The Namesake Character Analysis

Everyone in the world has their own identity but some are still searching for it. Many base their identity on race, religion, culture and language because it’s easier to belong to a certain group. However, there are some people who struggle with finding where they belong. For instance, James McBride in The Color of Water wonders who he is through most his childhood and some of his adult life. Mcbride tries to find himself by learning about his mother's background. After evaluating his mom’s past,culture and race his own issues with himself were made clearer because now he finally knows where he came from.

"He is afraid to be Nikhil, someone he doesn 't know. Who doesn 't know him” (57). As a child, he associates a new name with a new identity.

Difficult choices come and go from our life. Like trying to understand who you are as a person and where you come from. In the book The Namesake, a boy named Gogol grows up in a cultural Bengali family while living in a different country with different customs. Gogol is special because he is trying to balance the two cultures. Gogol tries to understand and learn his family's culture but tends to pick and choose things from each culture to fit his lifestyle. His response to his cultural collision is very unique. From this cultural collision Gogol question himself and his life decisions.

Gogol grapples with his name throughout the majority of the novel, yet this tension was in the makings even before his birth. Ashoke and Ashima being immigrants set Gogol up to live in two different cultures, American and Bengali. Many children of immigrants may feel like Gogol, having one foot in each world. Gogol framed his struggle with cultural identity through something tangible, his name. In Jhumpa Lahiri’s novel, The Namesake, Gogol’s struggle with cultural identity is exposed most greatly by the name others call him and his reaction to it.

After his divorce, which is a second difficult experience in his life, Gogol spends time with his family, specifically at a party his mother is hosting before she leaves for India, which again influences him to accept his Bengali culture. At this party, Gogol explores his old house and finds the copy of The Overcoat that his father once gave to him, which makes him realize that “without people in the world to call him Gogol, no matter how long he himself lives, Gogol Ganguli will, once and for all, vanish from the lips of loved ones, and so, cease to exist” (Lahiri 433). In college and when he was Maxine, going by Nikhil gives Gogol a newfound perspective in his life, one where being shameful of his name does not really exist. However, after going through both his father’s death and his divorce, Gogol feels upset when thinking about how he changed his name, which “provides no solace at all” (433). With most of his family and Moushumi gone, few people are left to call him Gogol, reminding him who he once was. Gogol’s sadness shows how he has become comfortable with his birth name, which he originally hated. Through his reading of The Overcoat and his reflection on the possible nonexistence of his life as Gogol, Gogol accepts both his name and his culture, which ultimately shows how he becomes comfortable with

“Everyone in society should be a role model, not only for their own self-respect, but for respect from others.” ~ Barry Bonds. In this world bad situations occur frequently and it takes a good strong person to handle them in a mature way. Dealing with them this way not only shows that the person has self-control, but also makes them a good role model for people to look up to. In the book The Chosen, Chaim Potok uses Mr. Galanter to express his opinions of a good role model. Acting as a baseball coach and gym teacher, young boys look to him for guidance and motivation every day. Having this kind of position causes stress at times, and requires him to stay calm and level headed. Throughout this book, Mr. Galanter

As Gogol grows, he begins to hate his name as Gogol, and requests to change his name to Nikhil. ""What is the reason you want to change your name, Mr. Ganguli?" the judge asks. … "I hate the name Gogol," he says. "I always hated it."" (p.101-102) as Gogol brings up this topic to discuss during dinner befor he changes his name in the summer, Gogol claims that because he is an Indian with a Russian name in America, nobody is taking him seriously, thrust requesting to change his name into Nikhil, even if it makes a huge hassle to change his legal documents. With out the question of his rare name and confusion of the choice, Gogol accepts himself more easier and believes that he has become more Americanized. Gogol sees himself more Americanized as people do while he attends parties and other group activities in his social circle.

Lahiri’s leading man, Gogol Ganguli, participates in multiple, overlapping journeys, starting the moment his parents, Ashima and Ashoke, set foot in the United States: an unfamiliar territory to their Indian roots. Gogol, born soon after their arrival, must then oscillate between American and Indian practices. This causes him to have perplexing identity issues, first emerging when his parents attempt to give him a different name, Nikhil, for

This can be shown when Gogol’s in Maxine’s house in New Hampshire and Pamela says “But you’re Indian… I’d think the climate wouldn’t affect you, given your heritage” (157). People don’t seem him as American, which alienates him and causes him to put a wall between his past and his present. With the adoption of the name ‘Nikhil’, he can live only in the present but he cannot forget his old name. Subconsciously, he is still Gogol and so he does not respond immediately when he is addressed as Nikhil. He tries to become an entirely different person from what really he is. As Nikhil, he embodies the AmericnGogol struggles to carry the burden of two names. Nikhil resembles American names, yet ‘Gogol’ and his past follow him everywhere. Gogol is an outsider in American society whereas he does not feel intimacy with Bengali

Gogol's disconnected relationship with his parents is one of the main reasons why he rejected his Bengali heritage for an American one. In The Namesake By Jhumpa Lahiri, one of Gogol's biggest trials in his life, involves his Indian heritage and his want to be American. His relationship with his parents, and their Bengali culture, affects his feelings towards Bengali culture, and, being rebellious, vouches for the American Dream. Gogol's first unnatural experience with Bengali culture occurs when he enters elementary school. A Bengali tradition is that one person is supposed to have two names.

He loses his virginity by using the name Nikhil, and that name has lead him to meet and have relationships with multiple women (Ruth, Maxine, Bridget and Moushumi). Even after making all determinations to erase his past, his failure to declare his identity is seen in his relationship with women. He lawfully changes his name to Nikhil before he leaves for college. The name Nikhil goes on to represent his individuality and separation from his parents. It also signifies him accepting American culture and distancing away from Indian culture. The twist comes into play when people starting calling him Nikhil and he gets startled. He likes the name Nikhil better, but he does not feel like Nikhil. On the inside, he feels like Gogol, no matter how much he dislikes the name. This adds to the controversy of his identity: is he Gogol or Nikhil. On the other hand, he is a mix of both: Gogol by day and Nikhil by night.

Names and naming is a central motif to the characters sense of belonging. The naming of Gogol is a central idea used to convey the characters sense of belonging. In the entire novel he is referred to as Gogol except in chapter 10 where it is told from Moushumi’s perspective and he is known as ‘Nikhil’. This

The author Jhumpa Lahiri shows how much Gogol has developed and matured throughout the course of the novel. From the the beginning of The Namesake to the end, Gogol is shown developing intellectually. Gogol intellectually improves himself by allowing himself to be more acquainted with his name and identity which gogol prefers to be referred to as. In the third chapter of The Namesake, Gogol takes on one of his first challenges when Gogol is introduced to his first year school. Gogol is perturbed when he finds out that Ashok and Ashima were allowing the other children to call Gogol by his “good name,” Nikhil instead of Original name Gogol. Although, Gogol had never had someone refer to him by anything other than Gogol throughout his entire life, Gogol is perplexed as to why he is being referred to by two names. The Principal of the school refers to him as “Nikhil” in a conversation, Gogol chooses not to respond. As Gogol is in the office with Mrs.Lapidus Ashok says “Go on Gogol”. In doing so Ashoke bagans to worry that by doing so Mrs.lapidus would began to catch on, however,

The important themes of name and identity are very evident in Chapter 3. The chapter contains when Gogol firsts starts kindergarten. Ashima and Ashoke wanted him to go by "Gogol" at home but "Nikhil" at school. However this then leads to confusing him and he has no interest in another name. He considers that depending on where he is he may need to be two different people then leading to him having two different names. "He is afraid to be Nikhil, someone he doesn't know. Who doesn't know him." (Lahiri ). During his adolescent years Gogol connects a new identity with having a new name. His unusual name does not bother him until he turns eleven and he attends a class trip to a cemetery which is when he uncovers that his name is special. Some of the other gravestones have names he has never heard before so he makes rubbings of them because he

Allusions to Nikolai V. Gogol and his short story "The Overcoat" permeate Jhumpa Lahiri's novel The Namesake, beginning with Gogol's being the name the protagonist is called through most of the book. Yet few of the reviewers of the novel mentioned Nikolai Gogol at all in their discussions of the novel, except to describe the protagonist Gogol's loathing of his name, or to quote without comment or explanation Dostoevski's famous line, "We all came out of Gogol's Overcoat." So far, no one has looked beyond the surfaces to examine the significance of the allusions to Gogol that are so much a part of the fabric of Lahiri's novel.