge the three ("History of the Trojan War").

“Yes, you there, that man er—young man I spoke to earlier,” she shrilled, clumsily trotting across the street. “Yes, you,” she panted, grasping hold of her centered, skirt slit and swiftly darting across the grass. “Oh it’s wet, the grass is moist,” she wailed. “Yes, you there,” she said again, pointing at me, nearing closer and clamoring up the porch steps. “Oh look, those are some beautiful, Ah—deadly roses!” she squawked, “I think they just made a ladder in my favorite tights.” Her face looked like it was going to sob again, but briskly, she straightened her stance and blew out a sharp breath. “I know,” she said breathlessly, “you're probably wondering what this horrendous woman is is doing in front of you and—oh my god, is this street full of supermodels!” her eyes shifted distractedly, gawking at Gemma. “You look like an angel. Your light, champagne blond hair is so gorgeous, and you're so lean and perfect—how tall are you? She quizzed Gemma.

The Iliad, by Homer, is an epic poem set in the era of the Trojan War, accounting the battle logs during the time of conflict between Agamemnon and Achilles, the text’s tragic protagonist. The heroic outlook on life, in Iliadic terms, is exemplified through the construction of one’s honor through hard work. Being an aspect of the heroic outlook of life, this value is demonstrated through his contribution and dedication to the Trojan War, his experience with neglect from the deities, Achilles’ overall disdain towards Agamemnon, and, lastly, his longingness towards Briseis, his dear lover.

“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of

“Tell me, O muse, of that ingenious hero who travelled far and wide after he had sacked the famous town of Troy”... “Tell me, too, about all these things, O daughter of Jove, from whatsoever source you may know them.”

The Iliad’s portrayal of Helen’s agency appears conflicted. Characters debate if Helen went to Troy due to kidnapping, persuasion, or her own free will, and while at times she is listened to, men often objectify her. There is a limited amount of clarity surrounding Helen that can be gleaned from this story as told by Homer and the varied characters through whom he speaks. Yet within this story lies the window to another version of events, the story as told by Helen herself. The Iliad does not thoroughly divulge this story, but it does reveal the medium through which she tells it: weaving.

The Iliad is a book full of poems that talk about the history of Trojans and Greeks. Within the Iliad, there is a strong urge to show a world in which was are tremendous and the gods have direct hand in human events and these deities influence fate. The two leading gods, Achillies and Aeneas, the reader can see the ways in which these two cultural problems entwine and try to create an image of the ancient world which is at once barbarously real in terms of the depiction of not just the glory, but also the horrors of war which are filled with supernatural and mystical figures called the gods.

The stories told in the Iliad and Odyssey are based on stories handed down over several generations, for they preserve (as we have seen) memories of an already quiet far distant past. The two pomes show clear connection in their language and style, in the manner in which their incidents presented, and in the combination of agreement with level, which distinguish their creation.

The Greek fates are influential, immortal women in charge of controlling the lives and deaths of mortals. Through Claire’s characterization Friedrich Dürrenmatt constructs an

“The Emperor of All Maladies” captured the whole essence of cancer. This book gave a very good narrative of the historical record of cancer, the scientists and important public figures who contributed to the fight against a disease that has so much caused despair, pain, disfiguring of the body and worst of all, death. Cancer is seen as the abnormal growth of cells. A normal cell becomes cancerous when there is a defect in the regulation of its growth. Cancerous cells also tend to be elusive and resistant to treatments. Numerous attempts have been channeled into demystifying the nature of cancer. Some of these attempts proved abortive while a few served as a harbinger of hope. Cancer have proved to be part of our genetic makeup, hence, total eradication of it remains a future accomplishment.

Barry Strauss, professor of classics at Cornell University attempts to redefine a one of history’s biggest love affairs, the Trojan War. Strauss explains how certain events and characters from Homers “The Odyssey” might have actually existed, but also uses modern discoveries from the Bronze Age to compare Homers account to those of Egypt, the Middle East, and etc. While Homer’s epic should not be read as a historical document which recounts the Trojan War hundred percent accurately, it can still be seen as document which embodies some historical truth. The novel as a whole explains the customs, economic standing, fighting styles and beliefs of the Greeks. Strauss’s writing style allows for the book to be accessible to both students and historians. He argues that just like Franz Ferdinand was the spark which ignited World War 1, Helen on the other hand was just a spark which escalated an existing tension between the Greeks and Trojans. Strauss’s personal input on the war itself gives the novel a different outlook on the Trojan War because, it allows for readers to see beyond the facts and make connections with ideas that Strauss had made with recent discoveries and Homers epic.