The Murders in the Rue Morgue

“The Murders in the Rue Morgue,” written by Edgar Allan Poe in 1841 is considered to be the first true detective story ever written, and the influence for works such as Sherlock Holmes. The narrator and his friend C. Auguste Dupin, after finding out about an intriguing murder, find themselves trying to free an innocent man and find the real beast behind the murders in the rue morgue. Through Poe’s use of symbolism and vivid imagery, the theme of the story is revealed as the struggle between the analytical, emotional, and imaginative. The Murders in the Rue Morgue presents a recurring theme of the battle between the analytical, emotional, and imaginative. In the beginning of the story, Poe describes a chess battle in great detail,

After reading and watching both the book and the 1932 film ‘Murders in the Rue Morgue.’ It is evident that the film went mostly it’s own way, taking only small bits from Poe’s actual story, discarding many important details.

As Edgar’s Time at The Literary Messenger came to a close, Poe began to publishing more works like Tales of the Grotesque Arabesque and then would continue to work in the presidential election (Padgett 57,63). Edgar would soon become “Struck by illness” (Tilton 58); this illness was caused simply by Poe’s over use of alcohol. Edgar Allen Poe would soon being a new job at Graham’s Magazine (Tilton 60). Throughout Poe’s time at Graham’s Magazine he spent time with the most influential writers and publishers of his life, Clinton Bradshaw and Howard Pinckney (Tilton 60). With such amazing inspiration Poe’s audience would respond more to what he was publishing. With the publication of “The Murders in Rue Morgue,” the first modern detective story, Poe would create a new level of fame for himself (Tilton 61). The year 1841 would be the one of the last periods of time when Poe is truly happy.

The dark and eerie tone of the murder story and its unusual setting contribute to the story’s theme of defense of one’s honor and avenging wrongdoing. The haughtiness and conceited attitudes of the two men create an extension of this theme in which Poe wants to show how far some men will go when they receive a blow to the ego. The story’s setting in the

In Edgar Allan Poe’s “The Murders in the Rue Morgue”, a crucial statement is declared about how he views the inner workings of men, as well as how men interact with women in society. The narrative is based around the horrific murder of two defenseless women, which seems to have been committed by a mystery “beast”. Poe demonstrates the primitive violent forces that exist within people, particularly men, which have the ability to escape in shocking ways, often against a woman. Poe uses violence as a negative, inhumane act, in order to reinforce the innate brutal impulses that are just under the surface of all male beings.

The law enforcers are confused because they cannot identify how the criminal escaped. They declare the murders unsolvable; however, C. Auguste Dupin, a man who loves mysteries, steps into the scene to attempt to untangle the puzzle. While he is looking for clues to solve the mystery, the spectators and citizens provide insight into the story as well, setting the context and atmosphere that Poe wishes to narrate the story with. At last, after Dupin find clues that lead to a possible victim, including a fingerprint and a window that could be opened and closed from the outside, he deduces that the murderer was an orangutan. After the orangutan is convicted, the story slows down quickly, leading to the selling of the orangutan by the sailor who owned him and the increasing of the confidence that Dupin has in himself. “The Murders in the Rue Morgue” is a strange short story because of its irregularity in characters. Not only does Poe make an orangutan the murderer in the story, he describes the peculiar attributes and characteristics that the policemen and the townspeople possess. Through the peculiar characters that he establishes in the short story, Poe gives an example of the American Dream. Dupin was a man who had fallen into poverty and destitution; however, by taking on the mystery and working diligently to solve a case that had been deemed as unsolvable, Dupin shows that redemption can be achieved through determination and confidence.

The fourth and final gothic element Edgar Allan Poe uses in Masque of the Red Death, is the air of mystery and suspense. Poe does this by creating a gloomy setting and entering a ghost that creates mystery because the readers cannot see his face or know what he is or what he is up to. Poe describes him as, “The figure was tall and gaunt, and shrouded from head to foot in the habiliments of the grave.” There is many ways Poe shows the mystery and suspense, Poe also uses a lot of death and blood to create a mystery because the reader doesn’t know who is going to die next, neither does the characters in the story.

By all means, death can take on many forms, illness can take the lives of millions, and wars can take the lives of thousands, however, murder is an intimate and decisive choice. While the psychosis of hundreds of killers have been examined, there is not a singular bond that will group them together conclusively. Comparing both murders, Montresor, in The Cask of Amontillado, written by Edgar Allan Poe and The Misfit, in A Good Man is Hard to Find, written by Flannery O’Connor, will shed light on each their motives. In both stories, conflict and vantage points are used to give the reader a different encounter with the murders; however, the themes in each story have significant differences. To explore these differences will allow readers to have a clear understanding of the true morals of the stories; and how life, as well as death, can be viewed.

In addition, he persists stalking the old man in the middle of the night for a week. Seven long nights planning his “vengeance” against the senior’s eye. Because of planning in the shadows for a seven days, this is doubtlessly murder. Furthermore, the main character’s murder is described, “I dragged him to the floor, and pulled a heavy bed over him. ”(Poe, 1843).

Picture this. The father of modern crime and detective stories, known as Edgar Allan Poe, is sitting down about to write a beautiful piece of writing and BAM! He whisks away into a story of love, death, and just plain out horror; either characters are losing someone near and dear to their hearts or they are plotting to kill. Edgar Allan Poe, at a very young age, lost both of his parents, and later on in life, lost his wife to tuberculosis, so in one way or another, these stories reflect off of his personal experiences. A major theme in Poe’s writings is death. The theme of death is seen throughout the works of Annabel Lee, the Cask of Amontillado, the Raven, and the Black Cat.

Poe has a history of presenting characters with personal flaws who often confess to atrocious deeds. Both The Tell-Tale Heart and The Black Cat tell the story of a seemingly senseless murder complicated by the vaugery of preternatural occurrences. The reader is forced to question whether or not they should believe what they are being told. Both of these narrators, the wife killer and the landlord killer, are unreliable and have a similar theme. The narrators are both mentally unstable however their conditions vary. The psychological implications of each character's’ attitude suggests while both are crazy, one is a sociopath and the other is a psychopath.

Monsieur Dupin solves the mystery and to do so, must take on an entirely new

What makes a short story great? Great characters? A great plot? Whatever it is, it does not have as much time to develop as a novel does. However, in limited space, author Edgar Allan Poe creates a brilliant, suspenseful, and brain wracking story. "The Murders in the Rue Morgue" begins by comparing the analytical mind to the game of chess. Eventually, Poe ties in the occurrences of a bizarre incident with a flashback to 18--. Through analyzing the scene and using clues and witnesses' testimonies, a character of great analytical power solves a murder mystery that no one else can even remotely get a grasp on. The story may sound ordinary at first, but upon the completion of the novel, a doubtful reader can change his mind. Edgar Allan Poe's

“If you are good at something don’t do it for free”-Heath Ledger. In Edgar Allan Poe’s story “The Purloined Letter”, the detective instead of helping the police he finds the purloined (lost) letter; Dupin finds the letter from D’s, the minister, hotel room. To get the letter, Dupin deceives D and turns the letter in to the police to get the reward. “The Purloined Letter” revolves around the themes of logic versus imagination and deception, which includes omission, equivocation and falsification.

The first piece of evidence is when Poe writes, “It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! Would a madman have been so wise as this?” (Poe 3) The main idea of that quote is similar to another that is found in The Tell-Tale Heart. This is the part of the story where the narrator already murdered the old man and has dissembled the body and is hiding it. The narrator tells the audience, “If you still think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body.” ( Poe 12) He was silent and cautious to make sure he did not arouse the old man and attempted to not alert the neighbors of his devious deed. He thought wisely, and usually madmen do not think wisely. Insane people do things very recklessly and thoughtlessly when making decisions have been involved. That idea leads this essay into the next