The Museum Of Art Exhibitions

When I was younger, I thought museums were boring and dull, filled with pointless, nonsensical art work that people just pretended to understand what the artists were thinking. I thought people interpreted imaginary meanings from the art that other people just followed and accepted because it was the “cool” thing to do. This is one of the main reasons I avoided going to museums that were art based. Once I got the opportunity to visit an art-based museum for myself, I actually enjoyed it. I began to build my admiration and appreciation of art from then on. I have had the opportunity to visit many museums but this was the first time I visited The Museum of Modern Art. I always saw MoMA related things around New York City but was never able to

This painting is done with oil on canvas. The painting itself holds visual texture and substance. The repetition and sorting is well executed. With some other works, subject matter which is so simple can come off as bland and boring. Yet Thiebaud was able to turn something so simple into a beautiful piece of art. Wayne Thiebaud uses heavy pigment and defined shadowing. All while the attention to detail is divine. With the well defines brushstrokes to luscious look of the frosting that coats the pieces of cakes. The color is vivid and imminently captures your eye; with intensity and he uses his shading properly while also using proper proportions as the pieces of pie

The Carnegie Museum of Art was a museum created to focus on the art of tomorrow rather than already popular art and artists of today. A necessary part for that dream of Andrew Carnegie to become a reality is having a place to house these art pieces. While of course he could have just found an empty warehouse and placed all the art there that would neither have given the pieces of art justice nor would anyone want there personal collection to be placed on display there. Instead, in order to have a successful art museum you have to house the art in a place that does it justice. Museums heavily rely on their architecture to accurately portray and supplement the showpieces within the museum. Carnegie’s art museum

Countless art has been sought-after throughout history. Explorers, scientists, art collectors, politicians, and entrepreneurs from Western nations have sought out and removed art from the lands of great civilizations, often with the assistance and participation of local people and governments. Even as cultural property faces immediate danger today in conflict zones like Syria and Mali, there is circumstantial evidence that some nations are awakening to the political and foreign policy benefits that can flow from the repatriation of cultural patrimony. While on a different scale from World War II, historic structures, religious monuments, and other priceless ancient times continue to suffer collateral damage and manipulation in armed conflict. Relics have been stolen, smuggled and sold in what is a reported multibillion dollar underground market. They have become the illicit prizes of private collectors and the subject of legal claims against museums. Of the countless museums subject to legal claims, The Metropolitan Museum of Art in New York City happens to be one of them. “The Metropolitan Museum has acquired thousands of works and objects of art from the antiquities”. “For the past several years, the government of Turkey has warned U.S. and foreign museums (including The Metropolitan Museum of Art), that unless ancient objects from Turkish soil are given up on demand, Turkey will stop lending artworks” (The Committee for Cultural Policy, 2015). Turkey continues to up the

Among the many artworks I have seen, I decided to discuss about the “Sarcophagus Depicting a Battle between Soldiers and Amazons (Warrior Women)” from the Roman civilization. It was built sometime in between 140 A.D. to 170 A.D and is approximately forty and a half inches in length, ninety-one and a half inches in width, and fifty and a half inches tall in height (“Roman Sarcophagus”). This masterpiece appealed to me because of the unique approach that has been designed to honor the deceased. Many people are familiar with the formatting and inscriptions of a gravestone because it is usually engraved with an individual’s full name, birth date, and death date. During the Roman Empire, a sarcophagus, which is a coffin, was widely used to show decorative themes that includes: battle scenes, hunting scenes, weddings, or other memorable episodes from the life of the deceased individual. The most luxurious ones were made from marble surrounded by symbolic sculptures, figures and inscriptions on all four sides (“Sarcophagus”). Another feature that captured my attention was the large quantity of details used to bring out a lifelike aspect of the deceased individual’s favorable moments in their life. In this artwork, this sarcophagus was dedicated to a Roman commander. The exterior of the sarcophagus has been well-decorated and carved with exquisite details depicting a battle scene

After visiting the Museum of Fine Arts in Houston for the first time, I observed many interesting works of art representing various time periods. Of all the paintings that I saw last week, two landscaped pieces seemed to stick out in my mind; Andre Derain’s The Turning Road and Thomas Hart Benton’s Haystack. Though these two art works are similar in subject matter, they clearly reflect the different styles and time periods of their artists; the abstract Derain being a Fauvist and the more realistic painter Benton representing the American Scene style as a Regionalist.

The trip form the MET (Metropolitan museum of art) was really interesting, with the view of so many galleries from high renaissance, baroque, romanticism or impressionism; from many expose of different artist and times. I see the evolution of arts through times from 1400-1890 different facet of life have had been translate. Through painting from Indian time where I see what is like in early American life, pass ancient Egypt of mosque and pyramid, and overlook of what happen before and even what happing now the Met did give me a real look of the essence of arts.

In the metropolitan museum I had a great time and got a lot of knowledge. First, the visit was great as I personally need it as a break from school and finals. Seconded, I did not visit the museum almost for four years. Even though I been there in 2011 but I got hard time to find what I am looking for but the worker were really helpful with the direction. I actually started by the Gallery of Mughal South Asia and Later South Asia that painting of (Black Stork in a Landscape) looked at 464. I found the paninting interested because I came from a village and I used to see Black Stork a lot in the fields. In Egypt we call him the farmer friend as he eats the bad warms that may affect the farmer’s crop. I love the color of the painting as it was black, gray, white, , dark brown, light green that is represent the crop. As the painter used water color to address the painting and to show the Indian geography in the back ground. In addition the painting from the South Asia and the Himalayan Region, 1800–1900 A.D. the Painting was in the medial size according to the note that was besides the painting it was H. 21 1/2 in. (54.6 cm) W. 29 3/4in. (75.6cm) Mat: H. 35 1/2 in. (90.2 cm) W. 27

The Museum of Fine Art in Houston, Texas has a variety of art collections. To be precise, the canopic jar is mounted on a large pedestal among other sculptures. This Canopic Jar was made in Egypt during the dynasty XXVI, 664-525 B.C. It was made from limestone. The jar was masterfully carved from stone and subsequently painted over. It is a historical masterpiece and it is relatively in good condition. Such stone jars were used to house the organs of the deceased. Their organs were put in these canopic jars during the mummification process. The lids of these stone jars have a human face. The faces were carved to represent the four sons of the god Horus. The three-dimensional jar is solid and quite large. It is well displayed in a spacious environment. The lid of the jar is organic due to the life-like face that stares back at the viewer. The rest of the jar is cylindrical with graceful proportions. The size of the jar interpenetrates with the surrounding space. It turns in space and it was meant to be viewed from several points of view. Its cylindrical nature makes the viewer’s eye wander all around its form to take in its splendor.

On Saturday, October 22nd I made the hour and a half trip to the Legion of Honor in San Francisco. Upon arriving I could see the tall ivory pillars surrounding the entrances of the museum, a reminder of the Neoclassical age in art history evident in 18th century Europe. Figures Amongst Ruins (Ruins with Sybil) is a 25.5 inch by 19.5 inch painting (“Figures Amongst”) that hangs in the far corner of the art museum 's Gallery 7. It’s calming colors and stunning depiction of decayed ruins captures my attention. The history for Ruins with Sybil increases the value of its power of captivation.

For my project, I chose to tour the European section of the Dallas Museum of Art. I visited the DMA on Friday 11th, as the museum was introducing a new portrait of a man from a vendor. The museum, curated by Gavin Delahunty, is situated snugly in the heart of Downtown Dallas. The exhibit presented many artists and let the viewer’s imagination take them back in time and immerse them into the art.

Jan van Eyck was active since 1422 and died in 1441. He was the most celebrated painter of the fifteen-century in Europe. One of his famous works is “The Last Judgment”. At first sight this work immediately attracted my attention. The painting’s stunning colors and the fact that it reminded me of a previous similar work I have seen, triggered in my mind. The material that is used is oil on canvas, transferred from wood. The size of this work is 22 1/4 *7 2/3 in. (56.5 * 19.7cm).

On July 14, 2015 I made a trip down to Celebration to see the art gallery at the Bohemian Hotel. Every single time I enter the town of Celebration I fall more in love. Well, today I realized that art galleries do not need to be big, to be impressive. As I arrive to the hotel I get to take in the beautiful architectural design of the hotel. Inside I get the pleasure of seeing more than 75 different art pieces. The whole reason I wanted to go to this specific location was, because someone had told me that there was glasswork throughout the hotel. However, the small yet impressive art gallery captured my attention more. The hotel had art pieces all over, but I got all caught up in a corner where local artists, Nina Buxton, Huston Llew, and Phillip Anthony; had their beautiful pieces of art.

The class visit to the Museum of Modern Art allowed myself to understand and visualize what the work of Modernism really pertains to. As I was entering the Modernism Art exhibit or the first time, I was excited yet uncertain of the paintings and works of art I would come across. After exploring around, reading the information panels, and asking questions, I attempted to learn and educate myself on the Modernist art movement. The purpose of the modernist period for artists was to provide new meaning, illuminate the world in a different way, and to show different relationships within the world. Modernism art isn’t necessarily a rejection of the past as much as trying to make meaning of the past that existed in the nineteenth century and sought

At first, I didn’t want to go to the museum. That day, I was exhausted after finishing school, so going all the way to San Francisco wasn’t exactly my idea of relaxing. Thankfully, my mom insisted we go that day, since it was my dad’s day off. I felt frustrated that we had to go right then, but my mom forced us.