The Murder Of Skylar Neese Was A Case That Shocked The

In her article “Gendered Racial Violence and Spatialized Justice,” Sherene H. Razack explores the murder of Pamela George; the way that her murderers’ sentences were lessened because of a variety of factors pertaining to Ms. George’s life; and the fact that the murderers were young, white, and middle-class men.

On March 13th, 1964, in New York, a young woman by the name of Catherine “Kitty” Genovese was just coming home from her late shift at work. It’s three a.m., and as she’s walking to her apartment building, she notices a suspicious, hooded man some distance away. Rightfully concerned, she goes to the phone booth, aiming to call the police, but never makes it in time. She’s stabbed in the back, and then in her gut. When her screams cause the neighbors to turn the lights on, all they do

Garibger, Gail..”On Punishment and Teen Killers” SpringBoard:English Language Arts Ed. Betty Barnett. Tampa: College Board, 2015. 91-92. Print.

Terror, shock, desperateness, all feelings of the Columbine victims. Through the narration of the encounter between Patti Nielson and the shooters during the beginning moments of the Columbine shooting in chapter 11 of Columbine, a memoir, Dave Cullen adopts an informative tone in order to focus young adults’ attention to the ruthlessness of the Columbine shooting.

In the riveting documentary Audrie & Daisy, husband and wife director team Bonnie Cohen and Jon Shenk retrace the events leading up to the harrowing sexual assaults of three teenage girls; Audrie Pott, Daisy Coleman, and Paige Parkhurst, and expose the agonizing after effects and exploitation of the assaults. Subsequent interviews with family members, friends and law enforcement officials give important details about the aftermath of the events, and introduce viewers to possibly the biggest villain of all, Sherriff Darren White of Maryville, Missouri. Throughout the documentary White appears smug when he states that “as County Sheriff, “the buck stops here” (Darren White), and when asked about the crimes committed by Maryville’s football star, he rebuts with “was there a crime?” (Darren White). As the film moves through the twists and turns of the cases, the settings, conflicts, and tragedies are enhanced by the use of montage, long and subjective shots, close-ups and personal sketches that submerge the audience into the victim’s point of view. At the conclusion of the film, the viewer is left to decide what constitutes sexual assault and rape, and if society and law enforcement are to blame for today’s ‘rape culture’ acceptance and the continued victimization of young girls. It also reveals how much can be hidden from parents, and how disconnected they can become from their children in a social media world.

Christine Jessop was a nine year old girl who after bring dropped off by the school bus at her home in Queensville decided to ride her bike to the park nearby to meet with her friends. After stopping to buy some gum at the local store she was last seen walking her bike up her driveway by her friend Kim Warren. She did not keep her appointment with her friend at the park, and would never be seen alive again (Anderson & Anderson, 2009). This small town instantly became involved in the search for the missing girl, but with very little evidence to go on time passed, and hope began to diminish for the safe return home of Jessop. On New Year’s Eve 1984, eighty-nine days after Jessop went missing, her body was found badly decomposed in a bush by Fred Patterson fifty-five kilometers from Queensville. An autopsy would later revival that she was raped and mutilated (Anderson & Anderson, 2009). The police still did not have a suspect in the case nor did they have any leads, but now that her body was found the police and the small town were the topic of media, increasing pressure

This particular task I am going to be identifying and critically be assessing some of the psychological and sociological perspectives in relation to Wests Murder case but in particular focusing on Rose West’s trial on why she was given the guilty verdict. I will go onto explaining the basic and background of the case, the reasons on why the decision was reached and how both the prosecution and defence put across their argument to the courts.

There are some images and events that stick with a person forever and can change their entire outlook on life. Sometimes these events are experienced indirectly, through the media, but that does not mean that it impacts the person any less. Audre Lorde is one of those people who is indirectly affected by a tragedy that she witnesses through the eyes of the media and her society. For Audre Lorde, the brutal murder of a young African American boy sticks with her and inspires her to write an emotional poem entitled “Afterimages.” The image of the boy, Emmett till, is forever engraved in Audre Lorde’s brain (Lorde 48). Her poem clearly expresses how distraught she is, not only with what happens to Emmett Till, but also with the views of society as a whole. The theme for Audre Lorde’s “Afterimages” is traumatic events can reflect the attitudes of members of a society and can also significantly impact the lives of young people.

A young girl, a six-year-old beauty pageant queen, was found brutally slaughtered in her home the morning after Christmas in 1996. Who killed the defenseless little girl? The JonBenét Ramsey murder was one of the most chilling cases of its time. The investigation caught the public eye around the world and was a center for tabloids, newspapers, and TV news alike. Now, twenty years later, the world is still captivated by this bizarre crime. What really happened on that fateful winter night? Was it the mother who snapped in a fit of rage over a bed-wetting accident? Or did the neighborhood Santa Clause become a little too enthralled with the tiny beauty queen? Whatever the case, this tragedy has been under investigation for twenty years, and

With regards to female sentences, it can be seen on the one hand that the criminal justice system deals with female crimes more leniently than with male criminality, as referred to as the chivalry theory (Pollok, 1983). As many female offences are usually petty wrongdoings, such as shoplifting which makes up for nearly a half of all indictable convictions (Ministry of Justice, 2014), due to their gender, it is most likely that females are to be cautioned over receiving a prison sentence. However, this was not the case for Maxine Carr in 2003. A whirlwind of media interest surrounding Carr’s involvement, with the murders of two young girls from Soham, is argued to be the definitive reason as to why Carr received a prison sentence of three years, all for perverting the course of justice.

Since 1970, there has been an increasing and alarming rise 138 percent of violent crimes committed by women. Still, while the equivalent percentage compared to male violence is small 15 percent to 85 percent the fact that the numbers have elevated so drastically points to something changing in society.

Despite the general consensus that the number of females involved in crime is continuing to rise, males are still the dominant gender committing crimes, especially for violent offences. This may be why there is a continued lack of research on female offenders using a gender specific approach that accounts for gender differences. Historically, female offenders have been primarily studied using a gender-neutral model comprising mainly male offenders. Although there is support that a gender-neutral model can effectively apply to both male and female offenders (van der Knaap et al. 2012), there has been an ongoing debate on whether the pathways and processes that lead to female offending can be successfully explained and ultimately applied to interventions and preventions by using theories originally created to explain male crime (Steffensmeier & Allan, 1996).

In the riveting documentary Audrie & Daisy, husband and wife director team Bonnie Cohen and Jon Shenk retrace the events leading up to the harrowing sexual assaults of three teenaged girls; Audrie Pott, Daisy Coleman, and Paige Parkhurst, and expose the agonizing after effects and exploitation of the assaults. Subsequent interviews with family members, friends and law enforcement officials give important details about the aftermath of the events, and introduce viewers to possibly the biggest villain of all, Sherriff Darren White of Maryville, Missouri. Throughout the documentary White appears smug while he states that “as County Sheriff, “the buck stops here” (Darren White), and when asked about the crimes committed by Maryville’s football star, he rebuts with “was there a crime?” (Darren White) As the film moves through the twists and turns of the cases, the settings, conflicts, and tragedies are enhanced by the use of montage, long and subjective shots, close-ups and personal sketches that submerge the audience into the victim’s point of view. At the conclusion of the film, the viewer is left to decide what constitutes sexual assault and rape, and if society and law enforcement are to blame for the today’s ‘rape culture’ acceptance and the continued victimization of young girls. It also reveals how much can be hidden from parents, and how disconnected parents become from their children in a social media world.

Females are said to be very emotional and if they were troublemakers at a young age they are said to possess “masculine traits and characteristics” (Siegal & Walsh, 2015). Males tend to commit crimes like robbery, assault and burglary. This has changed in the last decade. The rate of offending has decreased for males by 27 percent and females about 15 percent. “Girls have increased their

Broken Lives written by Estelle Blackburn is an expository text, which through research has presented that nineteen year old John Button was wrongfully convicted of killing his seventeen year old girlfriend Rosemary Anderson in a hit and run. I believe through my reading of Broken Lives that the key factor of expository texts is to explore awkward questions deeply and critically. In this case who was guilty of killing Rosemary Anderson in a hit and run, John Button or Eric Edgar Cooke, and the effect of Cooke’s crimes and murders had on people.