The Movie Clueless

In the movie Parenthood (1989), many developmental stages can be observed. With that being said, one character that can be observed is Gil who is middle-aged adult. Gil has a beautiful wife and 3 children. In Santrock (2016, pp. 362-363) security, love, loyalty, and emotional interests are important during middle adulthood. Both Gil and his wife (Karen) believe that they have raised their children the correct way, but it can be seen that some people in his family think otherwise. He also has 2 sisters and 1 brother. In addition, he has a mother, father, nieces/nephews, and a brother-in-law. According to Santrock (2016, p. 342), during middle-aged adulthood adults normally reach peak position at their jobs, but in this case the promotion that Gil wanted was given to someone else, so Gil struggled with this concept of not moving up. Also, his household seems to be hectic and not perfect, but somehow he pushes through (Parenthood, 1989). According to Santrock (2016, p. 354), Erickson’s developmental stage that pertains to Gil is generativity vs. stagnation. In this stage, adults feel a sense of wanting to leave their legacy when they are gone (generativity), but at the same time feel as though they have not done anything for the next generation (stagnation). In the movie Parenthood (1989), Gil can be seen exhibiting this developmental stage in various scenes, but there is one seen in particular that stands out. Him and his wife are called to school for a meeting with the

The movie ‘Her’ is the story about Theodore Twombly (Joaquin Phoenix), a man who develops a relationship with Samantha (Scarlett Johansson), an intelligent computer operating system personified through a female voice. At the beginning of the film, Theodore is completely inept when it comes to how to make relationship with person, specifically women. However, after he gets to know Samantha, an OS program, a feeling of true love develops inside of Theodore’s mind. Then he realizes how he was fatuous in his past. Throughout the film, the director (Spike Jonze) uses five distinct color schemes to correspond Theodore’s feeling and situation.

The film Sunset Boulevard (1950), directed by Billy Wilder, Norma Desmond exemplified a Borderline Personality Disorder (BPD) by being demanding, intense and unstable. These behaviors that are consistent with the elements of abnormality include suffering, social discomfort, dangerousness, and irrationality and unpredictability. The first element that is consistent with Norma Desmond’s character is suffering. Desmond being one of the greatest movie stars in history suffers as she experiences the fall from stardom. She also suffers from identity disturbance as she reaches an unstable self-image notion. In one scene when Desmond recognizes for a moment about her age, she claims, “Look at me. Look at my hands, look at my face, look under my

The film Pleasantville shows the changes in American society over the past 50 years by placing two teenagers into the Pleasantville show, which was from the 50’s. The movie depicts how there is no longer the “American Dream” and no longer a perfect way of life and the changes the world has made. The world that the teenagers come from is filled with sex, drugs, money, and is very different from the way the world was in which the Pleasantville Show took place in. Morals and values have changed in the people and in society that the teenagers came from and shows it would be impossible to return back to the kind of life style the world had in the 50’s.

Romantic comedies are loved by many; however, not many stop to think about how these women are stereotyped every time, giving the female character limits on their personality. Actress, comedian, writer and producer Mindy Kaling in her essay, “Types of Women in Romantic Comedies Who Are Not Real” classifies the stereotypes given to women in romantic comedies. from her 2011 collection of essays Is Everyone Hanging Out Without Me? (And Other Concerns), is a comic essay on how she loves romantic comedies, but knows that female characters are fictional, and explains how they can still be appreciated. Kaling in her essay presents the female stereotypes by classifying them, and doing so with humor. The seven classifications she used are, “The Klutz”, “The Ethereal Weirdo”, “The Woman Who Is Obsessed with Her Career and Is No Fun at All”, “The Forty-Two-Year-Old Mother of the Thirty-year-old Male Lead”, “The Sassy Best Friend”, “The Skinny Woman Who Is Beautiful and Toned but Also Gluttonous and Disgusting”, and “The Woman Who Works in an Art Gallery”. This essay is fun informative and great for Kaling’s fans, and romantic comedy fans alike. This essay transitions throughout, from entertainment to a slight defensive yet still humorous. Kaling is a talented woman who struggles as the career of an actress is not easy for a woman who does not follow the strict guidelines. Being thin, as she

In the beginning, Connie’s character is one of innocence, self-absorption, and shallowness. Oates describes Connie as a fifteen-year-old girl who has “a quick, nervous giggling habit of craning her neck to glance into mirrors and check other people’s faces to make sure her own was all right” (Oates 157). In this description, Connie’s dynamic character acts shallow and is self-absorbed. She places her values on her physical appearance and in her friends’ acceptance. Connie “knew she was pretty and that was everything” to her (158). Connie bases her self -worth on her looks and in the values of her friends’ perception of her.

“That our feet may swiftly carry out thy command so we shall flow the river forth to thee, and teeming with souls shall it ever be”. Forbidden to be repeated by anyone who is not a McManus, Connor and Murphy allow the family prayer to roll off their tongues, and journey into the ears of the monstrous souls they are about to exterminate. Their religious belief nourishes the idea that they can make the streets of Boston good. The Boondock Saints is a movie about religion, family, and vigilante justice.

But with these compliments and cash comes a certain amount of snobbery and I believe that it is the fathers' over-indulgence in their daughters that has caused this. It is here that the real problems of both Cher's and Emma's situations come to light. Both girls have the habit of getting rather too much their own way and a disposition to think a little too highly of themselves. In both movies the girls' mothers died when they were quite young and at first viewing do not have a major part in either movie.

The film Precious is an emotional movie that deals with the unfortunate realities of everyday life for some individuals. The film that stares Gabourey Sidibe who plays the main character Clarice “Precious” Jones is based out of Harlem in the year of 1987. Precious is a sixteen year-old obese and uneducated teenager whom has had to grow up in a severely dysfunctional family environment. Her mother verbally and physically abuses her, often times using her as a personal servant. Her father has been sexually abusing her since childhood, and has impregnated her twice. Precious has lived with the ugly truth that because of her weight, skin color, and sexual abuse, she does not fit in

After she and Tai get into an argument, Cher realizes her own flaws and makes changes to herself to become a better person. When her teacher presents an opportunity to make a difference, Cher takes everyone by surprise when she takes her teacher up on the offer. Tai changed her self-concept by conforming exactly to the way that Cher instructed. She even ends up losing touch with her true self. After the argument with Cher, she realizes that she changed for the worst and apologizes for it. By the end, she ends up reverting back to her true personality, but with some added confidence from the advice from Cher.

The author shows us that despite her attractiveness and exquisiteness, she may merely be deemed a shallow, secretive and opportunistic person.

In the acclaimed 2001 film, Legally Blonde, the main character, Elle Woods, is a fantastic feminine icon for females. The film represents the struggle of women to prove their ability. Remarkably, Elle never succumbs to those who so strongly see her as being stupid. While others put down her abilities and intelligence, Elle hardly ever doubts herself. She moves through the world with pure confidence. As Callahan, a law professor at Harvard who later selects Elle Woods for his internship quips, “it’s as if she just woke up one day and said, ‘I’m going to law school.” She decides on a goal and knows she can attain it, even if others only respond with incredulity or mockery. Legally Blonde has many positive depictions of women and femininity for a 2001 film.

Don’s concern with public image maintains a prominent role throughout the film, culminating at the premiere of The Singing Cavalier. Don’s strange treatment of Kathy eventually reveals his love of spectacle. Pulling back the curtains to recognize the truth behind the fantasy, this time including the audience at the premiere. Don’s treatment of both Kathy and Lina prioritizes theatricality and his own public image above either woman. After embarrassing Lina, Don runs onto the stage and tells everyone that “she’s the real star of the picture”(). Once he reaches her, Kathy’s tearful expression quickly changes from distraught to elated and the two kiss. The resolving nature of this event seemingly shadows the theatrical nature of Don’s antics. By not telling Kathy, Lockwood

Cher who was believed to be the most popular girl. She believed herself to be a matchmaker and tried to

The film Amelie provides multiple examples of individuals sacrificing, and applying Campbell 's moral objective to their own lives. One of the people from the film that follow the objective is Dominique Bretodeau. When he was a young boy, he lost his treasure box. Directly after it was returned to him from a stranger, he began to tear up over the lost memories that the box contained. He then confides in people at the bar that he has not spoken to his daughter in years, and because of this does not know his grandson. This simple act of kindness was enough to make Bretodeau sacrifice his pride enough to reconcile with his daughter and grandson. He had no idea if his family was going to open their arms, or push him away for being away for so long. This failed to stop Bretodeau. This journey of becoming a hero was a spiritual one. Most of the conflict happened within his own heart. A small act of thoughtfulness helped a man choose to create a better life for him, and his estranged family.