The Natural Beauty And The Power Of The Sea

The color red symbolics all of the colors and how each can have numerous emotions coming

The film The Sea Inside shares the heart warming real life story of a man named Ramon Sampedro. At the young age of twenty-six he suffered an accident while diving into shallow waters of the ocean that left him a quadriplegic. Now at the age of fifty-four, Ramon must depend on his family to survive. His older brother Jose, Jose’s wife, Manuela and their son Javi do their best to take care of Ramon and make him feel loved. Although Ramon is extremely grateful to his family and friends for their help all these years, he has come to see his life as aggravating and unsatisfying. He wishes to die with the little dignity he has left in his life. However, Ramon’s family is dead set against the thought of assisted suicide and the

A lucent crescent of the moon is seen on the top right hand corner of the painting where dramatic contours and fluidity of the brushworks are seen due to the Japonisme influences. Moreover, the eleven stars and the rolling hills are depicted moving to the momentum of the swirling sky.

As we all know, color is the voice for the artist 's sentiment. It makes up the appearance of a picture. Color is the decisive factor in depths of the two-dimensional plane of the artwork, making the viewer feel physically and mentally attracted, or the context of things - the phenomenon the author wants to present. Colors have been around for a long time, but there is not a common definition for colors. And perhaps humans are one of the luckiest creatures that can identify colors. Often, the recipient 's eye knows a myriad of colors and colors that always change based on the relationship between light and perspective. In art, color creates a sense of

Technicolor. Such vivid colors weren’t just for artistic appeal, they often represented other aspects such

Turner it is a lot clearer as to why he depicted such an emotional and vivid work of art in Slave Ship. Turner was inspired to paint this piece after reading The History and Abolition of the Slave Trade by Thomas Clarkson. In 1781, the captain of the slave ship “Zong” had ordered 133 slaves to be thrown overboard so that insurance payments could be collected. This event probably inspired Turner to create this artwork. Turner became an advocate for abolishing slavery around the world and even exhibited this painting during an anti-slavery conference (History in an Hour).

There are many values within this print, but only constitute a handful of colors: Blue, brown, black, white, and gray. Blue is the main color within this print, there are many values of the color blue used. The deepest part of the waves are the darkest blue, while the parts of the waves closest to the surface are lightest blue or white. The sky has a gradient, which is going from the lightest color to the darkest color or vice versa; the sky is creating a gradient, from the bottom up, of black to a very light gray, then to a white-yellow. The colors chosen by Hokusai can also interpret feelings and emotions. The habitual feeling when seeing the color blue is sadness. Sadness and despair would be fitting emotions for this work, due to the giant wave about to crash upon the men in their boats. Blue can also emit a feeling of elegance. The composition of the print and how the lines of the wave flow can be considered a form of elegance.

Romanticism and The post impressionism era are two major periods on the time line of art history. Different forms of art including paintings, music, and architecture showed tremendous growth, and ended up making history. This essay compares and contrasts pieces of work such as Vincent van Gogh’s Starry Night and Joseph Mallord William Turner’s The Slave Ship. These two pieces both represent their own individual time periods, yet have similar characteristics. Both of these paintings have a way of uncovering a story without using a single word.

The work is very smooth and fluid making it appear much like a photograph. The oil is not built up on top of itself keeping it very two dimensional. The colors vary between dark and light throughout the painting. In the top right corner, the sun, outside the painting, shining down, aluminates the castle and also the lone tree at the bottom left corner. Besides the back cliff, the rest of the painting is in shadow and displayed in a much more melancholy tone. The colors that Cole focuses on, to display the sharp contrast between rock and nature, are mostly dark greens and gold. The striking blue of the river stands out dramatically from the rest of the colors and draws the eye after the initial citing. The grey in the cloud is the only place where I can find that shade of gray in the work, and it sets itself apart from the snow white clouds in the background. The color helps draw the eye immediately to the castle on the hill. My eyes then fallow the flow of the river down to the tree, which is illuminated by a beam of sunlight.

We can also see the use of black shades to create a hole at the bottom part of the rock. With his excellent use of colors, we can identify the good, healthy and green grass from the bad, unhealthy, brown grasses. Looking beyond the main focus of the painting, he uses colors to separate the sky from the land in the background creating a solid form of perspective on the painting. He also uses colors to create water forms as seen behind the young character. Now, for the sky, he uses shades of white to magnificently differentiate the thick clouds from the light ones. He also uses this to create a source to light to the whole area. All these put together creates a splendid, realistic and familiar atmosphere for the viewers to relate with.

As for the Turner painting technique he would adjusted his watercolor systems to oil depictions, which he developed from establishments of shading to make exceptionally natural shapes and sparkling structures. Turner is using the men at the bottom of the Snowstorm painting as a contrast representing humanity between natures.

Colors are around us and can describe different meanings. When colors are part of an image, painting or sculpture, however, why do certain colors use and others are not. Monet chose certain colors to portray different feelings, mood and makes one think. In Patricia Stokes’s article “Variability, Constraints, and Creativity” explained during her investigation, she decides to investigate Monet’s creativity and separate them into three phases. In phase one, it involved value and wrote: “The wheel, which broke up the light into the four primary hues and their intermediaries, prompted Monet’s initial and initially ill-defined goal constraint.” In his earlier painting called Mouth of the Seine at Honfleur (1865), he used earth colors, raw umber, burnt sienna, and blacks. After he stopped using browns and earth color and later black as well. For Sunrise (1873), he used the colors yellow, orange, blue, green and brown. What I found interesting is that he muted the colors so the painting looks dull. Even so orange pops with the muted blue because they are complementary colors that perceive soothing or balance in the painting.

When entering the room, people crowded around Monet’s pieces, which felt like an honor to see the type and techniques his work has. The colors describe the feeling of an early morning. The painting has a muted palette of blues, greens, and grays. The sunrise is orange and yellow which are surrounded by the clouds and smoke from steamboats. Three boats are shapes and visible while the rest fade into the distance. This painting is an example of plein air or outdoor painting. I also notice that Monet layered the colors so that when I viewed the painting from a far distance I knew what the painting was about however when I looked at it up close I saw brush strokes and

When one looks at the painting White light, an array of colors spring off the canvas and permeate one’s senses. The primary and intense color of red is softened by the primary colors of yellow and blue. While the tertiary color of green subtly takes its place among the hues to give some balance. The perceivable tones of black and white add value and seem to give some

Using natural phenomenon as a starting point for abstraction, Mark Grotjahn’s paintings straddle the polarities of artifice and nature. His painting, Lavender Butterfly Jacaranda over Green (Fig. 2), expresses his fascination with nature. Transferring the experience of observation to an intrigue of creative possibility, Grotjahn harnesses the mysticism of nature through aesthetic formality.