“The course of true love never did run smooth,” comments Lysander of love’s complications in an exchange with Hermia (Shakespeare I.i.136). Although the play A Midsummer Night’s Dream certainly deals with the difficulty of romance, it is not considered a true love story like Romeo and Juliet. Shakespeare, as he unfolds the story, intentionally distances the audience from the emotions of the characters so he can caricature the anguish and burdens endured by the lovers. Through his masterful use of figurative language, Shakespeare examines the theme of the capricious and irrational nature of love. As the play opens, Theseus, Duke of Athens, and Hippolyta, his fiancée discuss their upcoming wedding. With the introduction of Theseus and …show more content…
Oberon demands, “How can you stand there shamelessly talking about me and Hippolyta, when you know that I know about your love for Theseus? And weren’t you the one who made him cheat on all of his other girlfriends, like Aegles, Ariadne, and Antiopa? (Shakespeare II.ii.76). Furthermore, Titania complains due to Oberon’s actions, she and her fairy friends have been unable to meet anywhere for their usual dancing and frivolity without being disturbed. In order to further expand the point of the irrationality of love to the audience, Shakespeare continues to use hyperbole to express her intense feelings. Titania reasons that because of Oberon’s insistence on taking the Indian boy as his knight, there is no place for her to meet—not “on hill, in dale, forest, or mead, by pavèd fountain, or by rushy brook, or in the beachèd margent of the sea” (Shakespeare II.i.86). His continual interruptions have prevented their dances and moreover, his revenge has brought about terrible consequences for the human mortals. As Shakespeare details the affects, he imaginatively uses personification to describe the pale moon in her anger filling the air with disease and the icy winter wearing a crown of summer flowers in mockery. As Titania’s closes her long rant directed at Oberon, she concludes by confessing, “And this same progeny of evils comes from our debate, from our dissension, we are their parents and original” (Shakespeare II.i.118). As a
William Shakespeare focused on the non-physical things in Titania and Oberon’s relationship. Firstly, Shakespeare focused on the bad communication between Oberon and Titania. Oberon states “Tarry, rash wanton. Am not I thy lord?” (II, i, 63). This quote is saying that Oberon thinks that Titania should listen to him, since he is her husband and the king of the fairies. Next, the selfishness
In the play, A Midsummer Night’s Dream by Shakespeare, three completely different situations that have to do with different topics become intertwined in the magical forest locates in the suburbs of Ancient Athens. Throughout the play, there are many representations of the character’s emotions and feelings, such as jealousy, betrayal, and most importantly, love. The main reason everyone get into their troubles is due to one reason; love. Hermia and Lysander made a decision to elope because of their love for each other; Demetrius chases after her because he loves her; Helena chases Demetrius due to love, etc. In this comedy of Shakespeare’s, love is displayed as something fantastical and bizarre.
Although love is typically a positive emotion or concept, it is most often truly a more negative notion, due to its consequences. Love is known to bring people together in the beginning, but also tends to customarily pull or even break people apart by causing chaos and rivalry. The loss of love could even cause insecurities to surface. In Shakespeare’s A Midsummer Night’s Dream, one of the lovers, Helena, is scorched by love’s misfortunes when it comes between her and her ex-lover, Demetrius.The misfortunes of love force Helena into becoming an insecure woman who allows her emotions to cloud her judgement.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
Hence, this part of conversation is a microcosm of their unhappy and unhealthy mode of relationship. Theseus would arbitrarily express a personal opinion and impose it on Hippolyta, without considering her protests. According to John Cutis, moreover, the episode of Pyramus and Thisbe acts “as a satirical contrast with the Theseus-Hippolyta relationship, as they are both unable to ‘see the need of poetry’” (Cutis 183). A love life without conflicts, or a life without love, might not prove the happiest— this couple solve their discords with Hippolyta’s absolute obedience and Theseus’ lack of love and consideration. This is why they need no compromise.
True love’s path is paved with every step. Through the assistance of fanciful elements as well as characters Puck and Oberon, the true message of love in William Shakespeare’s A Midsummer Night’s Dream is revealed. The four lovers know the direction in which their hearts are inclined to turn, but when the love potion is administered, the bounds of their rectangle are thrashed without knowledge or consent. The rapid shifts in affection between the play’s “four lovers” is representative of the idea that love isn’t a conscious choice, but a cruel game in which we are the figurines, being controlled by whomever the player may be, relating the characters’ karmic fates.
“O, take the sense, sweet, of my innocence! Love takes the meaning in love's conference.” Lysander's quote, “The course of true love never did run smooth,” is proven throughout the play as three couples face challenges and hardships as time goes on, that no love is easy and that anyone would do anything they can to keep the love they have. In “A Midsummer Night's Dream,” there are many examples of rough love, as seen with Hermia and Lysander when Lysander stops loving Hermia, when Helena love Demetrius but he does not love her back and with Titania and Oberon, as they argue over the changeling boy.
By the time Theseus reappears at the end of the play, however, he and Hippolyta seem genuinely and mutually happy together, and he presides over a magically resolved triple wedding in which everyone gains their heart's desire. Hippolyta is the Amazonian Queen and, is set to marry Theseus. Hippolyta is not heavily involved in the play but does sound impatient to get married to Theseus. Titania is the Queen of the fairies and is a delicate creature, fond of elegant song and dance and provides a train of equally lovely spirits. When she first appears in the play, she is angry at her "husband," Oberon, who is continually demanding that she give him one of her attendants, an "Indian Boy" whose mother had been one of her worshippers and has past away.
Different Types of Love in A Midsummer Night’s Dream by William Shakespeare A Midsummer Night’s Dream is a comedy, written in 1595 during the reign of Queen Elizabeth I. This was when the society was dominated by men. During the period, England was ruled by a powerful and well respected queen.
Their love invokes the themes of love’s difficulties. He is forbidden by law and a father’s blessing to marry Hermia so eventually, the two will try to run away. • Demetrius - A young man of Athens, initially in love with Hermia and ultimately in love with Helena. Demetrius’s obstinate pursuit of Hermia throws love out of balance among the quartet of Athenian youths and precludes a symmetrical two-couple
How Does A Midsummer Night’s Dream portray love? Does Shakespeare’s A Midsummer Night’s Dream portray love accurately? In his comedy, Shakespeare creates five main couples: Titania and Bottom, Titania and Oberon, Theseus and Hippolyta, Lysander and Hermia, and Demetrius and Helena. Of these couples, the majority are impacted in some way by a flower Oberon and his magical mischief-making assistant Puck find that makes a person fall in love with the first organism they see (II, II, 248-268).
A Midsummer Night 's Dream is a play about love. All of its action—from the escapades of Lysander, Demetrius, Hermia, and Helena in the forest, to the argument between Oberon and Titania, to the play about two lovelorn youths that Bottom and his friends perform at Duke Theseus 's marriage to Hippolyta—are motivated by love. But A Midsummer Night 's Dream is not a romance, in which the audience gets caught up in a passionate love affair between two characters. It 's a comedy, and because it 's clear from the outset that it 's a comedy and that all will turn out happily, rather than try to overcome the audience with the exquisite and overwhelming passion of love, A Midsummer Night 's Dream invites the audience to laugh at the way the passion of love can make people blind, foolish, inconstant, and desperate. At various times, the power and passion of love threatens to destroy friendships, turn men against men and women against women, and through
In A Midsummer Night’s Dream, Shakespeare explores the subjectivity of love. The play shows the absurdity of love through its characters like an episode of “MTV The Real World”: they fall in love, break up, lose friendships, and someone will ultimately look like an ass. Shakespeare’s play examines the combination of both traditional and non-traditional gender roles affecting the character’s perception of their respective romantic relationships. Shakespeare then questions whether love is real through Lysander and Helena. Shakespeare’s play as a whole demonstrates how initial perceptions of love are subject to transformation. Both the characters and the play debunk that love is static, but rather an ever metamorphosing reality.
William Shakespeare expresses love through magically, unique choice of words that flows together swimmingly. “Love looks not with the eyes, but with the mind, and therefore is wing’d cupid painted blind” (Act I, scene 1, line 234). In Shakespeare’s Midsummer Night’s Dream, love is defined as a weapon to undisguised the unknown of one's true love to another. Shakespeare uses Bottom and Titania to portray this form of love. However, he also studies a different type of love, the love between Egeus and Hermia, father and daughter. This essay will analyse how Shakespeare explores the theme of love in the Midsummer Night’s Dream and compare the difference between the two contrasted forms of love.
In the opening lines of the play, Theseus, the Duke of Athens, refers to the moon as he awaits his forthcoming wedding: