The Nature Of The Sirens In Greek Culture

The portrayals of the Siren in The Odyssey and “Siren Song” can be compared through point of view, tone, and imagery. In Homer’s poem the Siren is seen as an irresistible desire, a toxic aspiration that manipulated and captivated men to come closer. In “Siren Song” the Siren is portrayed as merely a taunting boredom. She herself tells us that to her it is boring, “But it works every

The sirens in both texts have different views on the song and how it allures people. They describe what it does to people who come in close proximity of the song.

Gender inequality has been a controversial topic for numerous religions and cultures throughout history. Women were commonly regarded as the subservient gender, an idea that was no different in Ancient Greece. Throughout Greek mythology, women were considered inferior and troublesome symbols, while men were known for courage, leadership, and strength. While there is no argument of the flagrant sexism that is illustrated in Greek mythology, it can also be claimed that women were given a situated position of freedom, necessity, and power as well. Many popular Greek plays and myths contain several complexes and well described female characters. These goddesses themselves, partook the role of victim, heroine, and villain as it illustrated the diversity of characters in which women were portrayed and seen in both Ancient Greek society and mythology, allowing us to question “Were the women of Ancient Greek mythology equally represented as free and superior?” The creation of the Greek mythological universe, the creation of multi-gendered goddesses or deities, and the free and superior personalities accredited to women in Ancient Greek mythology to answer the question that women were fairly represented as powerful in Ancient Greek mythology.

Analyzing different mediums can enhance an individual’s overall appreciation and understanding of a particular idea or story. While analysis of a painting can reveal the mood of the artwork, an analysis of a poem can reveal the author’s tone. Much more then that, analysis provides an opportunity to explore each work in an attempt to understand human nature through each author’s perspective. While exploring the painting “Ulysses and the Sirens” by J.W. Waterhouse and the poem “The siren song” by Margaret Atwood, a universal truth presents itself. While the painting focuses on the thematic idea of Odysseus being stubborn while his men care for his safety to get home, the poem holds a different view. In contrast, the thematic statement from the poem discusses the idea that the Siren hates singing and being in a bird suit, but is asking for help but it’s still tempting to hear the song. Although differing in point of view, both the painting and the poem explore an aspect of human nature that are relevant to society today. There are two different authors for the painting and the poem. However, the two are different when compared to each

The Greek and Roman societies were a very patriarchal society. This is reflected throughout the myths in classical mythology. By looking at the many pieces of literature involving Greeks and Romans we will see that the roles women portrayed are very different from women’s roles in today’s society. Although there are a few similarities to women’s roles in today’s society, their roles are more like those women in the past. We can see this by looking at the qualities of Greek and Roman female gods and looking at the roles women play in the myths.

The Sirens in the Odyssey represent more than just a maritime danger to the passing ship. They are the desires of man that he cannot have. The Sirens can also be construed as forbidden knowledge or some other taboo object. Whatever these singing women actually are, the sailors are wise to avoid them. As usual, the wily Odysseus cheats at the rules of the game by listening to their song under the restraints constructed by his crew.

     Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.

Women are important to the plot and overall theme of the Odyssey. In fact, without many of the women there would not be a complex plot to this epic poem. In the narrative and in Greek society women played a variety of roles, as mothers, herons, and many other strong roles yet, they were treated as less significant, and were made to be loyal and submissive to men. The women were required to wait on and sulk for love, as Penelope did for 20 years. In Greek society, the women had very little authority but the little control that they did have was sort of a sexual power, which at times they could use to outwit the men. Obvious examples of this sexual power would be Circe and Calypso. Calypso and Circe however, are not the

The characters in Greek Mythology have multiple interpretations. Among these characters include the dangerous, yet gorgeous Sirens, bird-women who sit on a cliff singing bewitching songs that captivate the minds of innocent travelers and entice them to their deaths. In Homer’s The Odyssey and Margaret Atwood’s “Siren Song,” both poets provide different representations of the Sirens. Homer portrays the Sirens as irresistible in order to establish men as heroes, whereas Atwood depicts them as unsightly and pathetic so she can prove men are foolish and arrogant using imagery, diction, and point of view.

These women monsters were very seductive, and a big threat. They were also somewhat of a slave, or caregiver to the people they hold which were often men. The women in this story were known to be very seductive. This could be assumed because the men all cried out to the women (673 lines 560-563). This shows that the men sort of bowed down to the powerful women even though they were powerful themselves.

Hesiod leaves no doubt that the existence of women is on balance a terrible thing for men. Zeus ordered Hephaistos to create women as a punishment for his having been decieved.. Women were to be a poisoned gift for men, which "all shall take to their hearts with delight, an evil to love and embrace" (W&D, 57-59). In the Theogony women are called "a great plague" because they are "ill-suited to Poverty’s curse, but suited to Plenty" (592-93), among other flaws. While Hesiod offers some well-turned phrases in praise of womens’ good qualities, it is unmistakable that these positive attributes are all put there by Zeus for the sole purpose of making woman an "inescapable

They have the ability to use a singing spell to attract any man within earshot to the Sirens. Once the man has reached them, they make the man think they are extremely attractive, and then eat the man while he is vulnerable. This shows that the Sirens have great power over any man. The Sirens also have experience in conflict. The Sirens fight against the man’s will to resist the Sirens magical song.

Which is exactly what the sirens do, they know what these sailors want to hear, so they use that as their lure. In Argonautica, the Argonauts are saved by Orpheus who plays a more beautiful and serenading tune than the Sirens do. We see a slight shift in the appearance and the effect of the sirens in Sinbad. In this work, Sirens are shown to be apart of the water, still with a beautiful song, these creatures have tempting yellow eyes that only seem to affect males. It seems in every story, these Sirens only lure in men. Is it because only men were sailors at the time of the writing of these stories, or is it because men are more prone to falling in the grasp of sin and

In applying this image to a female, and especially to a female playing a role in the realm of relationships gives the idea new meaning. To think of a woman as a siren is to impose the notion that she lures men into a trap to play with them, almost as a cat would toy with a mouse. Atwood's siren describes her song as, "…The song that forces men / to leap overboard in squadrons / even though they see the beached skulls," (ll 4-6). With those words, Atwood describes exactly the effect that this songstress has on her victims. It is as if those men that are lured into her clutches are well aware of the consequences of their involvement with her - as they can very well see the "beached skulls" - yet they cannot resist the temptation she presents. Just as the seafarers were to be broken on the rocks of the island inhabited by the sirens, the men that involve themselves with this modern-day siren will also be destroyed. The song remained the same over the centuries, lethal and beautiful as ever.

Women in ancient Greece had very few rights in comparison to male citizens. Women were unable to vote, own property, or inherit wealth. A woman’s place was in the home and her purpose in life was to rear children. Considering this limited role in society, we see a diverse cast of female characters in Greek mythology. We are presented with women that are powerful and warlike, or sexualized, submissive and emotionally unstable. In many myths, we encounter subversive behavior from women, suggesting, perhaps, the possibility of female empowerment. While produced in an ostensibly misogynistic and oppressive society, these myths consider the possibility for a collapse of male power and the patriarchal system. In Homer’s epic poem The Odyssey,