The Music Club Blog Analysis

“Hip-Hop’s Betrayal of Black Women” by Jennifer Mclune, tells the reader in the title alone, that Hip-Hop has bashed black women. The African American author is an activist, librarian, and writer. She is currently living in Washington, D.C. This article was featured in Z Magazine Online during July and August in 2006. This particular column is targeted toward the entire Hip-Hop community, especially black women, entirely for anyone who listens to the vulgar music style.

From the lens of feminist theory rap music portray women to be lustful. Rap music suppose to be a positive influence on injustices and social issues, but the strong content, language forces self-objectifying and self-exploitation (Herd; 2015). This music genre also up spring off capitalism and patriarchy which is mediated through racism. Elitism tradition of African American which is also known as “Playing the dozens” (Herd; 2015). Hip-Hop music genre has affected young adults in American society. In Neena Speer’s study hip-hop contains violence and misogyny which are offensive musical lyrics. In this context women and men are controlled by a negative image of themselves. The significance of this this focus on how many of the themes that are included in the song most young black adults claims to be apart of who they are (Speer;2014). Greenberg, Baron-Cohen, Stillwell, Kosinski and Rentfrow show how preference of musical genre is related to cognitive. The main focus of the study was to get participants to report their reactions to different musical genres (Speer; 2014). In the article “Constructing Racial Rhetoric: Media depiction of harm in Heavy Metal and Rap Music” music genre was judged on a level that the writer picked and choose what material to put into the media. Music that was considered to be rap or heavy metal was projected out to the

The topic of femininity in pop culture is important today because women are still far from achieving equality with men socially, economically, and politically. Music is a huge part of everyday life and affects millions of people. The music industry is intertwined throughout many outlets of the media. From commercials, to television, to the radio, music is a part of everybody’s daily life. What is noteworthy about trendy music today is that the messages that the artists are singing about can influence the listener's behavior, even though they may not consciously know this. With many popular anthems being so influential in every aspect of today’s world, we have to closely look at the correlation between music and how this alters how people act in today’s culture. Those who’ve been closely following the trends in country music over the last few years have had a sense that songs that objectify and degrade women (“bro-country”) have been on the rise, but it was only anecdotal evidence that we could

Music can help change lives, heal wounds, or unfortunately, create stigmas. We live in a world that stigmatizes women on a daily basis, and the music industry plays no less of a significant role in reinforcing some of those stigmas. One apparent stigma that the current music industry is promoting is the infantilization of women. Infantilization is the act of treating an adult as a child, and thus denying her or his maturity. Equating women with children, and treating them as if they are weak and dependent is something we can clearly see in pop music. Whether it was through presenting women in infantilized positions in music videos or using infantilizing terms in lyrics, pop music plays a big role in shaping our inaccurate perception of women.

The misogynistic treatment of women in commercialized rap has become a widespread phenomenon which as a result has become commonly accepted by majority of the individuals in society. Rappers, in general, nowadays use women in their videos in a way which is both derogatory and exploiting. Black men in today’s society, especially in the entertainment industry, do not see women as their equals; rather they objectify them as being nothing more than sex objects. People in the Hip Hop industry do not believe that sexism and misogyny is as big of a deal as racism, thus they push this issue to the side by simply ignoring it and learning to accept it. This misogynistic portrayal of women is ruining the image if Hip Hop as both an industry and a form of expressive art. However, instead of taking action against this atrocity, many women simply believe that the images of women and their portrayal in rap videos does not represent nor refer to them as an individual and the type of woman they truly are. By being silent these women are allowing themselves to be victimized by the men of not only the Hip Hop industry but also general society. By not having a say in this matter of the false classification and portrayal of women, they are voluntarily allowing men to do whatever they please to do so, in any given time and with any approach they feel is necessary. They do not

Hip-hop’s Betrayal of Black Women written by Jennifer McLune is an article that utilizes many different literary devices, such as quotes, to further educate readers about the cruel tactics that are used in Hip-hop culture to dehumanize black women. McLune mentions how the musically inclined artists who choose not to describe women in such distasteful ways have to put in a lot more work in the music industry in order to become successful. The materialistic and sexist components of rap music are what McLune describes as the future demise of Hip-hop. She elaborates on how rap is very male-dominated culture and often times very biased. McLune’s thesis is the failure to realize the scarring effects that the sexism showcased in most rap music

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

Music is an important part of life. Its role as a form of art and entertainment is a significant one but more important is that it serves to reflect and reinforce societal norms and values. It is not only used to entertain but also serves as a form of social commentary (Baran, 2009). For instance, the emergence of Rhythm and Blues (R&B) in America after the Second World War was a means of advancing the black race and it helped blur the line between white and black as more young white people became aware of the distinctions that existed in the society. The Hip-hop and rap of the 1980s and 1990s had almost the same effect, awakening in Black Americans a sense of

Her clothes accentuate her cleavage or have a sexual shock factor, such as wearing “sequined pasties…[that] coordinate with the rest of her attire”. The vulgar, sexual nature of her raps makes it impossible for her to not receive attention from the media. Another artist, Eve, dresses sexually to accentuate her body and appears in videos with music video models but raps about social issues like domestic violence. By comparing the nature of these artists and their music, Perry tries to show that young girls have very few role models in hip hop that promote positive feminists values and body images. But, she neglects to discuss other feminist artists she mentions in the essay such as Destiny’s Child and Mary J. Blige and how their lyrics and actions in the media allow young black girls to have positive role models that show a woman can be independent, strong, and beautiful in their own way. Perry’s focus on the more sexualized female artists in hip hop and how their shocking appearance and lyrics allow them to be as successful as their male counterparts took away from the development of her argument about conservative artists and their success. By leading the reader to believe that artists are either overly-sexual or conservative, Perry limits how the reader forms an opinion on why or why not young girls’ body image may be threatened by the media and the hip hop

In the essay, “Hip-Hop’s Betrayal Of Black Women”(221), by Jennifer McLune, she vents her feelings regarding hip-hop songs that are rhythmically diminishing the value of black women. She provides example on how the lyrics are being voiced and how hip-hop artists do not seem to care. Kevin Powell in “Notes of a Hip Hop Head” writes, “Indeed, like rock and roll, hip-hop sometimes makes you think we men don’t like women much at all, except to objectify them as trophy pieces or, as contemporary vernacular mandates, as baby mommas, chicken heads, or bitches” (221). There have been apologizes for what the rappers have said but nothing to resolve the dehumanization of black women. McLune informs the readers that hip-hop singers belittle black women and make them invisible. Jay-Z, a popular hip-hop artist is brought to center stage by McLune. The essay shows the example of a part of Jay-Z song that says, “I pimp hard on a trick, look Fuck if your leg broke bitch hop on your good foot” (222). This lyric is a perfect example of how hip-hop artist have no remorse in the words they sing. The hurt feelings and loss of self-esteem black women suffer, is of no concern to the rappers. McLune expresses that those who are underground hip-hop artist follow the footsteps on being sexist and using crude words in their lyrics just because they yearn and dream of being in the spotlight. Upcoming rappers want to be loved like Jay-Z and other famous notorious rappers.

Women have decided to consume hip hop regardless of the sexism and machismo of their rap artist spouses. Historically, black women who have sex with other women haven’t been recognized in the Black community. Also, the expectations are the same in hip hop culture because men reject lesbians. An example is the murder in 2003 of Sakia Gunn after she declared her lesbian identity to a group of males. We all know that in hip hop culture men predominate and precisely masculine. Women can achieve a higher professional success than men regarding no matter their sexual orientation. In other hand, women represent different controlling images like the whore, the mammy and temptress. Homophobia in hip hop is translated into forms of oppression, discrimination and violence for gays, lesbians and transgender. “Black women rappers interpret and articulate the fears, pleasures, and promises of young black women whose voices have been relegated to the margins of public discourse.” Their voices are in constant dialogue with the public and men rappers about sexual promiscuity, emotional commitment, infidelity, the drug trade, racial politics and black cultural history. If we pay close attention to female rappers, we will notice that they address questions of sexual power, economic opportunities and the pain of racism and sexism. Women rappers has been promoted as sexually progressive, antisexist voices because of “an understanding of male rappers as uniformly sexist.” Discussions of women

Charlotte Bunch once said “Sexual, racial, gender, violence, and other forms of discrimination and violence in a culture cannot be eliminated without changing culture.” Our society experiences all of these problems and I would like to focus on the gender perspective in the 21st century and how women have had more of an influence in music than people actually realize. Men have dominated the music industry and business but women have been the underlying reason as for why men and other females have been so successful in the music scene.

Music is one of the most popular ways of expression and has been for generations. It makes us want to dance, inspires, soothes, relaxes, and sometimes tells us a story. Music is something the whole world shares and has brought together different kinds of people. However, there has been a question on whether some music has affected society negatively and crossed the line with some of its lyrics, content, and the persona of the artists. Certain music has been boycotted and even banned in the U.S. Pro-censorship supporters say that music is something that can deeply affect our society especially children who should not have to be subjected to things like violence, sex, drugs, or hate. However, being that music is a form of expression,

Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to

The popular culture of music has changed dramatically over the course of sixty five years. Since this time, new genres of music have been introduced, existing genres have changed, and fixed stereotypes have been associated with certain genres of music. Music has become a major part of popular culture, and is portrayed almost everywhere in first world societies, including on television, radio, at shopping centers, sporting events and in every area of popular culture. Music has become a major part of popular culture, and continues to strive and develop into more and diverse areas of culture.