The Music Of Hip Hop Essay

Since its conception, hip hop has been a very necessary and influential art form in the way that it gives a voice to people who would normally not have one. The fact that it was often the sole voice for a marginalized community meant that the genre has often shouldered the “burden of being a genuine political force.” Hip hop’s role in addressing the concerns of urban Black Americans has led people to refer to it as “CNN for Black people.” However, in recent times, the commercialization of the genre (and growing popularity with white audiences) has generated a lot of criticism from many who feel that the essence of hip hop is being destroyed and it does not have as much of a meaningful effect on dispossessed Black youth as it used to have.

Hip Hop: Beyond Beats & Rhymes is a documentary created and produced by Bryon Hurt. The documentary challenges the dominant discourses of hyper masculinity and the misogynist treatment of women in commercialized rap. Of the many mainstream phenomenons that are discussed by Bryon in the documentary, the issue of hyper masculinity in Hip Hop is questioned greatly. Throughout the film, the producer was able to show the wide acceptance of hyper masculinity not only in Hip Hop but also American culture as well. He defined America as a hyper masculine and hyper violent nation for the reason that using a gun to defend one’s family became a metaphor for masculinity and a tool for widespread violence. The issue of issue of hyper masculinity can be

According to Wikipedia, Hip-hop music, also called rap music, is a musical genre consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. It developed as part of hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching, breaking/dancing, and graffiti writing. Hip hop is also characterized by these other elements: sampling (or synthesis), and beatboxing.

In the past 2 years alone, more than 3 dozen criminal prosecutions have had rap lyrics be presented by the prosecutor as a vital piece of evidence in the case. [Manly] In many of these cases the prosecutor will use violent lyrics created by the defendant to prove that that person is inherently dangerous and in other cases, will use the lyrics as a direct confession to having committed the crime in question. If you read into these cases you will notice a common theme between them; the defense will claim that the lyrics are freedom of speech and should be considered artistic expression, while the prosecutors will claim that the song is either a criminal threat or has too many similarities to the actual crime that it should be considered a confession. The primary basis for this debate is that hip-hop music is a misunderstood cultural practice because of the racial divide between the defendant and the criminal justice system.

Joan Morgan, a self proclaimed feminist, loves the power that rap and hip hop offers. Joan, also a music writer, is exceptionally troubled by the disrespect of women in not only in the musical lyrics but also the music videos. In the June 1990 edition of Ebony Magazine, Charles Whitaker wrote an editorial addressing the problems American culture brought on by the hip hop industry. Even though, his editorial was published in the 1990’s, it is extremely clear Charles Whitaker saw the negativity brought along with “The Hip Hop and Rap Revolution.” Both authors loved the powerful energy the new hip hop movement brought along with its beginnings, dating back to the mid to late 1970’s. With that being said, the two authors, both had one recurring theme within their respective works, the evolution of hip hop and rap. In other words, both Joan Morgan and Charles Whitaker addressed the issues brought on by the change in the rap and hip hop industry over its short exists. Change is the absolute most constant thing in our world, whether it is positive or negative change that is uncertain, in both of the articles that change in hip hop and rap is demonstrated

“I said the hip hop, Hippie to the hippie, the hip, hip hop, and you don’t stop, a rock it to the bang, bang boogie, say you jump the boogie, to the rhythm of the boogie, the beat.” “Rapper’s Delight” is a song recorded in 1979 by American hip hop trio The Sugarhill Gang. It was the original 12-inch single was 15 minutes of incontestable urban-playboy bragging. “Rapper’s Delight” was not the first single but, it is generally considered to be the song that made hip hop in the United States popular and around the world. “Love, love me do, you know I love you, I’ll always be true, so please, love me do, whoa, love me do” The Beatles. “Love Me Do” was recorded in 1962 by The Beatles. “Love Me Do” a favorite for the lovers of oldies music. The

You’re standing in a crowd amongst thousands of fans at an Eminem concert, people from all over, shoulder to shoulder in a massive stadium, singing along every word of their favorite song for hours. People from all over are connected to each other through the power of music. When it comes to music, the life experiences, inspiration, and current events play a tremendously significant role. Hip hop is a form of art which can be expressed through rap songs, break-dancing, and graffiti art. The culture has become so popular that it has entered today’s fashion and modern language. Hip hop music is an extremely large part of today’s generation and a global genre, which influences the generation all over the world.

Hip-hop culture began to develop in the south Bronx area of New York City during the 1970s. It had a significant influence in the music industry. Hip-hop music generally includes rapping, but other elements such as sampling and beatboxing also play important roles. Rapping, as a key part in the hip-hop music, takes different forms, which including signifying, dozen, toast and jazz poetry. Initially, hip-hop music was a voice of people living in low-income areas, reflecting social, economic and political phenomenon in their life [1]. As time moves on, hip-hop music reached its “golden age”, where it became a mainstream music, featuring diversity, quality, innovation and influence [2]. Gangsta rap, one of the most significant innovations in

In the 1980s, hip hop spread to the rest of the world, not just urban cities in the United States. Recording studios became more widely available to artists. In 1979, “Rapper’s Delight” from The Sugarhill Gang was released, and is considered to be the first hip hop song to be recorded and released to the public. New York City’s radio station WKTU began playing hip hop songs in commercials in an attempt to promote artists. After WKTU’s promotion, hip hop songs were played on the radio in other cities like Philidelphia, Atlanta, Chicago, Baltimore, Miami, Houston, and Los Angeles.

The hip-hop culture began in the streets of New York City during the 1970’s and has gone through tremendous changes up until now. Hip-Hop consists of four elements: rap, graffiti, break-dancing, and the disc jockey. In this paper, I intend to fully explain the evolution of rap music, from its infancy to the giant industry it is today.

Throughout the past years Hip Hop and Rap artist use their music to express their views, opinions, and how they are feelings in their songs. From the artist lyrics some will have an understanding of what the artist is talking about because either they have done the same things or is having the same problem. The first amendment of the constitution is freedom of speech and that is all the artist is doing. Although there are many people saying rap music should be concealed because it spread a negative influence on the youth.

Hip Hop culture has come from a inner city expression of life to a multi-billion dollar business. At the beginning of the new millennium it was the top selling genre in the pop charts. It had influences not only on music, but on fashion, film, television, and print. In 2004 Hip Hop celebrated its 30th year anniversary. It wasn’t big for the fact that it was still kicking. It was big because the once Black/Brown inner city culture had grown into a multi-billion dollar global phenomenon (Reeves). Hip Hop culture has provided a platform for all walks of life to speak their mind. Over the past 36 years it has provided us with both entertainment and controversy alike and had a huge impact on our nation’s history. `

“I said the hip hop, Hippie to the hippie, the hip, hip hop, and you don’t stop, a rock it to the bang, bang boogie, say you jump the boogie, to the rhythm of the boogie, the beat.” “Rapper’s Delight” is a song recorded in 1979 by American hip hop trio The Sugarhill Gang. It was the original 12-inch single was 15 minutes of undeniable urban-playboy bragging. While it was not the first single to feature rapping, it is generally considered to be the song that first popularized hip hop in the United States and around the world. “Love, love me do, you know I love you, I’ll always be true, so please, love me do, whoa, love me do.” “Love Me Do” was recorded by The Beatles in 1962. “Love Me Do” an irresistible favorite for lovers of

It has been 30 years since Hip-Hop was first “introduced” to the world. Whether it be fashion or politics, this musical genre/culture plays a huge role in everyday life and has generated billions of dollars across the globe. In this paper I will be discussing when, where, and how Hip-Hop was created, “old school Hip-Hop, “Hip-Hop’s Golden Age”, “Hardcore rap” “Gangsta rap”, “G-Funk”, 21st century Hip-Hop, and how Hip-Hop affects society.

Hip Hop music became one of the primary constructive outlets for Black Americans to release their thoughts, pain, and anguish about the injustices and mistreatments of Black people. Even though most of the pioneers in Hip-Hop either were not born in America or are 2nd generation immigrants that proves that common oppression can lead to unity. The fact that that these individuals were impoverished and felt marginalized is what brought them together and lead to the culture today. Deep rooted racism in the United States kept the genre of music suppressed for a while before it was allowed to even be played on the airwaves. Now, in 2011, the main consumers of byproducts of hip hop are White Americans.