The Namesake Culture

The major reason that causes Gogol to rethink his relationships and his identity is the meaning of his name. When he was younger, he wanted to be called Nick and went by this name after high school. As he used the name, Nick, he severed ties with his traditions which showed from when he did not visit his parents and completely forgot his life before becoming Nick. Flashbacks were utilized several times in this film to portray Gogol growing up and the train crash which inspired Ashoke to name his son Gogol. In the scene where Ashoke drives with Gogol, he finally discloses how Gogol’s name really came to be. We see a flashback to the train collision when Ashoke was found

As Gogol grows, he begins to hate his name as Gogol, and requests to change his name to Nikhil. ""What is the reason you want to change your name, Mr. Ganguli?" the judge asks. … "I hate the name Gogol," he says. "I always hated it."" (p.101-102) as Gogol brings up this topic to discuss during dinner befor he changes his name in the summer, Gogol claims that because he is an Indian with a Russian name in America, nobody is taking him seriously, thrust requesting to change his name into Nikhil, even if it makes a huge hassle to change his legal documents. With out the question of his rare name and confusion of the choice, Gogol accepts himself more easier and believes that he has become more Americanized. Gogol sees himself more Americanized as people do while he attends parties and other group activities in his social circle.

In the Namesake written by Jhumpa Lahiri, America is often referred to as the land of opportunity despite how foreign immigrants are still being treated as second class citizens such as an outcast. Throughout the novel The Namesake the parents of Gogol, Ashoke Ganguli and Ashima Ganguli brought their family to America to find their opportunity despite their strong beliefs in their Bengali culture. Going against their Bengali belief, Ashok and Ashima settled in america with their baby boy Gogol and their baby girl Sonia. Throughout the novel The Namesake Gogol has been struggling to find himself and make peace. Gradually throughout the story Gogol begins to wonder why his parents made the decision to come to america, Despite their strong Bengali beliefs to stay in india. Gogol’s crisis to finding himself slowly deteriorates when he finds himself come to peace with who he is. The author, Jhumpa Lahiri shows Gogol improving and developing as a mature character intellectually, socially, and emotionally despite all the hardships that Gogol had faced.

Intergenerational conflicts mainly involves in the process of searching identity in a new country. In The Namesake, it seems like the major part of the book is about Gogol’s identity formation and confusion. In fact, Ashima is also part of the process of forming American identity. One of the significant incident is the name-changing process of Gogol. At first, we can see how Gangulis’ parents Ashima and Ashoke are “still proudly and deeply entrenched in their Indian heritage” (Bhattacharyya 77), when they were asked to name their baby after themselves or one of the ancestors. They think “This tradition doesn’t exist for Bengalis, naming a son after father or grandfather, a daughter after mother or grandmother. This sign of respect in America and Europe, this symbol of heritage and lineage, would be ridiculed in India” (The Namesake 28). But later when Gogol ask to change the name, his parents agrees either because becomes accepting individualism or doesn’t want to explain why they name Gogol at the very first place. This explains how much Gogol wants to possess a new identity beyond his parents’ traditional norms.

For some people finding out who they are is not exactly the hardest thing to do in the world, some know it from the moment they are born. There are, however, also other people who have to struggle and search for their identities. The Namesake by Jhumpa Lahiri is the story of a boy who does just that. It focuses on the Ganguli’s, a Bengali family, who, after moving homes from India to the United States, struggle to uphold a delicate balance between honoring the traditions of their heritage and assimilating into the American culture. Although Ashoke and Ashima’s parents are proud of the sacrifices they have made to provide their children with as many opportunities as they could, their son, Gogol, strives to create his own identity without leaving his heritage behind. In the novel Jhumpa Lahiri’s The Namesake, Gogol faces many struggles while searching for his identity.

He is bewildered as to why his father named him Gogol as it not Bengali nor a normal American name which leads him to struggle to understand himself and his identity. In Bengali families, "individual names are sacred, inviolable. They are not meant to be inherited or shared" (28). However, Gogol grows up living in America, where children are often ashamed of their differences from others. As a teenager, Gogol desires to blend in and to live unnoticed. This presents a struggle between two cultures. Ashima and Ashoke want to raise Gogol and his younger sister with Bengali culture and values. On the other hand Gogol grew wanting to belong by relating mostly to peers and the surrounding culture in America. It is only much later in their lives that they begin to truly value their Bengali heritage and that Gogol finds the importance in his name. During high school Gogol struggles to accept his name as he sees it has no real significance not him. When Gogol heads for college he rejects his identity completely and legally changes his name to Nikhil which allows him to somewhat feel a sense of belonging as this name relates to his Bengali roots, even though he had been ashamed of those exact roots in schooling. Gogol dreads having to go visit home and return to a life where he is "Gogol". To him, Gogol is not only his name; it bears all his discomfort and struggles to fit into two different cultures as he grew up. His life at college makes it easy for Gogol to live as

Difficult choices come and go from our life. Like trying to understand who you are as a person and where you come from. In the book The Namesake, a boy named Gogol grows up in a cultural Bengali family while living in a different country with different customs. Gogol is special because he is trying to balance the two cultures. Gogol tries to understand and learn his family's culture but tends to pick and choose things from each culture to fit his lifestyle. His response to his cultural collision is very unique. From this cultural collision Gogol question himself and his life decisions.

In light of Gogol’s parent’s cultural roots and norms it is difficult foreign born Americans to assimilate into a new society. Gogol’s sudden change in “normal” can be traumatic discouraging for him to conform into what is “normal” in America. “The New World offers professional opportunity and financial betterment but also insists on assimilation and acculturation, a rejection of old habits, traditions and conditioning, and a merging with the culture of the new context […] invited to experience the death of the self as he has known it. He is asked to despise home culture which is seen by the New World as inferior, as less

Gogol grapples with his name throughout the majority of the novel, yet this tension was in the makings even before his birth. Ashoke and Ashima being immigrants set Gogol up to live in two different cultures, American and Bengali. Many children of immigrants may feel like Gogol, having one foot in each world. Gogol framed his struggle with cultural identity through something tangible, his name. In Jhumpa Lahiri’s novel, The Namesake, Gogol’s struggle with cultural identity is exposed most greatly by the name others call him and his reaction to it.

After his divorce, which is a second difficult experience in his life, Gogol spends time with his family, specifically at a party his mother is hosting before she leaves for India, which again influences him to accept his Bengali culture. At this party, Gogol explores his old house and finds the copy of The Overcoat that his father once gave to him, which makes him realize that “without people in the world to call him Gogol, no matter how long he himself lives, Gogol Ganguli will, once and for all, vanish from the lips of loved ones, and so, cease to exist” (Lahiri 433). In college and when he was Maxine, going by Nikhil gives Gogol a newfound perspective in his life, one where being shameful of his name does not really exist. However, after going through both his father’s death and his divorce, Gogol feels upset when thinking about how he changed his name, which “provides no solace at all” (433). With most of his family and Moushumi gone, few people are left to call him Gogol, reminding him who he once was. Gogol’s sadness shows how he has become comfortable with his birth name, which he originally hated. Through his reading of The Overcoat and his reflection on the possible nonexistence of his life as Gogol, Gogol accepts both his name and his culture, which ultimately shows how he becomes comfortable with

Gogol gains much of his freedom during his time at Yale. His migration allows him to have a chance to explore his

The important themes of name and identity are very evident in Chapter 3. The chapter contains when Gogol firsts starts kindergarten. Ashima and Ashoke wanted him to go by "Gogol" at home but "Nikhil" at school. However this then leads to confusing him and he has no interest in another name. He considers that depending on where he is he may need to be two different people then leading to him having two different names. "He is afraid to be Nikhil, someone he doesn't know. Who doesn't know him." (Lahiri ). During his adolescent years Gogol connects a new identity with having a new name. His unusual name does not bother him until he turns eleven and he attends a class trip to a cemetery which is when he uncovers that his name is special. Some of the other gravestones have names he has never heard before so he makes rubbings of them because he

This can be shown when Gogol’s in Maxine’s house in New Hampshire and Pamela says “But you’re Indian… I’d think the climate wouldn’t affect you, given your heritage” (157). People don’t seem him as American, which alienates him and causes him to put a wall between his past and his present. With the adoption of the name ‘Nikhil’, he can live only in the present but he cannot forget his old name. Subconsciously, he is still Gogol and so he does not respond immediately when he is addressed as Nikhil. He tries to become an entirely different person from what really he is. As Nikhil, he embodies the AmericnGogol struggles to carry the burden of two names. Nikhil resembles American names, yet ‘Gogol’ and his past follow him everywhere. Gogol is an outsider in American society whereas he does not feel intimacy with Bengali

He loses his virginity by using the name Nikhil, and that name has lead him to meet and have relationships with multiple women (Ruth, Maxine, Bridget and Moushumi). Even after making all determinations to erase his past, his failure to declare his identity is seen in his relationship with women. He lawfully changes his name to Nikhil before he leaves for college. The name Nikhil goes on to represent his individuality and separation from his parents. It also signifies him accepting American culture and distancing away from Indian culture. The twist comes into play when people starting calling him Nikhil and he gets startled. He likes the name Nikhil better, but he does not feel like Nikhil. On the inside, he feels like Gogol, no matter how much he dislikes the name. This adds to the controversy of his identity: is he Gogol or Nikhil. On the other hand, he is a mix of both: Gogol by day and Nikhil by night.

Allusions to Nikolai V. Gogol and his short story "The Overcoat" permeate Jhumpa Lahiri's novel The Namesake, beginning with Gogol's being the name the protagonist is called through most of the book. Yet few of the reviewers of the novel mentioned Nikolai Gogol at all in their discussions of the novel, except to describe the protagonist Gogol's loathing of his name, or to quote without comment or explanation Dostoevski's famous line, "We all came out of Gogol's Overcoat." So far, no one has looked beyond the surfaces to examine the significance of the allusions to Gogol that are so much a part of the fabric of Lahiri's novel.