The Myth Of Proserpina

The sculpture portrays the God of Harvest, Dionysus, with his loyal satyr follower, Pan. A considerable amount of detail when into the carving of Dionysus; the multiple grapevines in his hair, his ceremonial staff Thyrsus, the goatskins and the cup of wine he’s holding are all symbols of Dionysus. The composition is very asymmetrical, and creates a contrapposto arrangement, which is distinctly Grecian (Gardner). It was carved out of beautiful fine marble, which also had another purpose in the way of making this piece of art last for many years. Along with the tree trunk between the two men providing support at the base, and the elongated arms providing more structural stability. The God’s head is even reinforced by his hair to make sure the head doesn’t break off. This sculpture is visually and aesthetically pleasing, but doesn’t serve a useful function, like textiles or furniture. Therefore, it is considered a figurative piece of art, which art that is very clearly modeled after real object or person(s), and is therefore representational

Proserpina is the goddess of the spring and Queen of the underworld. Her father Zeus is the king of gods and the god of the sky. Proserpina 's mother is Demeter the goddess, corn, grain, and the harvest, she was believed to be the reason the crops grow. Proserpina goes by more than one name. She also goes by Persephone and Kore. Proserpina was playing in

During the year that Proserpina is with her mother Ceres; the earth is bountiful with the seasons of spring, summer and early fall. Crops are planted and harvested, farmers and animals thrive and nature is in harmony. Everyone flourishes under the happiness of Ceres gifts during this time. This time of the year Ceres is happy, she has what she wants most, her daughter with her. Everyone reaps the benefits of Ceres happiness, they are able to provide for themselves and live happily. During the time that Proserpina is in the Underworld with her husband, Hades, the earth is gripped by winter’s cold. No crops are planted and harvested; the farmers and animals are forced to survive in bitter conditions. The winter months show that even though Ceres is grieving for her daughter, she takes her anger out on the land because she does not have her daughter with her. Her anger and wrath show that she is a selfish person, she does not want to share what she considers hers and in turn she takes out her anger on the world.

There are many analogies between this short story and the myth of Persephone and Hades. When Persephone was taken by Hades she was admiring a beautiful narcissus flower, and during her first few months in the underworld she cried and wailed because she was unhappy. Hades gave her pomegranate seeds to make her happy, just as the man gave the girl alcohol to sooth her nerves. The man, practically begging the girl to go through with the abortion, saying it will make them happy again because they wouldn’t have to worry about it any longer. The man, in many ways resembles Hades, because he is stopping at nothing to have this beautiful youthful maiden to be his not

Innocence and maturation are two key aspects of the human experience. The innocent mind allows you to live with less doubt and worry but it leaves you vulnerable to manipulation and people taking advantage of you. Thomas Hart Benton’s Persephone portrays the myth of Persephone and Hades. The Rape of Persephone goes as so; Zeus gives Persephone to Hades to have as his wife. Persephone is out and about and Hades takes her to the Underworld. A heartbroken Demeter, goddess of harvest and agriculture, Persephone’s mom, refuses to grow anything until Persephone returns. Persephone is allowed back but Hades tricks her, making her unable to leave the underworld permanently. Demeter compromises that Persephone can be in the Underworld part of the year but that nothing will grow while her daughter is away, forcing Persephone’s return and creating the seasons. Taking a new turn on the ancient myth, Benton sets the painting in a rural scene and illustrates a bare Persephone lying leisurely, surrounded by greenery with Hades and his chariot lurking behind her. The juxtaposition between the foliage, Persephone’s nude figure, and the wrinkled Hades in the background creates an imbalance between maturation and sexuality with a blithe young woman caught in the middle. Overall, Benton’s Persephone accentuates the bliss of naivete coinciding with the overwhelming malevolence and sexualization present in the world.

It's a myth about a goddess that lives in heaven. She gives 3 gourds to a messenger that has to bring them from heaven to earth without opening them. The 3 gourds were ment to be for the first women and man on earth. When the messenger was on his way he was so curious that he opened the gourds. In the frist two gourds there wasn't anything special, but in the last one deceases and negativity got out of the gourd. The messenger wanted to put the deceases and negativity back inside of the gourd, but he couldn't. When he arrived on earth, he gave the gourds and ran away as fast as he could, because he was scared that the goddess would be very mad.

I am explicating on passage 16 of ‘The Moths’ by Helena Maria Viramontes on page 20 of the American Family Album.

Proserpina was the Roman goddess of Springtime and the goddess of the Underworld. She was born to Ceres and Jupiter. Her plight is directly related to changing of the season. This is due to that abduction of the fair goddess by Pluto the good of the Underworld.

The body of Adam, fully nude with the exception of a leaf, is very realistic and accurate, greatly detailed from his tightly curled hair to the creases in his knuckles. Without even touching the work I can “see” the purity of its marble and the smoothness of its carving. The muscle and facial expression of Adam are remarkably convincing qualities, showing the overall tense feeling of Adam’s pose. He stands on a flat base, and it is seen there that he is leaning forward because both feet are slightly lifted off the ground. He seems to be moving in a forward direction. That encouraged me to explore the back of the sculpture, where I found the same remarkable realism through muscles depiction and perfected proportion.

The marble statue of Diadoumenos is a copy of the original bronze statue displaying a young man tying a fillet around his head. The original was created in c.a. 430 B.C. by a man called Polykleitos of Argos. Polykleitos was a Greek sculptor who worked during the mid-fifth century B.C. . he was one of the most famous artists of the ancient world. Polykleitos' figures are carefully designed with special attention to bodily proportions and stance. The statue of Diadoumenos has its thorax and pelvis tilt in opposite directions, setting up rythmic contrasts in the torso that create an impression of organic vitality. The position of the feet, (poised between walking and standing), give a sense of potential movement.

When examining the statue, there is an old woman bent and weary. Her posture helps clue us in, with her age and the state of her health. The figure is dressed in cloth that drapes off her body as she carries a basket that is filled with what we may think are offerings. On her head, there are vines that create a band around the top of her head used to signify the festival that was going on during that time. The specific detail that is seen on this statue persuades us to want to know the story of this woman. Doing so, the process involves lots of research about the time and art. During the hellenistic period, artists begin to introduce more inner beauty than physical beauty. There is an opportunity to learn more about the structure itself, then settle for what is given and seen.

The piece is a red-figured, wine bowl that is attributed to the Niobid Painter. It was made in Athens, Greece around 460-450 BC, and found in Altamura. Puglia, Italy (British Museum). There are two scenes on top of one another that occur in the piece. The top scene is the creation of Pandora. She is standing rigid while five of the gods are standing around her. Athena is about to put a wreath on her head. The scene below displays a frieze of dancing and playing satyrs. Because the vase is round it isn’t possible to see all the figures in the piece. But looking at the piece from the front, six gods are portrayed in the top scene. The gods in the scene from left to right are: Zeus, Poseidon, Athena, Pandora, Ares, and Hermes. The gods in the piece are identifiable because of distinguishable traits that certain characters

One very noteworthy statue of the Classical Period was called “Aphrodite of Knidos”. The original sculpture inspired various amounts of copies, but sadly the original itself did not survive. “Aphrodite of Knidos” was created by Praxitele and is thought to be the most famous sculptures of Classical Greece. The sculpture depicts Aphrodite just have taken off her clothes and was about to step into the bath. She may have had an onlooker and she covered her pelvis from their view.

There are several fun facts about this sculpture. First of all, the figure has five legs. Picture this scene, when you walk towards this sculpture, all you can see in the beginning are 2 legs. However, while you were passing the sculpture body part, all of a sudden you could see 4 legs from the side, and you could see the wings on a lion body. Such unexpected huge contrast is an excellent way to

The Metropolitan Art Museum has a multitude of art galleries that hold a variety of art pieces that have their own share of stories. The artwork that I chose to dig into the story of is a piece that the museum credits to have been done by the High Renaissance artist, Michelangelo Buonarroti, himself. This particular work is a type of sculpture in which the figures is shown in a three-dimensional form, or freestanding sculpture, that is standing at a height and width of 37 x 13 ¼ and is made purely out of Carrara marble. The statue appears to no more than a young man, comparable to a putti, standing in the contrapposto position which gives it a certain look of