Essay The Mursi People of the Omo Valley Ethiopia

The first thing that strikes me about The Star of Ethiopia is the stark difference in structure and style. The structure itself does not revolve around a single person or character but rather of a peoples as a whole. The plot follows an entire race of people through history, and the urgency of the story is not lost, but rather it is amplified. Likewise, the style of the show requires a unification of collaboration to create a spectacle for show. DuBois gives a freedom to a production to make a production of his pageant specific to their wants in needs while also still ensuring that a truthful history is given. The theme of these two aspects is a collectivism that permeates the psychology and culture of people of color, which truly separates this show from the other theatre of the time. The collectivism that DuBois uses in The Star of Ethiopia is illustrated as a collective retelling the history of African Americans, but also sets in motion a redefining of what it means to be African American and how they

From the 1500s to the 1700s, African blacks, mainly from the area of West Africa (today's Senegal, Guinea, Sierra Leone, Gambia, Liberia, Ivory Coast, Ghana, Dahomey, Togo, Nigeria, Cameroon, and Gabon) were shipped as slaves to North America, Brazil, and the West Indies. For them, local and tribal differences, and even varying cultural backgrounds, soon melded into one common concern for the suffering they all endured. Music, songs, and dances as well as remembered traditional food, helped not only to uplift them but also quite unintentionally added immeasurably to the culture around them. In the approximately 300 years that blacks have made their homes in North America, the West Indies, and Brazil, their highly honed art

Throughout history, many different cultures illustrate their history and their beliefs through various artistic objects that they create. These artifacts allow historians to better gage their lifestyle, their beliefs, and how their society operated. One example of this is the “Drum Beater” sculpting created by Karoo Ashevak that is especially famous for its illustrations of the shamans and the spirits. In this research paper, Karoo Ashevak’s “drum beater” will be dissected and analysed; from the Inuit culture itself, to the physical features of the sculpting, as well as the significance and symbolism of the sculpting as it relates to the Inuit culture.

They no longer get to own their land but at the same time they have to watch their land being taken over. Over time this sense of group, or community disappears. Generations can no longer teach younger generations about the importance of nature and therefore the history is slowly lost. Since they lost their history and their connection to the land a lot of other parts of their culture and their beliefs was taken away as well.

In the Body Rituals Among the Nacirema, both men and women believe that “they lack frequency.” In order for them to believe that they are to their standards and others standards perceived as beautiful, they undergo sadism and masochistic rituals performed by highly trained specialist to enhance one’s look. The people of the tribe change their bodies via enhancement to look like a representation of a doll “outside the range of human variation,” says Miner.

“Remotely Global: Village Modernity in West Africa” by Charles Piot is a book based on the lives of the people of the remote village called Kabre located in Northern Togo. The author discusses the “vernacular modernity” of the people of Kabre village that has been influenced by a long tradition of encounters with outsiders that included the colonialists. The author provides an in-depth analysis with ethnographic details about the Kabre people as the author discusses a wide range of their culture and history that included houses and the structure of homestead, gender ideology, ritual like initiations, exchange system, and social relations (Piot 178).

This paper describes the Sea Bear Transformation Mask, created by Don Svanvik in 2000, and how it reflects Northwest Coast Indian art and culture, specific to the Kwakiutl tribe. A transformation mask is a large mask with hinged shutters that, when open, reveal another mask. Audrey and Alan Bleviss gave this mask to the Montclair Art Museum in 2005. The medium consists of red cedar, cedar bark, copper, pigment, and string. In the Montclair Art Museum, the mask is displayed in its open form.

Settled in Kenya and Tanzania, the Maasai enjoy a simple life with an abundance of culture. With roots in pastoralism, the Maasai live an intriguing life with traditions unlike any in the world. Language, marriage, societal statuses, the economy, religion, and health are fundamental in appreciating all that the Maasai have to offer. The warriors of the savannas’ red clothing signify power, and with that comes a powerful amount of knowledge that is still being learned.

While reading both ethnographies “The Hadza: Hunter-Gather of Tanzania” and “From Mukogodo to Maasai” it is easy to spot out differences and similarities between both these simple, yet complex, societies. People tend to believe that indigenous populations are always very similar, as I once did, but I would say while reading these ethnographies I found more differences between these communities and cultures than I did similarities. For my essay I am going to compare both the Mukogodo’s culture and life before and after the transition to Maasai to the life and culture of that of the Hadza. I am going to focus specifically on the similarities and differences between labor and labor

Commonly referred to as Bushmen by the general public and thought of as being harsh wild people that live in the “unlivable” Kalahari Desert. The Ju /’hoansi tribe native to the southern African desert, located along the border of Namibia and Botswana, have been misunderstood and stereotyped for a long time. This is until a man by the name of Richard B. Lee came along and wrote an ethnography about the local systems of the Ju and completely changed how an outsider might view this rural tribe, along with being a fine example of proper long-term field research in social anthropology. This highly regarded book on the Ju /’hoansi is titled “The Dobe Ju /’hoansi.” Although Lee states in the

Chapter one, “Fieldwork among the Maisin”, describes how anthropologist John Barker, author of Ancestral Lines, goes to Uiaku New Guinea to study the Maisin people. His specific goals were to study how a people can maintain a cultural identify in a modernizing world and how they can live without destroying their environment. Barker first arrived in New Guinea in 1982 where he examined “how the Maisin make a living, organize social interactions, conceptualize the spiritual world, and meet the opportunities and tragedies of life” (Barker 2016:2). He studied the tapa cloth, a fabric made from bark, that the Maisin use as a connection to their ancestral past and to help define their culture. Barker discovered that the Maisin have faith in traditional methods and do what they can to preserve that lifestyle. Barker‘s work went

When you surf the internet to look for the new about Central African Republic you hear stories about terror, civil war, rebels, murder, bloodshed etc. But what are the other aspects of life in the region that no news reporter wants to cover? A trip to the Center of the African rain forests reveals what happens and has been happening for very many years to the region’s residents. In Listen Here is a Story, Bonnie L Hewlett deals with different aspects of women’s lives of the Aka (Foragers) and Ngandu (Farmers) in this part of Central African Republic mainly, and reveals the political, social, cultural, Ideology in life of these people. There are some studies where people are travelling to explore the subjective experience of women’s in small societies, and this book is one of them.

Masks are one of the most spiritually important art forms developed in Africa. Among the masks many uses were; communicating with spirits and ancestors, serving as teaching aids in gender specific initiation ceremonies, tools for maintaining order, enhancements for reenacted stories and myths, symbols of rank and power, and a record for past leaders. I will be focussing on masks from the first three categories. The masks, which are all Helmet style masks from West and Central Africa, illustrate how artists from different tribes approached symbolism and visual storytelling. They also show what was considered ideally beautiful for each clan.

In a society so consumed by the ideology of beauty, it makes sense as to why so many women these days undergo cosmetic surgery. The definition of beauty has long been obstructed and changed. In the past, if you look at the woman, you will see they are curvy, during this era being thin meant you were poor where as a beautiful and wealthy woman would be plump because she could afford fine dining. As society has changed, being slender has become the new trend, creating the idea that in order to be truly beautiful one must be thin. The movie stars in Hollywood, although most people realize the beautifying changes that are made to the pictures, this idea of 'beauty ' and 'desire ' still lingers in the mind of whoever comes across it. Our society is bombarded with several different ideologies of beauty but beauty is in the eye of the beholder. The beauty standards that have been set should not be what are shaping people around the world and influencing them to go through with plastic surgery. The use of plastic surgery has changed from a medical procedure used to reconstruct the wounded or people with birth defects to reconstructing something people do not like about themselves. Plastic surgery was used during WWI in 1910 and after the war, skin grafting grew. The first training program in the United States was in 1924 thanks to Dr. John Davis. In 1950-1959, plastic surgery was used broadly to repair cleft pallet. It wasn’t until about

We live in a society where people worship beauty. As far as recorded history people have gone to extremes to seek beauty. From foot binding in China to wearing strangulating corsets in Victorian era. People from different race and culture have experimented in every way possible way to look beautiful prior to this popular age of plastic surgery. It’s very common to hear people complain about their appearance, whether it’s their crocked nose, thin lips or flat chest. Remarkably, plastic surgery has been the solution for people who complain. Most people tend to think of plastic surgery as only cosmetic surgery and not as reconstructive surgeries. Plastic surgeries seems to be an invention of modern technology; however its roots lie in the ancient history of India. An Indian surgeon contributed towards the establishment of plastic surgery, it was intended to correct physical deformities acquired during birth, accident, disease or war. These surgeries did not gain the popularity it has today until the First World War. It was during the late 60’s, when doctors started realizing the endless possibilities of plastic surgeries. With the help of this surgery a trained surgeon can replace an amputate body part, remove skin cancer, get rid of unattractive scars and visible birthmarks or rescaling a nose or enhance body parts. Today more and more people from different age groups opt for plastic surgeries to obtain dramatic physical changes. These surgeries were envisioned to restore