The Movie : A Man With A Gun

Film noir is a famous era of filmmaking that defined the cinematic experience in Hollywood for a whole decade. No film can correctly represent such a influential cinematic era like Gun Crazy directed by Joseph H. Lewis. Gun Crazy is a unique expression of film noir of the 1950s that utilizes many cinematic elements in unparalleled ways to tell its story in a distinct fashion. Lewis uses cinematic techniques such as lighting, composition, editing, music, and mise-en-scene of the opening sequence to establish the tone and character motivations of the story.

In the film, Michael Moore displays how easy it is to obtain a gun in current times with the example of the North County Bank. This Michigan Bank was offering a gun to the customer when they opened and account with them. Moore himself went to the bank and tried to open an account. One of the associates in the bank told Moore that they had a selection of more than 500 guns to choose from and, after a simple application and background check, the selected gun would be handed to him. Moore followed the procedure and he himself was able to walk out of the bank with the gun that same day he opened the account.

One of the first major problems addressed in Fight Club is toxic masculinity, and the fear of seeming feminine. Bob encapsulates this problem perfectly through both backstory and physical appearance. The reader is first introduced to Bob with a distinct quote: “Bob’s big arms were closed around me to hold

David Flincher's movie, Fight Club, shows how consumerism has caused the emasculation of the modern male and reveals a tale of liberation from a corporate controlled society. Society's most common model of typical man is filthy, violent, unintelligent, immature, sexist, sex hungry, and fundamentally a caveman. In essence Tyler Durden, is the symbolic model for a man. He is strong enough to withstand from society's influences and his beliefs to remain in tact. Jack, the narrator, on the other hand is the opposite. He is a weak, squeamish, skinny man who has not been able to withstand society's influence; therefore, he is the Ikea fetish. Unlike Tyler, Jack is weak minded. Both Jack and Tyler are polar opposite models of

The plot sequence is enacted in a way that the viewer would perceive the two personas as completely different people. Through various scenes, the narrator comes to realize that he had fabricated his second persona. Upon this realization, the narrator must accept the fact that he is the force behind the complex plans of destruction. He quickly focuses his efforts on the reversal of his alter ego’s plans that turned the fight club into the disparaging “Project Mayhem.” The ideas behind this project were based off of the principles of equality, minimalism, and anti-corporate America. The targets of the destruction were all of the major credit card company headquarters. The reason behind these plans was to eliminate the debt records, thus allowing everyone to “start at zero.” Tyler thought that with no debt record, problems surrounding materialism would vanish. The reversal process would take the narrator on an arduous journey across the country. He follows Tyler’s paper trail, uncovering the plans little by little; all while realizing what was upon him.

the main theme within fight club, is masculinity, and how society responds to it. The first passage from the book I have chosen to look at is on page 17,

I believe that the film Fight Club reflects the American ideals of masculinity and what it means to be a man through the creation of Tyler Durden, the fight club, the relationship with Marla and through other characters. I also believe that Fight Club represents anti-capitalistic ideals about how what you buy doesn’t make you who you are. The movie portrays this through the narrator and the terror group started by Tyler. The character Tyler Durden reflects what the American ideals of masculinity, being handsome, witty, stylish, but also incredibly violent. Tyler is the literal creation of the narrator on what an ideal man is. Tyler is everything that the narrator wants to be, and everything that he doesn’t. He wants to be violent, handsome and be able to be confident with women, as Tyler is with Marla while the narrator seems to be more sensitive, a feeling more commonly associated with

Fight Club is a movie based a man deemed “Jack”. He could be any man in the working class, that lives and ordinary life. The movie starts out giving an overview of his life, which consisted of a repeat of flights and cubicles. He is basically to the point of break when he takes another business flight and meets a man that calls himself Tyler Durdan. They instantly become friends and after an unfortunate explosion in “jack’s” apartment, he moves in with Tyler. One night after last call at a local bar, Jack and Tyler start fighting in the parking lot for no reason other than essentially to feel free and do something other than the norm. Later in the film this bar-back fight turns into a club run by the both of the men, or so it seems. At the

Jack’s two identities and his using his fake persona to bolster his own identity can be compared with the movie Fight Club. In the film, Edward Norton plays the narrator of the movie, an unnamed, insomniac office worker. He unknowingly creates a second persona, Tyler Durden, and he sees Tyler as a completely separate person. Throughout the movie, Norton slowly begins to transform his dull, meek life to mirror that of Tyler’s, although he does not yet see that he is in fact Tyler. The idea presented by The Most Photographed Barn in America is presented in Fight Club when Norton states, “Everything’s a copy of a copy of a copy” (Fincher). Norton’s character lives a very dull, monotone life. Everything from his speech, his work, and his living conditions are very bland and boring. When he begins attending support groups to validate his own personal pains by using the pain of others as a crutch, he forms a hatred for Marla Singer because her lie reflected his own lie of not actually having something wrong with him as everyone else in the various support groups. After he develops an addiction to support groups, he states that “If I didn’t say anything, people always assumed the worst” (Fincher). He is letting people come to their own conclusions while not having to outwardly lie to them, simply letting everyone else assume the lie for him.

For a quick overview of the beginning of the movie, Fight Club shows the mundane, routine life of a man—who is given no name, so we refer to him as The Narrator— who suffers from prolonged insomnia who fails to find

Together, they end up creating the underground fight club that becomes wildly popular with blue-collar workers. Shirt-less men beat each other into bloody messes every Saturday night in the basement of a bar. As the movie progresses, this underground club becomes more of a renegade resistance group that causes mayhem to corporate America. While Tyler is leading his cult to more mischief and mayhem, Jack thinks it has gotten out of hand. Fight club has spread across the country and Tyler’s next mission is to blow up all the major credit companies to erase everyone’s credit thus leveling the "economic playing field." Jack, in an attempt to stop him, chases Tyler around the country but it always appears that he has just missed Tyler. Jack slowly comes to the conclusion that he himself and Tyler are the same person. While Jack thought he was sleeping, in reality his schizophrenic other half was working Tyler’s jobs, making soap and trying to blow Americas materialistic views to pieces. Jack is able to destroy his alter ego by over coming Tyler’s influence and shooting himself through the cheek; however, he is not able to stop Tyler’s explosions. The last scene shows the buildings collapsing while Jack and Marla are kissing.

The invention of Fight Club is never stated directly, but its intention is indicated through the language of the narrator and the rationale of its members. Foremost, the narrator describes the members of Fight Club as “a generation of men raised by women” (50). The masculine identity, then, is an identity which has been lost to the feminized egotism in a deranged reality of postmodernism. Coupled with the lack of absent fathers the generation of modern men are wildly feminized. The narrator describes how his father abandoned him to set up new families or “franchises” (50) every six years, and states that he is “a thirty-year old boy [...] wondering if another woman is really the answer [he] needs” (51). The absent fathers in the narrator’s, and equally in Tyler’s, life eventually lead to the invention of Fight Club. Fight club is a way in which emasculated men can act the way men are supposed to and finally find a masculine figure to model themselves after. In creating Tyler, the narrator’s search for a masculine model is taken to the extreme. Tyler is a manifestation of man who the narrator and other men can model themselves after. Tyler represents the masculine identity, “Tyler is funny and charming and forceful and independent, and men look up to him and expect him to change their world” the narrator explains

Tyler is so aggressive and gets the narrator to hit him and the secret society of the Fight Club begins. This club creates a means to escape the reality of every day life, and a society controlled by consumerism. These male participants in the secret club want to feel alive again and use fighting as mans to achieve their

For the following analysis, I will be discussing the movie Fight Club's two main characters. They are "Jack" played by Edward Norton, and Tyler Durden played by Brad Pitt. However the twist to the movie turns out that Jack and Tyler are the same person and Tyler is Jack's real name. Tyler the character is everything that Jack the character is not. The story narration is provided by the protagonist of "Fight Club," "Jack." The ambivalent protagonist, who only refers to himself as "Jack." An ambivalent protagonist, usually the main character, is someone the audience likes, but who possesses character flaws.

Gung-Ho was a comedy movie released by Parliament Pictures in 1986. The title of the movie is actually a Chinese expression for "work together". The main story portrayed the takeover of an American automobile plant by a Japanese automobile manufacture- Assan Motors Company. As the Japanese executives began to work with their American colleagues, its successful experience and advanced business concepts and ethics are brought to the United States.