The Movement Of Art : Dadaism Or Dada

Impactful across the globe, both Dada and Surrealism were artistic movements created in the early 20th century that were significant in redefining modern art today. The Dada movement came about in 1916 through the performance of Hugo Ball’s sound poem “Karawane” at the Cabaret Voltaire that he opened with his partner, nightclub singer Emmy Hennings, in Zurich, Switzerland. The poem made absolutely no sense, purposely, and it didn’t have to. Ball would also dress in wild costumes for his performances as seen below:

Minimalism in visual art emerged in the 1960s, New York. This art movement was influenced by Greenburg’s doctrine that the progressive evolution toward flatness while artists started making an extreme visual reduction. Minimalism was a reaction to abstract expressionism, which created to against excessive gestural painting like Jackson Pollock. They were also like to use industrial materials in order to move the visual projects towards sculpture and against “formalism”(Arnason, 2013, p.510). Artists considered the importance of working environment due to they want audiences to experience the art through the body rather than eyes.

When Hannah transports to Poland in 1942 she inhabits the life of Chaya Abramowicz. She tries to tell Chayas’ aunt and uncle, Gitl and Shmuel, but they dismiss what she is saying and claims the effects of Chaya’s ordeal with cholrea is making her not think strait and also because the

In the early twentieth century Post-Impressionism was the avant-garde art movement in the world, with its central city Paris, France. Artists from different religious backgrounds, cultures, and societal hierarchies migrated to Paris to take their art in new directions. France was a city of tolerance during both Pre and Post WWI; therefore, it was a beacon for those who wanted to convey their emotions and ideas visually. Paul Cezanne, Pablo Picasso, Georges Braque, Marcel Duchamp, Henri Matisse, Marc Chagall, Amedeo Modigliani, Chaim Soutine, and Robert Delaunay came to Paris and sought to create art with a personal aesthetic and to capture the essence of the modern era.

Dada was an artistic and literary movement that grew out of dissatisfaction with traditional social values and conventional artistic practices during World War I. Dada artists were disillusioned by the social values that led to the war and sought to expose accepted and often repressive conventions of order and logic by shocking people into self-awareness. Marcel Duchamp was one of the first to participate in this movement. He is known for his satirical or humorous content and the use of accompanying text. Duchamp began to grow disappointed with “retinal” art though, and soon stopped painting on canvases altogether. He then moved out of the already existing boundaries of art into was is now called conceptual art. His monumental work is known today as The Bride Bare by Her Bachleors, Even, or The Large Glass. Duchamp worked on this piece for eight years, until he abandoned it in what he referred to as a “definitively unfinished” state. This piece of work includes humor, random chance, pessimism, and anti-art; these four elements are often found in Dada art.

Similarly in rejection to the current reality, the Dada movement protested logic and reason. Established by Tristan Tzara who wrote a Manifesto for the movement stating the Dada is, “a protest with it’s whole being engaged in destructive action.” Ironically, the reality the Dadaists was protesting against was World War 1, but their response to the war increased violence. It was the disgust of the false, good manners and incomprehensible logic of the politicians and those in power that the Dadaists criticized. The rage of the war merely justified their destructive spontaneity. Relating to the surrealists, they believed the simplest act consists of going out into the streets, revolver in hand and firing at random into the crowd as often as possible. Surrealist Louis Aragon encouraged such responses saying, “I have always placed the spirit of revolt above any politics.” Although the surrealists emerged with a stronger focus

She intricately weaves documents with the Yeshiva Manuscript to bolster his story and tell a larger story. She tells the story of a small Jewish community targeted by a local religious figure, the Prince-Bishop Johannes Hinderbach. They were accused of killing a two year old Christian boy, Simon and using him for blood rituals. Through social, political, cultural and biographical histories Hsia illustrates a story of persecution that is representative of tragedy becoming a political vehicle.

Expressionism, is an artistic style that originated in Germany at the end of the 19th century in

Anti-everything, Dadaists conceived all things as arbitrary. Wielding “irrational attitudes,” they “attacked traditional artistic values” and “provoked conservative complacency with outrageous statements and actions” (Dadaism). Not only that, but they “also launched a full scale assault on the art world which they saw as part of the system” that needed to be overturned (Dadaism). Typically done in the form of idiosyncratic collages, they fully embraced individuality and artistic

This being said indicates that Pop art could be seen as one of those crossover movements. The confusion and extreme madness of colour and space show events of the Dada influence. Investigating the historical and cultural issues could be the starting point for many artworks and inspiration. To say that an artwork is brash, extreme or subversive, indicates a responds to any artwork or movement. However the point of art, to get a respond either being good or bad… ''If you have serious ideas, you make art, discoveries, and all of a sudden your head starts to break up into laughter, if you find that all your ideas are useless and ridiculous, know that DADA HAS BEGUN TO SPEAK TO YOU'' 10.The readymade object being seen as a thing becomes an issue of context rather than the use of materials. The question it raises, is it art because its contexts are in a gallery space? or should we ask what is the fundamental aim of the objects used? The object of art is the intelligently language in a visual format. The Dada movements short influence could be seen as a weapon that injected humour both in a rebellious and spontaneous revolution.This could be misread and not seen as well though out, however the fundamental elements of Dada and assemblages as still being practiced today as a

development in visual artwork and writing, thriving in Europe between World Wars I and II. Surrealism became essentially was the next step up from the dada movement, which before World War I delivered works of against artwork that defied all reasoning; yet Surrealism's accentuation was not on invalidation but rather on positive expression. The development spoke to a response against what its individuals saw as the devastation created by the "logic" that had guided European society and governmental issues in the past and that had finished in the detestations of World War I.

With R Mutt’s Fountain, one of the most influential works of the twentieth century, this places an art historical value on the Duchamp piece. R Mutt’s Fountain was created in 1917, shortly after he became associated with the Dada movement, who emerged amid the brutality of World War One. Dadaism is a movement of art, who were experimental, pushing the boundaries, provocatively reimaging what art and art making could be. They used unconventional materials and chance based procedures, infusing their work with spontaneity and irreverence. Duchamp was a central figure in the Dada movement, declaring common, and “manufactured goods to be ‘readymade’ artworks, radically challenging the notion of a work of art as something beautiful made by a technically skilled artist . R Mutt’s Fountain is one of Duchamp’s most famous works reflecting the Dada movement and ideas surrounding it. He

Dadaism was an artistic and literary movement that began in Zurich, Switzerland (“Dada,” sec 1). Dadaism was derived as a result of World War I and the nationalism that many people believe had led to war. This time period was influenced by Cubism, Futurism, Constructivism and Expressionism. It was “widely diverse” period of time, ranging from performance art to poetry, photography, sculpture, painting and collage (“Dada,” sec 1). Dadaism was known for its mockery of materialistic and nationalistic attitudes. It had an influence on artists in other cities, including Berlin, Hanover, New York, and Cologne, all of which went to create their own groups. Dadaism was the first conceptual art movement where the focus of the artists was not on the

chance, and the irrational emerging in conflict with the political systems and climate that saw the

Dada was an artistic and literary movement, this arose as a reaction to World War one. Many citizens believed that Dada was actually the cause of World War one, this movement likes to take the form of ‘anti-art’. Therefore, how you can claim everything is art but in reality, nothing is art. For example, take the painting ‘Fountain’ by a Dadaist painter Marcel Duchamp it is a readymade painting of an unused urinal. Which is basically implying that he rejected art and thought that we should focus on the artist 's idea more rather than it being crafted. Therefore, using a urinal and labelling it as ‘art’, get’s Duchamp’s point across that a work of art should be the artists idea instead of it being crafted. When looking at Dadaism by Tristan Tzara, there were some interesting quotes. For example, “Like everything in life, Dada is useless. Dada is without pretension, as life should be.” (Tzara, 1918). This quote intrigues me, as Tzara is stating that all art is useless and that Dada is pretension and that is how life should be. This can be used as an example of how Dadaism was inspired by