The Motion Picture Code of the Great Depression
During the times of the Great Depression, film was viewed as a valuable importance to people. Film during this time of distress contributed to the maintenance of the national morale of America. During this time Hollywood played a valuable part, getting over eighty million Americans to attend theaters, but soon it would become a lot harder as America continued living in the Great Depression.
Everyone in America, even the most troubling of poverty families attended movies. With a movie to watch, Americans sought refuge in a fantasy world. Films during this time were a perfect distraction. Not only for audiences but also for the artist creating their work. It was extremely
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Will Rogers, another famous comedic director, known for his political satire was a huge hit amongst audiences. Films such as Judge Priest, where he played a rustic politician, was a fan favorite amongst crowds.
Mafia films were the type of films Hollywood continued to produce at this time. Gangster characters were characters that American citizens could compare themselves too. There was a hint of patriotism in every Gangster film that thrilled audiences. The passion to take away from the rich and give to the poor. Movies such as Little Ćeaser, Scarface and Public Enemy were all classic hits that made stars out of actors like Edward G. Robinson, James Cagney and Paul Muni.
Although gangster films were a hit with the mainstream audiences, it wasn't with the Protestant and Catholic religious groups. This sparked the beginning of the new movie code, that would be introduced. In 1934 with the Movie Industry still plummeting, the Motion Picture Production code was put into action. The Code was founded in 1930 and was made to censor films and create guidelines for production studios to adhere to. The code was never carried out until 1934, when the Production Code Administration was founded. They required all films and even scripts, be pre approved before going to theaters.
This was done under the administration of Joseph Breen, who took over for the Hays office after 1934. Will
To understand why the fall of the production code was so prolific to the film industry one must first understand the production code and how it worked. This was a code that regulated what filmmakers could say, what kind of content their films could contain, and introduced an early version of the rating system that we know today. This kind of censorship was as detrimental to this art form as censorship can be. With a media as widespread as film, so many people see it on average that it can largely change a perception of a population or keep
The censorship conflicts in the 1900s were extremely intriguing and intense. Around the end of the 1920s, individuals possessed immense moral shifts powered by religious groups during the Great Depression, which resulted in decisions that created a new revolution that dealt particularly with the regulation of content of films. Consequently, in 1934, at the same time that the “Golden Age of Hollywood” began, the Hollywood Production code was formally implemented. The film
Depression as it was able to help gain support for the New Deal's rural programs. Also, the
The 1920's also saw the growth of the motion picture industry. It was highly influential and helped shape popular culture by promoting the diffusion of common values and attitudes nationwide. Soon movie studios began building elaborate movie palaces in cities, and by 1930, the movie attendance grew to about 115 million. Movies performed many purposes. It created national trends in clothing and hairstyles and even served as a form of sex education.
The Godfather and Goodfellas are both considered “mafia movies.” Both of these films portray some form of organized crime committed by Italians. They mutually romanticize the mob lifestyle and depict it with pure clarity. Although both of these movies portray the lives of the same kind of people, they are more than just a simple characterization. Violence plays a major role in each of these films. The Godfather and Goodfellas are obviously very similar. However, they also have several aspects that differ from one another.
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American
Hollywood has influenced American history since it began. It boosted and shaped the morale of a nation for almost a century. But Hollywood has not only been the influencing American society, it has been influenced by American society. In the 1920s, American society was booming; people were getting rich, spending and borrowing money, and they thought life was looking good. Then in October of 1929 the stock market crashed. Many people lost all they owned. People had invested all their money into the banks before the Crash. After the Crash, the banks had nothing. People were destitute. They had no money to pay for their houses, electrical bills, and food. It became the Great Depression. Likewise, Hollywood was impacted by the Great
The Motion Picture Production Code, commonly known as the Hays Code, was adopted in March 1930, though it was not truly enforced until four years later in 1934. This set of rules had tremendously influenced the way Hollywood movies were made for a number of years. This code was based on the ethics and norms if that time. There were three main principals of the Hays Code. The first was no picture shall be produced that will lower the moral standard of those who see it. What was meant by this was that sympathy should not be portrayed towards crimes, wrongdoings, evil or sins. The second stated that only a correct standard of living could be presented that are only subject to the requirements of drama and
One thing that movie entertainment fulfilled was attracting people to the big screen. For example, I can introduce this quote: “In just eight years, from 1922 to 1930, weekly U.S. movie attendance soared from about forty percent to over ninety percent of the population” (americainclass). This shows how in just eight years movie popularity spiked, where as about 40 million Americans went to motion picture theatres on a weekly basis. As the brink of silent films came to society and the evolution of the industry had risen, going to the movie theatre became a weekly event. This transition in entertainment, from stand-up comedy/plays to movies, was remarkable. The huge trend and liking for going to the movies impacted America in the way it had reshaped entertainment. Movie companies like Paramount Pictures and Warner Bros made a lot of money and success. The industry became very rich. Going to the movie theatre in the 20s was classy, fashionable, and it became a
However, the system is meant only "to provide advance information to enable parents to make judgments on movies they want their children to see or not to see" (Wilson, Linz, Randall 4). Film ratings are not a new concept. Since 1921, various forms of film ratings have been in existence in order to prevent government regulation of the content of movies. In the 1920's the National Association of the Motion Picture Industry created a code of 13 subjects, including "excessive and lustful kissing" and the word "hell," that were banned from new movies. Ten years later, the Motion Picture Producers and Distributors of America, an old version of the current MPAA, created the Motion Picture Code to regulate the depiction of sex, violence, and vulgarity in films (Wilson, Linz, Randall 4-5; Roth 6).
This paper was prepared for Introduction to Film History, Module 1 Homework Assignment, taught by Professor Stephanie Sandifer.
During the early years of Hollywood, films had very few regulations on how they can be made. From 1922 till 1930, people were outraged at Hollywood that they have no rules on how they should make films. In response, religious groups were editing movies for their local communities to make them save for their standards. Eventually the government started to talk about enforcing rules that would censor Hollywood movies for the public. To stop that from happening, Hollywood enforced their own rules called the Motion Picture Production Code or the Hays Code.
To define a film by a certain genre, there are several elements and signatures that a film will display in order to signify its place amongst the genre. A film from the gangster genre is characterized by violence and lawlessness of american capitalism and The American Dream. The short lived classical era of the gangster genre in Hollywood is also greatly influenced by the production code which manifested the iconic moral narrative of the gangster genre. William A. Wellman’s 1931 film The Public Enemy can be considered a film of the gangster genre when one examines the conflict with the American dream, the rise and fall of the protagonist Tom Powers, as well as the visual storytelling employed to support the narrative.
The Great Depression is hardly an era 21st century Americans would find comical, but the Coen Brothers use humor appropriately to create a culturally acceptable backdrop for retelling recent history amidst its difficult and often repugnant circumstances. They adhered to principles of artistic integrity, and tell the story using a genre that made it possible for most viewers to gain some insight and perspective into the culture and religion (Tillich:48; Miles:x). One reason the film works it because they intertwine the culture and religion of the Deep South during the depression era with aspects of Homer’s epic, the Odyssey. The dominant religion practiced in the Bible-Belt was Christian fundamentalism, and there were a good many Pentecostal
'The Godfather' is the most revolutionary gangster film of all time, it rewrote the gangster genre in such a stylized way that all latter gangster films have conformed to this genre but also evolved it as films have progressed. Directed by Francis Ford Coppola 'The Godfather' re-invented the gangster genre elevating it to a Hollywood status and making it commercially profitable. It looks into the life of the 'Corleone' family and represents America at that point in time. It portrays the violence and power, corruption and justice, honour and obligation apparent at that time. Previous to 'The Godfather's' release the 'American Dream' was born, to idealists America was the country of