The Music Of Charley Patton

Music during the progressive era progressed drastically during this time period. Songs became more complex, and sophisticated. They told the stories of individuals lives, or the lives of a certain group of people. The songs showed how people felt about political issues and personal matters. Not only did music change, but new forms of music were created. Brilliant musicians and songwriters were discovered during the progressive era. All and all, some amazing musical discoveries happened during the progressive era.

Much of Thomas Newman’s music is rooted in the sounds of the deep south, with several interesting cues written for an eclectic ensemble including such weird and wonderful instruments as a bowed travelling guitar, a Vietnamese banjo, a jaw harp, bass marimbas, a tonut and the omnipresent saz. Occasionally, the music attains a kind of hypnotic sensibility that draws the listener in, but at other times it

With every aspect of our lives we are making a point, arguing a belief, or refuting some other aspect of our existence. Aesthetic pieces, most avidly poems and songs, argue a message both in the lyrics and in the meaning posed between the lines. “American Pie,” in a multitude of ways, argues that American lives and memories are closely intertwined with the music of the time period. Not only does “American Pie” argue a message it also pulls many generations together. Today, thirty years after the initial release, “American Pie” still has an effect in our music and continues to be popular with all age groups. Don McLean accomplishes this task through using the context of the time period, placement of words, the words

The 1940’s was recognized as the era of the common household names such as Frank Sinatra, Bing Crosby, and Perry Como. Jazz was the strongest music genre in the 40’s era with Ella Fitzgerald and Louis Armstrong taking the lead. Radio was the most common way to listen to music back then, but phonograph players were just starting to get affordable for the average wage.

It is uncommon for an American singer to decry Billie Holiday’s art of music considering that many cite the influence of her career not only on jazz but also on other American music. The distinctive phrasing,

There is no doubt that war is evil in every way. It is full of hatred and conflict and nothing comes out of it. It brings death, destruction, and the worst out of people. In a pacifistic yet desperate tone, Dalton Trumbo promotes anti-war ideals by explaining the life of a young soldier after he got affected by war in his novel Johnny Got His Gun. While some individuals’ point of view match with Trumbo’s, others may disagree with his reasoning. The controversial issue of the acceptance of war is talked about everybody, even popular artists. Some singers express their opinions on war via their songs, like George H. Cohan in his song “Over There (Johnny, Get Your Gun)”, and the band Metallica with their song “One”. Each sends different messages depending on the setting, their music’s genre, and diction used in the making of the lyrics.

General Lee once remarked, “Without music, there would have been no army” (Kehoe). The New York Herald concurred with Lee in 1862 when a reporter wrote, “All history proves that music is as indispensable to warfare as money; and money has been called the sinews of war. Music is the soul of Mars...” (Bowman). It is evident from these quotes the important role music played in helping soldiers from both armies cope during the war. The Civil War would have been immensely different without the considerable influence that music had on both the Union and Confederate armies. Music played a significant role in motivating soldiers to overcome their hardships in both the Union and the Confederate armies by entertaining and comforting, bringing back memories of home and family, and strengthening the bonds between comrades and helping forge new bonds.

From the creation of harmonies to singing to instruments, music has been an abstract form of human expression. Although an auditory collection of pitches and volumes, musicians can manipulate the same notes and bring them alive for their audiences. The true emotion and energy that’s felt in music really comes from the player as feelings are transferred to and through the listener. This interaction between performer and the house is catharsis, the complete release of strong repressed emotions. Thanks to the musician, music has the ability to grasp people and cause them to sense emotions and feelings without lyrics or images even being necessary. Although it’s believed we can only hear with our ears, something about music makes it emotionally if not physically tangible. In James Baldwin’s short story “Sonny’s Blues,” a narrator certainly unaware of the impact of music invites himself to experience jazz for the first time. Baldwin uses the final scene of his story to argue that music has an effect on those who are able to experience it. Baldwin does this in one single moment by letting the fixed, practical minded, “well-intentioned” narrator experience catharsis from jazz as his growing, free-spirited brother communicates with him through jazz.

Throughout African American history, especially during slavery music has been used as a coping mechanism to assist one with enduring hardship and opposition. Music specifically jazz and the blues can have many boundless effects on one’s life. In this case, in Sonny’s life, music was his only source of hope and strength to redemption.

From its inception, Jazz has applied both innovative approaches in different degrees and boundless configuration. And has continually amplified, progress, and modify music through various distinctive episodes of growth. So, an all-encompassing denotation of jazz is likely vain. Additionally, jazz as a music whose prime attribute was “improvisation,” for example, revealed to be too regulated and chiefly false. Meanwhile composition, adaptation, and ensembles have also been imperative constituent of Jazz (for most of its backstory). Furthermore, “syncopation” and “swing,” often viewed as important and distinctive to jazz, are certainly lacking the genuineness of it, whether of the 1920s (or of later decades). However, the prolonged perception that swing could not transpire without syncopation was utterly refuted when trumpeter Louis Armstrong often produced vast swing while playing repeated, and unsyncopated quarter notes (Armstrong, L., Fitzgerald, E., & Middleton, V. (1988). Satchmo. Gong.)

The blues have deep roots embedded within American history—particularly that of African American history. The history of the blues originated on Southern plantations in the 19th century and was created by slaves, ex-slaves, and descendants of slaves. They were created by individuals who endured great hardship while performing endless hours of arduous labor and blues served as a form of escapism. To these individuals, songs provided them with the strength to persevere through their struggles. Blues songs depicted individuals who persevered in the face of adversity. They were symbols of hope to those squandering in the depths of oppression. In relations to the blues, every song has a story behind it and within every story, there is something to be said. Blues artists, through their struggles, detail how they overcame hardship and laughed at the face of oppression. They defied the rules and in doing so, showed African Americans that they too are beacons of hope for the hopeless. The best blues is instinctive, cathartic, and intensely emotional. From irrepressible bliss to deep sadness, no form of music communicates more genuine emotion than that of the blues. Like many bluesmen of his day, Robert Johnson applied his craft as a lonely traveling musician on street corners and in juke joints. He was a lonely man whose songs romanticized that existence. With Johnson’s unique vocal style, haunting lyrics, and creative guitar techniques, Johnson’s innovation embodied the essence of

The music that was present in World War II was extremely versatile and happy, which helped keep spirits high among everybody. Styles such as swing, blues, and jazz were popular music styles at the time. By the end of 1941, 96.2% of Americans owned radios. This granted greater access to music and information on the war. This is in contrast to World War I, where most citizens of the world were not as connected to the war through radio. In a way, the mass distribution of music was unifying for the American citizens and troops. However, many African-American musical artists used music to highlight the hypocrisy of the Americans fighting for freedom at that time because there was still a lot of segregation and discrimination in the United States and in it’s military.

Before hearing this lecture, I had no concept of the types of music in concentration camps, much less a sense of the music within World War II. The lecture taught me how music and the arts are something that can’t ever be stopped. Even though it’s not mandatory for human life or a lucrative career it has permanently etched a place inside of culture and the continuation of history.

On October 4th, I watched Louis Armstrong Live in Concert in Berlin in 1965. In this concert, I noticed Armstrong played a variety of songs with a variety of different tempos. The first song he played was more adagio and right after that his song picked up in tempo and changed to a more allegro with a vivace, lively feel to it. Each one of Armstrong’s songs had a different feel to it.

“The Beatles shift towards more introspective songwriting in the 60’s would never have happened without him” [V.Bogdanov, 2002]. Artists such as John Lennon, Paul McCartney, Neil Young, Bruce Springsteen, David Bowie, Patti Smith, Joni Mitchell and Tom Waits all acknowledge the profound impact Dylan had on the industry and themselves as artists. “Bob Dylan, I'll never be Bob Dylan. He's the master. If I'd like to be anyone, it's him. And he's a great writer, true to his music and done what he feels is the right thing to do for years and years and years. He's great. He's the one I look to”. [Neil Young, 2005]. Dylan encapsulated a generations hunger for change, challenged the social and political status quo but interestingly seemingly rejected this status after receiving the ‘Tom Paine Award’ from the National Emergency and Civil Liberties Committee he drunkenly questioned the role of the committee and claimed to see something of himself and everyone in JFK’s alleged assassin Lee Harvey Oswald [Andrew Loog Olham, 2005]. In 1965 The Byrds cover of his song Mr. Tambourine Man helped to propel not only The Byrds to super stardom but established the folk rock genre. [V.Bogdanov, 2002]. His verbal sophistication drew comparison to the romantic poets and much literary criticism artists still strive to attain today. His launch of Theme Time Radio Hour for XM Satellite Radio helped him to establish