The Music Of Hip Hop

Hip hop, the creation of electronic sound and enticing language is a style born from the African American and Hispanic cultures. It formed in New York City from block parties and the participation of the youth culture. This style of music began as a minimal change in rhythm to a globally popular culture consisting of graffiti art, dancing, and music. Hip hop was not only a type of tasteful music, but it also became a benchmark in history. When this style of music was created, it served as an outlet for those who did not have a voice, particularly the minority groups. These groups were given rights that they deserved just like everyone else. In the 1970’s is when hip hop began to spread, creating not just

Culture itself can be broken into further components. One of them would be material culture. According to the course content powerpoint, this kind of culture is basically the physical objects of a society, and what kind of meaning they are given based on the context it is in. There are a few examples of this. One would be clothing. In hip hop culture, its material culture would consist of clothing that if it was in the early 2000’s, people apart of it would be wearing baggy clothing. The meaning of baggy clothing was a revolt against of what was considered more normal and safe attire, which does relate to the music since hip-hop can get very explicit. Another example of material culture could be an art piece. If a bunch of artwork is

Breaking through in the heart of the Bronx, Hip Hop was designed to empower and teach the youth, while providing them an outlet for creative expression. Developed on five essential pillars, all working towards: giving African Americans knowledge that they didn’t have access to, inspiring them to read and acquire true knowledge of self, and to understand the role that self has in America in relation to the actual worth of self. Since the inception of Hip Hop, the genre has evolved through the times while transcending new depths aligned with its original pillars.

“I said the hip hop, Hippie to the hippie, the hip, hip hop, and you don’t stop, a rock it to the bang, bang boogie, say you jump the boogie, to the rhythm of the boogie, the beat.” “Rapper’s Delight” is a song recorded in 1979 by American hip hop trio The Sugarhill Gang. It was the original 12-inch single was 15 minutes of incontestable urban-playboy bragging. “Rapper’s Delight” was not the first single but, it is generally considered to be the song that made hip hop in the United States popular and around the world. “Love, love me do, you know I love you, I’ll always be true, so please, love me do, whoa, love me do” The Beatles. “Love Me Do” was recorded in 1962 by The Beatles. “Love Me Do” a favorite for the lovers of oldies music. The

The study of hip hop music has been cited well throughout its growth over time. The purpose of this paper is intended to discuss hip hop culture and address cultural stereotypes associated with rap and hip-hop music, but also how its original lyrical intentions were forms of expression and art. It will begin by guiding the reader through how it originated, its influence with the African-Americans with its subculture and popularity in urban areas, its styles of evolving, the introduction of hip hop and rap to the public, the depiction it gave off with its criticisms from outsiders. An evaluation of hip hop artists songs by Sugar Hill and the Gang, Run DMC, Queen Latifah, and N.W.A. Including lyrics from the songs “Rappers Delight”, “King of Rock”, “Latifah’s Law”, and “Niggaz4Life”. In the conclusion it exposes how hip hop music is clearly for black Americans to express themselves freely and in fact did not cause violence.

Hip Hop: Beyond Beats and Rhymes, Byron Hurt examined the troubling aspects of hip hop music. Hip hop was said to have brought masculinity back to the game. One aspect of this troubling masculine culture is the idea of hyper masculinity. The term hyper masculinity is defined as the exaggeration of male stereotypical behavior, such as an emphasis on physical strength, aggression, and sexuality. These three attributes create the disturbing facets of what hip hop music portrays to the media and the public.

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

Hip-Hop is a complex cultural movement formed during the early 1970s by African Americans in the slums of South Bronx, New York (Dyson 6), it propagated outside of the African American community in late 1980s, and by the opening of the 21th century it became the most spread culture in the world. Hip-Hop consists of four elements: Deejay, Break-Dancing, Rapping, and Graffiti. (Kenon 112)

Hip hop is a culture style that started in the 1970’s. Majority of different funk groups began playing disco music at that time it was popular. During this time funk music was technology driven more electronic sounds was being used on the drum machines. Funk was the new dance in the early 70’s. This particular style of singing in which was being used is called rapping, this begun in African American, Urban Areas, Jamaican American, Latino American and many others cities of the United States. The group of artist or singer say words with a rhythm that rhymes. Some hip hop music lyrics are about violence and illegal drugs. Often time lyrics are about the life of urban people who stay in big cities. Other styles that hip hop uses come from pop music such as disco and reggae. Hip hop and rap music has become very popular and a successful genre in music. The style of dressing called urban clothes is also involved with the hip hop culture. They wore big baggy pants, large t-shirts, and Timberland leather work boots. In the 2000’s the United States and Canada popular music style was hip hop music (Kavanagh).

In order to understand the culture of hip-hop you must first examine its origins. The rise of hip-hop music and culture began during the popularization of block parties during the 1970’s in New York and was particularly popular among black and Latino youths. DJ’s would mix percussive beats that drew influences from funk and

As Tricia Rose explains in A Style Nobody Can Deal With, hip-hop culture originated in the mid to late-1970s in urban New York as a way for minorities to express themselves. In the beginning, hip-hop culture consisted of four ‘elements’, or ways of expression: rapping, DJing, break-dancing, and graffiti (Rose 73). The rapper, or MC (master of ceremonies), expresses themselves through the most basic form of communication, words. He or she performs their lyrics over instrumentation provided by the DJ. These DJs brought unique sounds by

Hip Hop was born in the neighborhood, where young people gathered in parks, on playgrounds, and street corners, to speak poetry over mechanical sounds and borrowed melodies. Hip Hop was always bigger than just the music; it was also break dancing, the gymnastic dance style that valued improvised, angular athleticism over choreographed fluidity. Hip hop was also fashion such as: hats, jackets, gold chains, and brand sneakers. Hip Hop was graffiti, to a new way of expression that employed spray paint as the medium and subway walls as the canvas.

“It started, some say, back in 1969 with James Brown releasing Get on the Good Foot. The physical panache with which Brown performed inspired fans to develop imitations. What started out as a street/club dance called The Good Foot rapidly spawned a whole genre called b-boy dance, aka break-boy, aka breakdance. ”(Mackrell, Judith). Mackrell also mentions that in the Bronx ghettos of New York, organized rival gangs or crews to compete in dance combats.

Hip Hop in the most popular genre of music between all African American communities, not just in America, but worldwide. Hip Hop has expanded itself into music, fashion, advertisement, movies, and it’s given many rappers, and those associated with the genre, the chance to influence their communities, societies and their culture in general, but commercial Hip Hop in the U.S. has branded Hip Hop in a negative way. (The Young and The Hip-Hop, Hip Hop Culture Center in Harlem, 2012, Web, Oct. 27, 2014) This is all due to the negative imagery and negative lyrics like the term nigga, negative implications of Hip Hop include exploiting black adolescent girls, promoting unhealthy lifestyles, and implying that the open use of the word nigga is not harmful. Hip Hop has become a global phenomenon where it has evolved from a genre of music to a lifestyle for the African American community.

Because of these reasons, Rock Steady Crew suggests that footworks-emphasiezed style should be the direction of breaking of 90s. Breaking is the most popular style of hip hop dancing and it has been spreading all over the world while new school dancing such as hip hop and house limited to big cities in the US and Japan. See examples of freezes history It was late 60s , early 70s when people started a sort of b-boying. Their dancing was called "Good Foot" from James Brown's record of the same name. The Good Foot was the first freestyle dance that incorporated moves involving drops and spins, and resembled the beginning s of breaking. Breakin seems so different from all other kinds of dancing that the first question people ask when they see it is: "Where did these kids learn to dance like that?" To many people, this dance seems to have come out of nowhere. But like everything else, Breakin did come from somewhere, something and someone. In the case of Breakin, the someone is the great superstar, James Brown, and the something is the dance, the Good Foot. In 1969, when James Brown came out with the Hustle which was the big dance style of the day and he performed, he did the kind of dance you'd expect James Brown to do. High Energy which was almost acrobatic. By the time the Good Foot became the new dance style, the tradition of dance battle was well established. Dancers would gather at places like Harlem World on 116th Street in Harlem and