Essay on The Motives of a Dishonest Man: Iago in Othello

Iago's supposed honesty is ironically, also a result of his own lying, by making statements that help him sustain his reputation.  When he explains Roderigo and Cassio's fight to Othello, he claims to do it with a heavy heart, because he does not want to cause problems for Cassio.  However, he feels he must tell the truth; " I had rather have this tongue cut from my mouth than it should do offense to Michael Cassio.  Yet I persuade myself to speak the truth." [Act II, scene iii].  By saying this, others are led to believe that the guilt of not speaking the truth is

Samuel Taylor Coleridge says that, “Motive-hunting” means that Iago is looking for something and trying to achieve his goal. Everyone knows that Iago’s goal is to get revenge at Othello, and I agree that it is true what Iago is trying to do. Samuel also says that Iago is doing all those bad things for no apparent reason and just because he is pure evil. I agree with him because Iago is pure evil but I also disagree because he did have a motivation for his revenge but just went

Throughout this passage, Iago’s main techniques of deception include lies, syntax and diction, and hoodwinking Othello into thinking his way. By quickly averting his conflict with Othello at the start of the scene, he easily avoids confrontation

He fears the exposure of his actual character and wants to execute his plan by keeping other individuals believing that he is an honest and a trustworthy man. Firstly, Iago undermines Emilia not to say another word in regards to the handkerchief that he utilizes as a major aspect of the arrangement to devastate Othello. He advises Emilia to “Be wise and get you home.” (Act 5.2.221). Emilia disagrees with what Iago says and soon after, Iago draws his sword. This shows Iago really thinks about his personality and notoriety, his trepidation of presentation is fierce to the point that it drives him to execute his own particular wife. Also, there is not a single line written in the play, which uncovers Iago presenting his reality to someone else. In spite of the fact that everybody makes sense of Iago's two-sided personality towards the end of the play, despite everything he doesn't have the quality to uncover his actual two- sided character or translate why he has done such offensive deeds. When Othello demands Iago for a reasoning behind his actions, he responds back saying, “Demand me nothing; what you know, you know. / From this time forth I never will speak word” (Act 5.2.300-301). Iago's instability of character is powerful to the point that is prohibits him to talk up and give a sensible reaction to Othello regarding why he has done such malevolence activities. Identity, as well as reputation, is what a man is acknowledged for, a wide range of wrong decisions will destroy this part of Iago

Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.

Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.

Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,

Iago is undoubtably the villian in William Shakespeare's 'Othello', however the reason behind his evil deeds are less clear. There are many possibilities as to why Iago betrayed his superior Othello. Was he simply envious of Othello's status or did Iago plot to destroy Othello for his own enjoyment?

Iago's plans are carried out by causing sexual jealousy. The successes of his plans depend on "his pose of unswerving honesty - a pose which none of the other characters, not even his wife, is able to penetrate" (Scragg 52). The other people involved in Iago's plan have no idea what is about to happen to them. Iago uses their ignorance to destroy all of them. " All are oblivious of the false mind behind the ‘honest' mask and of the many specific machinations by which they are victimized" (Evans 116). Even though Iago is accused of all these evil deeds, that are not revealed until the end of the play, it can still be reduced to look like a minute act. "Iago can be reduced to a resourceful intriguer who exposes the hero's weakness to ridicule and devises an appropriate punishment," says Mehl in Shakespeare's Tragedies: An Introduction.

“Othello” is one of the most successful plays in Shakespeare’s collection. One of the subjects the tragedy addresses is betrayal which is a crucial part of the play that helps the author develop events to bring it to its climax. Iago’s character symbolizes disloyalty, but what are the motives of his treachery? It seems like there is not enough reason for his actions. By creating Iago in “Othello” as perhaps a masterpiece villain comparing to all his other plays, Shakespeare introduces to the audience and reader an evil type of person who unfortunately exists in society, and he suggests that disloyalty is just part of such person’s nature, so one could betray for the sake of betrayal itself.

As the villain in Shakespeare's play Othello, Iago has two main actions. They are to plot and to deceive. Iago wishes to plot and to deceive because he is jealous of Othello and hates him. Iago's reasons for why he hates Othello is because he believes that Othello made love to his wife, and Iago is mad that Cassio was chosen to be Lieutenant instead of himself. From this hate comes the main conflict of the play.

     Iago, the villain in Shakespeare’s Othello, is a round character of great depth and many dimensions. Iago works towards an aim that is constantly changing and becomes progressively more tragic. Yet, at times, "honest" Iago does actually seem honest. This essay will explore the complex character of "honest Iago.

Iago has many reasons to hate Othello, including the fact that he had been passed over for a promotion, in which Othello had snatched the position, and he also suspects Othello had slept with Emilia. These reasons were given to the audience, as Iago, himself, reveals his reasons to Roderigo, “ I hate the Moor; and it is thought abroad that 'twixt my sheets 'has done my office. I know not if't be true; yet I, for mere suspicion in that kind, will do as if for surety.” (1.3.378-82). Iago is never turned back on his plan to ruin Othello and the people surrounding him, since he is always contemplating on how Othello doesn’t deserve his accolades, and how Iago is plotting revenge against him. This keeps Iago to consistently, and deliberately continue with his strategies, which keeps the audience empathetic for the rest of the story. Iago is also jealous of Othello’s ability to woo and lure Desdemona, “It cannot be that Desdemona should long continue her love to the Moor ... She must change for youth. When she is sated with his body, she will find the error of her choice.” (1.3.340). However, Even if Iago had received the promotion; even if he had no suspicions or jealous feelings, he would still invent new motives for hating the Moor, as he is the devil of the story. Iago is not capable of performing good deeds, sustaining good relationships, or even

At all points of one’s life, one has desires; what separates and defines a person is determined by how that person goes about dealing with those desires. Some believe in working honestly towards his or her aspirations and others in seizing it at any cost. Iago, the antagonist of the play Othello is one of those people who would do anything in order to get what he wishes. Because Othello names Cassio lieutenant instead of him, he begins to device a plan in vengeance to bring Othello and Cassio down, which ends up tragic for all of the major characters. Iago’s obsessive need for revenge stems from jealousy and ambition, and because he is a master manipulator, the plan goes extremely smooth for the majority of the play.

His "med'cine works! Thus credulous fools are caught...." [pg. 1284, Line 44] Iago poisons people's thoughts, creating ideas in their heads without implicating himself. "And what's he then that says I play the villain, when this advice is free I give, and honest," [Act II, Scene III, Line 299] says Iago, the true master of deception. People rarely stop to consider the possibility that Honest Iago could be deceiving them or manipulating them.