The Mythological/Archetypal Approach Reading of Andrew Marvell’s “to His Coy Mistress”

fate of the lovers will be, as well as the state of his own feelings

‘To His Coy Mistress’ was written by Andrew Marvell (1621-1678). The poem is a metaphysical poem, which was mostly used in the seventeenth century and was classed as a highly intellectual type of poetry and mainly expressed the complexities of love and life; just as this poem is. In brief the poem is about seizing every opportunity in life and not caring about the past or future. In other words ‘seize the day’. The poem also explores the nature of seduction.

The second stanza tells about a “glorious lamp of heaven”, the sun, running a race from sunup to sundown (Herrick 385). In the third stanza it talks about when people are youthful they think they have all the time to accomplish their goals but “times still succeed the former”, which simply means time

The Coquette is flooded with examples of sexuality and sexual repression. The biggest argument given by the novel is that women should be sexually pure and have no desires, as is the definition of the ideal Court Lady presented in The Book of the Courtier published by Balclesar Castiglione in 1523. The ideal lady, “now in her wish to be thought good and pure, this lady must not be so coy, or appear so to abhor gay company or any talk that is a little loose, as to withdraw as soon as she

"Remember, man, thou art but dust, and unto dust though shalt return." This is a translation of the quotation which begins Dawe's poem, Enter Without So Much As Knocking. The quote reminds us that life is not forever; and that we are all faced with mortality.

The imagery described in stanza 3 appears to revisit the stages of the speaker’s life. The school where the children are at recess symbolizes her childhood. “Fields of Gazing Grain” in line 11 implies a ripe harvest; perhaps the middle stages of her life when she was most productive. In the final line of the third quatrain, the “Setting Sun” is not only a reflection of the end of a day but also the end of speaker’s life. Perhaps it is the chilling thought of death that brings a revelation to the narrator about the thin, sheer garment she is

In Hannah W. Foster’s, The Coquette, Eliza Wharton is portrayed as a woman of status, above average intelligence and education, with a flirtatious nature. Though the author does not cast her in an antagonistic light, her manner is painted as foolish, flippant to 18th century social conventions, and lacking in forethought. As such, The Coquette should be viewed as a literary warning for young women of the day, especially those who may have shared undesirable attributes with Eliza. It is the novel’s intent, by way of Eliza’s thoughts and actions, to discourage young women from pursuing a fleeting and non-virtuous lifestyle. Through the novel, Foster acts as a moral guide to young women by persuading them to obey social conventions like entering into dutiful marriage, refraining from political and public

In each of the poems, “Thanatopsis”, “Dust in the Wind” and “Don’t Fear the Reaper” they are mostly meaning death. The main point each poem is making is to live life to it’s fullest and not to fear death.

In the beginning of the poem we see the line “Time that is moved by little fidget wheels” conveying the meaning he was taken before his time. This refers to the chronological and systematic time of humanity in which is measured by minutes and hours, shown on clocks that are symbolised by bells. This concept of time is far more powerful with the use of personification as emphasised by the capitalisation.

Most of the poem is sweet, but also tells them to hurry and enjoy life right now before they run out of time. Also that their bodies are energized now and later on they won’t be able to do what they would do when they were younger. In comparison to “To His Coy Mistress” the author tells them to get married also because they have something that time will sooner, or later take away and that would be sad that they didn’t get to enjoy it just because they wanted to

In the third stanza, a lot of imagery is used. The significant ones are present in the seventh and eleventh lines. In the first line, the poet writes, "A

In the third stanza a box is introduced. It can be assumed that this box is a coffin. The box is being lifted into the ground and the "Boots of Lead" "creaking" across the poets soul symbolize the mourners walking on the fresh grave. The "tolling" of space mimics the church bell that is introduced in the following stanza.

The speaker in this poem seems frustrated; he delicately tries to inform his coy mistress that their death is near, and they still have not had sexual intercourse. In lines 17-33 the poem seems to lose the exaggeration sense and suddenly becomes serious. He (the speaker) reinsures his coy mistress that ³you deserve this state?(state of praise and high acknowledgment), ³But at my back I always hear, Time¹s winged chariot hurrying near? Andrew Marvell uses and interesting image in line 22 (the line mentioned above) when suggesting to his coy mistress that death is near. He substitutes the word ³death?for a more gentle, delicate term of ³Time¹s winged chariot? This term was probably used to prevent from frightening such a coy mistress. Marvell continues to involve the reader¹s imagination through unimaginable images. What do ³Deserts of vast eternity?look like? In fact, Marvell probably used such abstract images to suggest to his coy mistress that their future is indeterminable, and ³Thy beauty shall no more be found? Perhaps, beauty is what the coy mistress is so concerned with and the speaker in this case is trying to frighten her to have sex with him quicker. He continues to use intense imagery when describing to his coy mistress that even after death the ³worms shall try That long preserved virginity? The speaker now abstractly describes that holding on to your virginity for

Therefore thought it not in the least a Fault to put in practice a little Whim which came immediately into her Head, to dress herself as near as she cou'd in the Fashion of those Women who make sale of their Favours, and set herself in the Way of being accosted as such a one, having at that Time no other Aim, than the Gratification of an innocent Curiosity (2).

Dust, written by Judith Wright, discusses the concepts of a destroyed, empty world and a mother reflecting on the days when the “Earth was kinder”. Through her poem she shows the audience her fears for the world and how the world will become barren and “sick” if the environment is not cared for. This is typical of Judith Wright, with environmental themes central to many of her poems. The emotive responses that are evoked while reading this poem are extremely strong. A great sadness is experienced as she describes the barren new word and contrasts it to the previous one. To convey the moral of this poem Wright has employed many different literary and poetic techniques. These range over three major categories, imagery, structure and