'The Narrator And Zhu Wenli Got Sent To The Countryside'

Chapter two of “Zhuangzi” is about understanding yourself and everything around you that influences you. It starts out with a conversation between two people talking about wind and how it interacts with the rest of the world. The rest of this piece seems to have this theme of equality or opposites. When something is brought up so is the opposite of it like yin and yang. It is referring to how they cannot exist without the other. There’s always the idea that you cannot have “that” without having “this” too. Another part is if “this” happens then does this mean that “that” is obsolete? The idea they want to get across is that they’ll both always exist no matter what. You’ll never be able to get rid “this” and just keep “that”.

Wu-Mei struggles about family and relationships. She suffered bullying from her own family. Bullying is the use of force to abuse someone and it has been the problem for Wu-mei from the start which makes her feel unwanted. Her siblings were being aggressive to her because they believe that she was the cause of their mother’s death. There is a quote from the Bible “Do unto others what you want others do unto you” this means that do to others what you want them do to you. In the novel “Chinese Cinderella” Wu Mei is being bullied by her Big Sister by telling her that she is the cause why their mother had died. For e.g. on page 3 chapter 1, Big Sister once said to Wu mei “Mama died giving birth to you. If you had not been born, Mama would still

Her grandmother seems to be a very distant relative to Wu. Some people might live with that weak relationship for their whole life. So, what generates the desire in the author to get closer with her

Son of the Revolution is a unique novel because it describes the author’s personal experiences. Liang Heng writes this with his wife, Judith Sharpiro, about his involvements growing up in communist China during the chaos of the Cultural Revolution. Judith Sharpiro, an American, helped Liang Heng write and publish this novel in 1983, a period of intense relations between America and China. This was prior to the 1984 Summer Olympics, hosted in Los Angeles, California, where China returned to the games for the first time since 1952. Additionally, Ronald Regan, who viewed Communism as a dangerous ideology, was president during this period. Through the use of misery anecdotes, Liang Heng and Judith Shapiro argue in the Son of the Revolution that the average Chinese individual no longer agrees with the Communist ideology and is of no threat to other

Lindo’s upbringing was significant because her family was very traditional. As a result of her family abiding by tradition, Lindo was betrothed to Tyan-yu as a young girl. Lindo’s family treated her as if she was from a different family. When Lindo’s family lost everything in a flood, her father decided to move the family to Wushi. Lindo was old enough to move in with Tyan-yu’s family, so her family left her in Taiyuan with her future in-laws. When Lindo moved in with her new in-laws, Huang Taitai immediately put Lindo to work cooking, cleaning, and sewing. Lindo not only lost her family by moving in with the Huangs; she also lost her childhood innocence since she was forced to abandon playing with other children so she could be put to work. As a child, Lindo faced adversity due to her lack of American opportunities and therefore matured quickly.

Book Review: Growing Up in the People’s Republic: Conversations Between Two Daughters of China’s Revolution. By- Ye Weili with Ma Xiaodong

The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When

Throughout the story, Jing-mei’s feelings toward her mother change in dramatic ways. When Jing-mei was a young girl, she idolized and looked forward to impressing her mother. Eagerly, Jing-mei retorts,

Mckissick, Floyd. “CORE Endorses Black Power.” In Let Nobody Turn Us Around: Voices of Resistance, Reform and Renewal: An African American Anthology, edited by Marable, Manning, and Leith Mullings. Rowman & Littlefield, 2003.

Primarily, Tan establishes the theme of the story through characterization. The protagonist, Jing-mei, finds it difficult to live up to the high expectations her mother has set for her. After seeing so much disappointment in her mother’s face, Jine-mei “look[s] in the mirror above the bathroom sink and when [she] saw only [her] face staring back – and that it would always be this ordinary face – she began to cry” (Tan 2). This bring Jing-mei and her mother into conflict with Jing-mei eventually screaming at her mother that “‘[she] wish[ed] she were dead. Like them’” (Tan 8). As she matures, Jing-mei becomes a little more level-headed; she then understands her mother only wants the best for her. Through diction and language, the author creates a character that is

Churches and religious sites across China became a unifying force for discussion and connections. The foundations of Chinese culture had been stripped away leaving people alone and confused. An personal example in “The Souls of China” that truly exemplifies what religion means to the people of China is the explanation from Wang Yi. Growing up in the Chinese countryside, Wang Yi had little education and money. Wang Yi recounts a group of ants stuck in the rain away from their home, and decides to carry them home over the water. He describes the sensation he got from this action saying “I felt like their savior…I was only seven years old but felt I had done something really meaningful.” (341). After giving hi sermon, Wang Yi asks the Christians

One of China’s most popular love comedies, The Story of the Western Wing (Xixiang Ji) by Wang Shifu (1250-1300) dramatizes a scholar-and-beauty romance. Zhang Sheng, a promising student, and Cui Yingying, a beautiful maiden, meet in a temple, fall in love at first sight and after a series of thwarted attempts, they end up happily marrying each other, after the student has passed the civil exam as the top one, of course. Among the five books of The Story of the Western Wing, Book III stands out in the very middle of the whole play with interesting characteristics in terms of both theatrical features and thematic complexity. First of all, while dan and sheng share most of the

"'Why do you have to use me to show off?'" (101). Waverly's bitterness increases the separation between mother and child. Jing-Mei doesn't believe her mother because her stories always change but she doesn't understand as Suyuan does that the details are unimportant. What's important in Chinese storytelling is the message. "I never thought my mother's Kweilin story was anything but a Chinese fairy tale. The endings always changed. Sometimes she said she used that worthless thousand-yuan not to buy a half-cup of rice" (12).

In the book Chinese Cinderella it is apparent that Niang has had a positive and also a negative impact on Yen Mah. In the book Chinese Cinderella Niang makes the narrator feel a mixture of negative emotions such as neglect, foreignness, and also a feeling no one should feel, insignificance and humiliation. This is shown when the narrator writes “Niang predicted a hopeless future for me.” (Page 124). This had a very pronounced effect on Yen Mah. Therefore as a result of Niang suppressing her, the narrator was able to aim for something greater and also bring recognition to herself. Niang also affected the narrator’s mental stand point because Yen Mah was treated as a servant when compared to Niang’s own children. In which the way Adeline Yen Mah was treated was very immoral because it gave Yen Mah the feeling of being not as wanted as Niang’s own children. If Niang did not treat the narrator the way she did Adeline Yen Mah may not be the person she is – one that aspires to succeed and also one that sees something beyond her circumstances. In Chinese Cinderella,

When she meets Fan Liuyuan, she takes her chances and follows him to Hong Kong. Her decision to leave Shanghai has two implications. Firstly, she wants an escape from her family. After years of following their rules and hearing their complaints about her presence, she finally has a chance to leave it all behind to find her own independence. Secondly, she is strangely attracted to Liuyuan and securing his love and attention is a conquest for her.