The Music Style Of The Blues

In James Baldwin's Sonny's Blues he deals with a man trying to find his identity in a very hostile society. The blues in this story is used in a more emotional manner which recollects the past. It also repairs the relationship between the two brothers who have chosen two different ways of coping in their ghetto environment. The blues also serves as a communication devise between the two brothers. Baldwin uses the blues to state a fact; the ugliness and meanness inherent in the human condition. In order to really understand the message of the blues you have to be one that has suffered just like Sonny and the elder brother. The blues that they play also communicates to other sufferers who have had their own trials, so they know what this music is all about. Sonny's suffering are within himself, but deep suffering is common to all his listeners. Even his brother can attune himself to this suffering, which is brought on by the death of his little daughter Grace. When the brother is at the club listening to the blues he recalls his mother, the moonlit road on

The Blues also became a hit in the 1920s after Mamie Smith recorded “Crazy Blues” and it grew into a huge part of the Jazz Industry. African Americans were given credit for the creation of the Blues industry of music as well. Bessie Smith was known as the “most famous of the 1920s Blues singers.”

Looking back at the history of Blues music, one can see the influence of the African-American community, tradition, and culture very apparent in it. The Blues music genre came into being from the songs

“When first entering in America, British folk music was distinguished by three-chord tunes, sparse instrumentation (with some fiddlers), mostly male performers, improvisation, the singers’ sporadic shouts (Scottish “yips”), Christian themes served up in hundreds of hymns, and a secular collection of songs that told stories, generally about love and lost love, using metaphor and symbol to tell those stories” (Allen 101). By the late nineteenth and early twentieth centuries, British music changed and became Americanized. Vocal harmonizing slowly evolved, and fiddlers were accompanied by those who played banjo, an African American opening. “Tambourines and “bones” (tapping out rhythms using pork rib bones) were a minstrel show contribution” (Allen 102). When African Americans were forced into slavery and brought to North America in the 1600s, they brought their own musical traditions and sounds. Slaves who were on the Mississippi River Valley delta soil developed what will later be introduced as blues music. On the plantations, slaves greatly changed British American hymn singing. They took non-religious British American songs and turned it into their own forms of music that followed their culture and taste of music. Blues emerged in the early twentieth century at the same time country music became settled from its folk roots. Blues music talked about the indifferences African American slaves were going through at that time. “The blues voiced human

The blues, a uniquely American art form, was born on the dusty street corners of the Deep South in the late 1800s. An evolution of West African music brought to the United States by slaves, created the blues which was a way for black people in the south

Blues began in the south and slowly made its way into the great cities of the North. As

James Baldwin’s Sonny’s Blues is a short story focused around the narration of Sonny’s brother. The narrator in the case of Sonny’s Blues is the most important character in a cast of characters not only because he is the narrator, but due to the dynamic change of his character we see at the end of the story. Baldwin effectively uses the first-person narration of Sonny’s brother in order to convey the theme of communication. Throughout the entire story of Sonny’s Blues, the narrator and his brother interact through exchanging words countless times. The question posed is whether or not the narrator can truly hear what his brother is saying to him.

A single source of blues music cannot be traced, but Ma Rainey is rightfully credited with introducing it to the world. Hence the reason she was dubbed as “The Mother of the Blues”. During an interview in the 1930s, Ma told musicologist John Work, that she heard what would be called blues, for the first time around 1902. She was in a small town in Missouri working a show at the time, and one morning a local girl came into the tent singing about a man whom had left her. This new style of soulful music drew in Ma Rainey so much she later had the girl teach her the song. Rainey performed the song as an encore in a show soon after, earning a special place in the show, and marking the start of her career (Jas Obrecht Archive).

On the other hand, Blues were basically from work songs of African Americans slaves at the time. “It is a native American music, the product of the black man in this country, or, to put it more exactly the way I have come to think about it, blues could not exist if the African captives had not become American captives”(pp.17), said Jones and Baraka. In Jazz – A History, Frank Tirro wisely analyzes and explains the relationship between the unique background and

American Music is a melting pot of different cultures, emotions, experiences, and therefore genres. It is incredible to see how as music evolves and changes with the time, so does The United States. We are a mixed bag as a country, accepting all different cultures and backgrounds. This has led to many breakthroughs and innovations in music throughout history. We are all influenced by our experiences in life and this is no different in the evolution of music in American History. The Blues was created from African American Slave songs, with lyrics that narrate the hardships of the human experience at the time. These rhythms and forms carried over and eventually created what is now Rock and Roll. Over the next five weeks, we will explore and discover five key genres and artists who are known to specialize in that genre as a way to reconnect with our history and explore the possibilities for innovation in music in the future.

The blues is a musical style of feeling, a style about playing what comes from your heart. It came from work songs, field chants, spirituals, field hollers and revivalist hymns from the African American communities. Blues is associated with the sad times

     The Blues musical move was prominent during the 1920s and '30s, a time known as the Harlem Renaissance. Blues music characteristically told the story of

There are several stylistic characteristics of the blues. The first one is the blue notes, which is the "bent" technique for lowering the pitch of third and seventh scale degrees in the major scale(259). The next one is the blue chorus, which is three-line lyrics, and it contains fill which is the instrument response of the call and response between vocal and instrument. The third feature is the blue progression which is the form of the combination between tonic(I), subdominant(IV), and dominant(V) chords. It is usually arranged as: I- / IV- I- / V- I-. Another characteristic is that the timbre of the vocals in blues have a wide varieties. Every single piece of blue music features a different kind of vocal texture. The rhythm in the blues has a characteristic called "swung" which means the long-short pattern of the rhythm. In all three pieces of music, the blue note and the blue chorus are applied to the composition. The "bent" texture of the pitch and the neat separation of the lyrics can be easily notice in the music. The call and response in vocals and instruments, on the other hand, is not so obvious in "Can 't Help Lovin ' Dat Man," but I think, though subtle, it is still there at the end of each line. The rhythm in the "Muleskinner Blues" is more steady instead of the long- short patterned "swung." The "swung" is not so obvious in "Can 't Help Lovin ' Dat Man," either. Overall, there are some standard blue style in all three pieces of music, but we

In contrast, Blues music originated from southern Mississippi and was first recorded in the 1920s. Blues music is further differentiated from Jazz as it was originally played as a solo using a slide guitar. This is not the case today as it has been modified and adapted by practising artists and utilises complex bands.

Though the blues were developed in the rural southern United States, toward the end of the 19th century, and found a wider audience in the 1940s as blacks migrated to urban areas. Jazz music has dozens of variations and also utilizes elements from other genres. Albeit the fact that it is