The Narrator Vs. Man In Raymond Carver's Cathedral

The main character or narrator in the Cathedral was not only jealous of the relationship between his wife and her friend (the blind man); moreover, he had not seen him in person and did not appreciate the idea that he was actually spending the night at their house. However, after the narrator’s encounter with Robert, he perceives that he was not what he expected him to be; instead, he was gentle and friendly. On the other hand, the main character or narrator in everyday use was outspoken and straightforward, explaining about her surroundings and what had transpired in her life. From harsh labor to the different circumstances, she had faced in her lifetime; she also talks about her daughters who had different personalities.

In Cathedral, the unnamed narrator, husband, defines the character of Robert as an anomaly in which he doesn’t comprehend. “He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 1983). The media has been able to lead people like the narrator to develop negative opinions towards those with disabilities creating a type of phobia. After hearing stories about Robert, told by his wife, he could not imagine this blind man having a good life, one worth living. He assumes that Robert’s wife, Beulah, had lived a very pitiful life as well, not having her husband ever knowing what she looked like or what subtle nuances her facial expressions could only show through sight.

Blindness is not limited to physical manifestation. In Raymond Carver’s “Cathedral,” the figurative blindness is immediately apparent through the narrator and his shallowness, irrational jealousy, and egotistical personality. His dismissive behavior and ignorance towards the feelings of Robert, his wife’s blind friend, speak negatively of his character and reveals his insecurities. While the narrator’s emotional blindness and Robert’s physical blindness initially inhibits their bond, it eventually leads the narrator to an epiphany and the beginning of a character transformation. The different forms of blindness allow the characters to bond and grow over the course of the story.

The Story “Cathedral” by Raymond Carver is about true blindness and the effects of emotional contact. Peterson studies the use of determiners, a and the, that refer to the blind man in the story and its effects to establish the atmosphere of the story. He states that the change in determiner seems subtle, but these subtle changes are significant because the changes show how narrator feel about Robert throughout the story. Nesset studies the sexual polices and the love lives in several Carver’s stories. He discusses how Carver wrote his stories based on less of love and more of love withdrawal. Also Facknitz addresses rediscovery of human worth and the effects of emotional touch by discussing three short stories written by Carver. He analyses each narration of the narrator and comments based on psychological manner. The story “Cathedral” suggests the meaning of true blindness does not only refer to physical disability; it refers to those people who cannot see the world from other’s perspectives and it can be overcome through emotional contact.

By the end of Raymond Carver's "Cathedral," the narrator is a round character because he undergoes development. The story opens with the narrator's unconcern for meeting the blind man, Robert, which is because he was uninvolved in the friendship between the blind man and the narrator's wife. Feeling intimidated, he discloses, "I wasn't enthusiastic about his visit. He was no one I knew. And his being blind bothered me" (Carver 1). This emphasizes the narrator's unwillingness to bond with the blind man, which is made visible as the story progresses; moreover, he does not acknowledge their relationship. This is highlighted when he mentions what the name of the blind man's wife was. "Her name was Beulah. Beulah! That's a name for a colored woman. 'Was his wife a Negro?' I asked" (3). He seems disgusted with people. The insensitive narrator's prejudice is evident by him saying, "I've never met, or personally known, anyone who was blind" (5). This statement causes the audience to expect growth in him. The narrator's detachment from the blind man is indicated by his disinterest in cathedrals and tapes; nevertheless, the blind man and the narrator have had dinner, "smoked dope," and drank together,

In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.

“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.

This story is about how the narrator is unable to see what life is really giving him and finds it through a blind man’s eyes, the friend of his wife. Cathedral is a touching story, in my opinion, as it reflects on what many of us, society, take for granted. It shows how important it is to give people a

“Cathedral” represents the theme of how important communication is to the success of relationships. First, when the man finds out the woman’s blind friend is coming he makes many rude comments. As a result, the woman then starts to attack the man personally by saying, “You don’t have any friends” (Carver, “Cathedral” 34). Due to their poor communication, the man cannot simply express that he is insecure that her friend is coming, and he also cannot tell his wife that he believes Robert will be a burden because he is blind. Likewise, the man

In the short story “Cathedral” by Raymond Carver, the narrator is a dynamic character because of the way his thoughts adjust throughout the entirety of the story. The beginning of the story shows the narrator only being able to see physical things with his eyes. By the end, the narrator sees a different perspective through his imagination. Robert, the blind man that visits the narrator and his wife, brings out the imagination from within the narrator. The narrator is a dynamic character because he changes his judgment of Robert from a more prejudice view to a more acceptable one.

In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.

First-person narration can provide an exotic and perhaps unreliable viewpoint. The narrator’s thoughts and feelings are conveyed more clairvoyantly than possible in third or even second person, an effect that develops a more intimate and relevant story to the reader. In "Cathedral," Raymond Carver uses conversational tone and diction to expose the narrator 's character: prejudicial at first, sympathetic by the end. Knowing his character simplifies the understanding of major components of the story such as the narrator 's hostility to Robert and his epiphany at the end.

The short story “Cathedral”, by Raymond Carver, is a thought provoking piece that focuses on the transition a man goes through to see the world with his soul. The story gives hope that people can change if given the chance to be better people. Over the course of the story, Carver uses both diction and description to explore themes in religion and morality.

In the beginning of the story, the husband, who is the narrator of “Cathedral,” seems to be a very ignorant, uncaring man. Nesset wrote “Walled in by his own insecurities and prejudices, this narrator is sadly out of touch with his world and with himself, buffered by drink and pot and by the sad reality, as his wife puts it, that he has no ‘friends’” (Nesset 124). The narrator has no connection to himself or the outside world. He has no friends, as his wife points out, which goes to show he keeps to himself, but he still doesn’t fully understand who “himself” is, because he doesn’t have that connection to himself, thus leading to the drinking and drugs. He wasn’t used to change, so having a visitor come over to his house bothered him. The moment he saw Robert, the narrator began to change. When his wife pulled up with the blind man in the car and they got out of the car, he saw that Robert had a beard and he thought to himself, “This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say” (Carver 35). The narrator had expected to see the blind man in the way they showed them in the movies, but now that his idea of who Robert was as a person was being challenged, the change started to appear. Robert, who is a static character, is very essential in the change of the narrator. It is because Robert is the way he is, his marrying of a colored woman, his travels around the

Raymond Carver the author of “Cathedral” the narrator in this story has some prejudices, against blind people as well as so discomfort and jealousy towards Robert who is his wife long friend and confidence. In spite of how the narrator feel about Robert he does exactly what his wife asked him to do, helps to make Robert feel comfortable. This is where the reader can see the narrator had integrity. He puts his own person feeling behind him and does everything he can for Robert. For example, making sure Robert understands what's on television. We see leadership and integrity in Robert as well, Robert isn’t just a blind man, he is a man that has seen the world and a person who works with what he was giving and makes the best of his life that he