The Muralist Movement in Mexico

During the Mexican Revolution there were many prominent figures that emerged during the long struggle. Some of the figures had a positive impact on the region, and some others a very negative impact on the people of Mexico and their quest for an uncorrupted government. One figure that stands out in the border region between Mexico and The United States during this time is General Francisco “Pancho” Villa. To understand Pancho Villa’s significant role during this uprising it is important to understand who Villa was prior to the revolution, and what acts lead to his rise to power.

country of Mexico showcasing what Mexico has to offer. Showing how the art of the ancient people are expressed. Being taken over by the Spanish colonial towns are seen in Mexico’s capital Mexico City. Located in Mexico City a lot can be find influencing their art, shops, renowned museums and very good tasty restaurants to modern life, as well showing their ancient art of the ancient civilizations, and ancient culture. The earliest real civilization in Mexico was the Olmec culture which came from of the Gulf Coast from around 1500 BCE.

Diego Rivera was known for a muralist of the Mexican Social Realism. This movement was the brutality of WWI. It attacked capitalist. Rivera was a communist, he believed in the common ownership in social, political, and economic ideology that strived to maintain social order. One example of this

Murals are the quintessential public art embodying the spirit of the community in which they are created. They say this is who we are, this is what we think, this is where we come from, and this is what we want, reflecting most clearly any changes in the sociopolitical environment. Murals lay out a powerful visual image of the ideology of their creators or sponsors, be it the Church during the Renaissance, government funded projects, or individuals expressing opposition. In Mexico, after the Mexican Revolution of 1917, the government commissioned a vast number of mural projects to transmit its revisionist history of the country, and celebrate the empowerment of the underclass in their recent victory. Predominate themes were cultural

The reason I think Chiapas Paz Mexico mural at City Lights bookstore on Jack Kerouac alley is art because the artist communicates with the viewers by using art theory such as color theory, lines and shapes, and composition on his mural.

To fulfill his goal, he utilized the historical periods as follows; Pre-Hispanic Period, the Conquest, Colonial time, Independence, and the Mexican Revolution as his major themes. For instance, on one panel, we contemplate the Aztecs or Mexicas arriving at their promised land. That is why we can observe the eagle devouring a serpent on top of a cactus. As Cunningham’s indicated on page 554, this part of the mural glorifies the Aztec prophecy. Then, at the center, one can appreciate Quetzalcoatl, with blonde hair, flying over Moctezuma and his peasants. With this particular detail he was indicating that Quetzalcoatl’s job was and done. For this reason he is leaving the Aztecs under the protection of Montezuma, the last Aztec emperor; and going back to his divine home. One can infer that the lighter color of Quetzalcoatl skin as well as his hair, suggesting that he was a foreigner, who taught them new ways of living and for that reason the Mexicas cherished him.

Jose Domingo Ulloa was born in Chitre, Republic of Panama. Domingo lived from 1919-1997 and was known as “The Father of Chicano Art.” Domingo created this piece of art work in 1957. The painting was based upon real life events that happen day to day. It was one event that really stood out to Domingo which took place in 1957 in Little Rock, Arkansas.

The mural “La dualidad” has a strong connection to the history of our people. When the mural was completed in 1985 and it stood 16 feet tall and 46 feet wide. There is a tremendous amount of symbolism within the mural that depicts significant historical events and ideas from our past.The mural is divided into three parts, the left, right, and center. The left side is called “El Mundo de Tezcatlipoca” it represents the negative. The right side is “The world of Quetzalcoatl” it represents the positive. The Center is “Balance” it represents harmony. There are forty three images with specific meanings and history.

Mexican artists, more than most other artists in the Americas, exemplify the political and social obligations of artists. According to Soltes (2011), several Mexican artists of the early twentieth century were inspired by the revolutions and political unrest occurring in Mexico, which was reflected in their work. Diego Rivera (1886-1957) considered one of Mexico’s Renaissance artists, influenced by European avant-garde style, painted Zapatista Landscape (1915). This work was done as Rivera’s tribute to the Mexican revolutionary “Emiliano Zapata who had played a key role in the 1910 Mexican Revolution that had overthrown the then President Porfirio Diaz” (Soltes, L43, 4:42). Soltes (2011) describes this work: “very clearly we see a rifle; we see it's a sarape, together with a very stylized backdrop of water, mountains and sky, punctuated by a work that seems largely to emulate the synthetic cubist style of Picasso and Braque that we've earlier discussed. One has the allusion indeed, that we are looking at a collage of geometric forms made of diverse materials imposed against that background of vague sea and sky”(L43, 4:13).

One of my most favorite artists is the Mexican painter, Frida Kahlo. She was born Magdalena Carmen Frida Kahlo y Calderon in Coyoacan, Mexico, July 6, 1907 and died July 13, 1954. She was one of four daughters born to a Hungarian-Jewish father and a mother of Spanish and Mexican Indian descent. Frida Kahlo is the most famous Mexican woman artist on the contemporary art scene. In 1922, Kahlo hung out with a group of politically and intellectually like-minded students. The Mexican mural movement begins. Frida first learns of Diego Rivera, who is painting his mural "Creation" at the school 's lecture hall. Kahlo becoming a painter, was not a part of Frida 's career goals. Her goal in life was to become a doctor but a tragic accident at age 18 left her mentally and physically scared for life. It changed the course of her life forever. It was during her months of convalescence that Frida began to take painting seriously…"to combat the boredom and pain". she said. "I felt I still had enough energy to do something other than studying to become a doctor. Without giving it any particular thought, I started painting." It was the beginning of a life-long career for Frida.

Because Schreffler is arguing that Díaz, López de Gómara, Solís and González created a misconstrued view of Aztec painting, imagery is a vital component of this essay. The visuals strengthen his argument by giving viewers a clear sense of the difference between typical Aztec panting and the painting that the accounts describe. For example, Schreffler includes two images of paintings done by the

Artists such Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueiros had different styles, but their murals shared a similar message that, “intended to change consciousness and promote political action” (Goldman, 245). One mural in particular that connotes and promotes the idea of intersectional resistance is David Alfaro Siqueiros’ mural Cuauhtémoc Against the Myth. The epic mural was created in

Starting in 1910, the Mexican Revolution was a cry for democracy, a trust in all people, including Native Americans, to be able to run the country with the white upper-class. As the dictator of the time, Porfirio Díaz had treated the native population unfairly. In justification of suppressing them, he has said that “they are accustomed to look to those in authority for leadership instead of thinking for themselves” (___133). In the aftermath of the Mexican Revolution, there was a need to see Mexico not as an extension of Spain as a former colony, but as a country that has what Spain has not: the strength of former great empires, including that of the Aztecs. With a changing attitude on pre-Columbian times, the statue of Coatlicue was also re-evaluated. No longer was the goddess seen as a symbol of savagery, but one of strength, strength of the descendants of a powerful society with a rich culture. People began to recognize that Coatlicue could not be compared to a Greek goddess and neither could their statues. Instead of reasoning that this was because Greek culture was superior, the context of the situation compelled people to reason that this was because Aztec culture was superior. For instance, there were justifications that Aztec art represented the true motivations for creating art and others that embraced the sacrificial elements of Coatlicue as part of the statue’s

This image may interpret parts of Diego Revers past where he was apart of the Mexican Communist party in 1992 to 1999. He was beginning to form ties with mexico which the party disapproved of. He was able to explore his own passions and became well liked in the United States. The people who opposed his ideas asked for his art to be removed. He was a very popular artist but, also popular in those who disagreed with his views.

Pablo Picasso - His Life and His Art Pablo Ruiz y Picasso, painter, sculptor, and printmaker, was born in Malaga Spain on October 25, 1881 and died on April 8, 1973.Today he is considered to be one of the most influential and successful artists in history. Picasso contributed many things to 19th century and modern day art and his name is familiar to all those involved in the many different fields of art. Throughout the seven decades that Picasso produced artwork he used many different types of media. In each piece of art he produced he searched for new possibilities, invented images in them, and reflected events that were occurring in his world through his artwork. Picasso had many artistic influences in his life, including Cézanne,