The Naked Man of Steel by Angus Taylor Essay

The Black Arts movement refers to a period of “furious flowering” of African American creativity beginning in the mid-1960’s and continuing through much of the 1970’s (Perceptions of Black). Linked both chronologically and ideologically with the Black Power Movement, The BAM recognized the idea of two cultural Americas: one black and one white. The BAM pressed for the creation of a distinctive Black Aesthetic in which black artists created for black audiences. The movement saw artistic production as the key to revising Black American’s perceptions of themselves, thus the Black Aesthetic was believed to be an integral component of the economic, political, and cultural empowerment of the Black

In the book Guns, Germs and Steel Jared Diamond who is a biophysics scientist and a psychologist, set out on a journey to find out the reason behind great achievements and conquest of the Europeans. What is the secret of success of Europeans? His hypothesis was very original and at first looked very simple, it was guns, germs and steel. The journey of Diamond took over 30 years and helped him answer the main questions of human history and what is it that separates humans today from "rich and poor" and from "haves and have not’s." To do this he had to go back when everyone was equal.

Even in modern society, the simplest of things can shift the delicate atmosphere. A black man entering a room, or any space, full of white people, can automatically transform the ambiance. This ‘ability’ may not be a desired effect, but in certain situations, it becomes inevitable. Through the use of different rhetorical devices, Brent Staples is able to demonstrate his realization of his “ability to alter public space in ugly ways” simply because of his race and stature in his essay, “Black Men and Public Space.” Staples uses the rhetorical techniques ethos, logos, and pathos in order to get on the “same side” as the reader while still presenting the essence of his argument. The author is able to sympathize with his “victims” and justify their feelings, appealing to ethos. He also analogies and details about his background, such as his doctorate in psychology, and the fact that he was a reporter to appeal to logos. Additionally, by using vivid imagery and creative diction, he engages the reader by use of pathos, evoking the emotions of the reader. With the use of rhetorical devices, Staples is able to effectively describe his experiences of being perceived as a criminal, solely based on his “unwieldy inheritance” (205), while, additionally, extending this concept to be true throughout society.

Brent Staples “Black Men and Public Space” is a look at how people perceive black people in the 1960s. Staples explains how people would treat him on a day to day basis. Even when he was a child he would be looked at differently because of his color. He quickly establishes ethos, logos and pathos credibility tough the many examples. This article shows the injustices done to him while living in New York. Brent Staples Black Men and Public Space uses pathos, ethos, and logos effectively throughout the essay.

In today’s American society, being born black is often life threatening and comes with many struggles and fears. The author Brent Staples visibly demonstrates the presence of black men, in his article “Black Men and Public Spaces”. Staples illustrates to the readers how black men attempt to live their lives as normal as possible, but are unable to because of the fear society has of them. Brent Staples attests to the turbulent lives black men face in society, from their childhood to an adult age. Staples is able to demonstrate the various issues black men face in society with the use of logos, ethos, and pathos.

The intersection of social movements and Art is one that can be observed throughout the civil right movements of America in the 1960’s and early 1970’s. The sixties in America saw a substantial cultural and social change through activism against the Vietnam war, women’s right and against the segregation of the African - American communities. Art became a prominent method of activism to advocate the civil rights movement. It was a way to express self-identity as well as the struggle that people went through and by means of visual imagery a way to show political ideals and forms of resistance. To examine how a specific movement can have a profound effects on the visual art, this essay will focus on the black art movement of the 1960s and

Today’s topic of discussion is subcultures and I have chosen to talk about the subculture of the Ironman Triathlete. Ironman is an ultra-endurance distance triathlon with a 2.4-mile swim followed by a 112-mile bike and finally a 26.2 mile run all completed in the same day. It’s a 140.6-mile triathlon race with its own unique subculture. The Ironman subculture revolves around social interactions. While the race is an individual effort its camaraderie is was drives individuals to join triathlon clubs for training opportunities with like-minded people. Social networks within the triathlon club is used for an acquisition of knowledge on such topics as nutrition, hydration, bike maintenance, and medical/ advice...etc. As a subculture, they not only believe in passing along knowledge within the local group they volunteer at races to help advance the sport and the local race directors.

Guns, Germs, and Steel: The Fates of Human Societies, by Jared Diamond, attempts to explain why history progressed differently for people from various geographical regions. Diamond introduces his book by pointing out that history followed different courses for different people because of differences among peoples’ environments, not because of biological differences among people themselves. Through his convincing explanation for how civilizations were created and evolved throughout the course of history, he argues that environmental factors gave some societies advantages over others, allowing them to conquer the disadvantaged societies. While I agree with Diamond’s argument that the orientation of continental axis, availability of potential

In the video “Guns, Germs and Steel: Episode 3.” The overall summary of the episode is how Europe dominated Africa, how they fought through diseases and land wars with local tribes. During this adventure major diseases spread across Africa, affecting Europeans and Africans, causing thousands to die. The main two diseases were smallpox and Malaria, for example in the video it stated that, “It was believed Smallpox originated in the tropical region of Africa, Africans were certainly similar with the disease, they had even developed methods of immunity for life.” This was the advantage they had over the europeans, they were able to protect themselves from Smallpox; avoiding such a dramatic incline their population. Not only did they develop immunization to Smallpox, they tried to fight off Malaria. For example in the video it says, “Native Africans had also developed antibodies against one of the most virulent diseases on the earth, Malaria.” This was because they settled and live in high or dry locations, away from wet and humid areas, which is where mosquitos are generally found, hence why thousands of Europeans died to this disease due to living by rivers and swamps. However, Malaria isn’t the most common disease in Africa now, the most common disease is “Pneumonia and Other Lower Respiratory Tract Infections….Pneumonia alone is responsible for 90% of all lower respiratory tract infections and is one of the most deadly diseases in

Jared Diamond's bestseller Guns, Germs, and Steel (GG&S) is an attempt to explain why some parts of the world are currently powerful and prosperous while others are poor. Diamond is both a physiologist and a linguist who spends a good deal of his time living with hunter gathers in Papua New Guinea. As a researcher and as a human being, he is convinced that all people have the same potential. Hunter gatherers are just as intelligent, resourceful, and diligent as anybody else. Yet material "success" isn't equally distributed across the globe. Civilization sprung up in relatively few places and spread in a defined pattern. I should emphasize that Diamond doesn't equate material

Richard Hunt is a sculptor whose work largely draws on abstraction, crafting organic shapes with industrial materials. His approach to his art is one that is based on compulsion, as he combines various curvilinear and angular forms to form an ambiguous hybrid that captures the African American experience. By crafting an unconventional layering of different shapes, Hunt is able to create a conceptual piece that is open to interpretation. Similarly, Betye Saar aims to promote thought-provoking reflection. By carefully utilizing racial stereotypes into her artistic vision, Saar is able to manipulate racist devices into a more positive message. Her exaggeration of certain caricatures of African American life served as a new symbol for

In the second chapter of this dissertation it will focus on the work of Manchester born and black artist Chris Ofili. Most known for his experimentation with elephant dung, Ofili communicates a humorous and rather stereotypical reaction to how an African man ‘should’ be painting, “You don’t exist, unless you start to build yourself up, and start to work” (Ofili 2010). There was much comment about Ofili becoming the first black contemporary artist whose name and work was known to a wider British public.

Our world is full of so many grandiose monuments, eye-catching sculptures, and stunning statues, each having an individual story to tell. Thousands of them have been created however, only a small number of them are actually extraordinary and picture-worthy. This paper will compare and contrast two of those picture-worthy sculptures. Furthermore, I will examine the aspects of each of these sculptures. I will compare and contrast what each of them represents, the differences in texture, their size and their tone.

I first read Jared Diamond's Guns, Germs, and Steel in the Fall 2003 based on a recommendation from a friend. Many chapters of the book are truly fascinating, but I had criticisms of the book back then and hold even more now. Chief among these is the preponderance of analysis devoted to Papua New Guinea, as opposed to, say, an explanation of the greatly disparate levels of wealth and development among Eurasian nations. I will therefore attempt to confine this review on the "meat and potatoes" of his book: the dramatic Spanish conquest of the Incas; the impact of continental geography on food production; and finally, the origins of the Eurasian development of guns, germs, and steel. In terms of structure, I will first summarize the

Art is something that can only be achieved with the manipulation of the imagination. This is successful when using objects, sounds, and words. Richard Wright and Amira Baraka brought the power of art into the limelight. Wright’s perception of art was for it to be used as a means of guidance, one that could uplift the Negro towards bigger and better goals. Baraka’s perspective of art was for it to be used as an active agent, one that could kill and then imprint society permanently. Baraka and Wright both wanted the Negro to see that there was a much brighter future ahead of them. Both wanted art to leave a stain, a stain that could not be easily erased, washed, or bleached. Both believed that Black Art had no need to be silent but instead daring.