The Nearest Dream Recedes, Unrealized

by inserting herself in the story, by identifying its spiritualities with her sensualities. (66). In Eden, Dickinson found a place where the body and soul are not separate, opposing entities;

In the poem “Some Keep the Sabbath Going to Church,” Emily Dickinson expresses the feeling that everybody practices their faith and religion in a different way. The narrator of this poem portrays the idea of self practice. Being able to completely understand and interpret the meaning of this piece of poetry was not a short and simple process. When first reading “Some Keep the Sabbath Going to Church” I was a little confused and unaware of what was happening in the reading. However, in the end I came to realize the poem had a much bigger meaning than just a person sitting in their backyard with the birds.

The reading begins with two researchers Aserinsky and Dement, researching into why humans need sleep. Then, it begins to talk about another two researchers, Allan Hobson and Robert McCarley. They both came up with a new theory about dreaming, which was “ in essence, was that dreams are nothing more than your attempt to interpret random electrical impulses produced automatically in your brain during REM sleep.” (Hock 2013). Basically what they were saying is that while we sleep, a part of our brain produces electrical charges in the brain stem. While we sleep most other parts of the brain are inactive, but the brain stem isn’t. Hobson and

First, Emily Dickinson’s poetry1 continuously rejected society’s perception of death. As death approaches, the one entering eternity and those nearby are often scared

Emily Dickinson is one of the most important American poets of the 1800s. Dickinson, who was known to be quite the recluse, lived and died in the town of Amherst, Massachusetts, spending the majority of her days alone in her room writing poetry. What few friends she did have would testify that Dickinson was a rather introverted and melancholy person, which shows in a number of her poems where regular themes include death and mortality. One such poem that exemplifies her “dark side” is, “Because I Could Not Stop for Death”. In this piece, Dickinson tells the story of a soul’s transition into the afterlife showing that time and death have outright power over our lives and can make what was once significant become meaningless.

However, the poem has fluidity despite its apparent scarcity of rhyme. After examining the alteration of syllables in each line, a pattern is revealed in this poem concerning darkness. The first nine lines alternate between 8 and 6 syllables. These lines are concerned, as any narrative is, with exposition. These lines set up darkness as an internal conflict to come. The conflict intensifies in lines 10 and 11 as we are bombarded by an explosion of 8 syllables in each line. These lines present the conflict within one's own mind at its most desperate. After this climax, the syllables in the last nine lines resolve the conflict presented. In these lines, Dickinson presents us with an archetypal figure that is faced with a conflict: the “bravest” hero. These lines present the resolution in lines that alternate between 6 and 7 syllables. Just as the syllables decrease, the falling action presents us with a final insight. This insight discusses how darkness is an insurmountable entity that, like the hero, we must face to continue “straight” through “Life” (line 20).

Approaching Emily Dickinson’s poetry as one large body of work can be an intimidating and overwhelming task. There are obvious themes and images that recur throughout, but with such variation that seeking out any sense of intention or order can feel impossible. When the poems are viewed in the groupings Dickinson gave many of them, however, possible structures are easier to find. In Fascicle 17, for instance, Dickinson embarks upon a journey toward confidence in her own little world. She begins the fascicle writing about her fear of the natural universe, but invokes the unknowable and religious as a means of overcoming that fear throughout her life and ends with a contextualization of herself within

Emily Dickinson’s “The Soul Selects her Own Society” presents herself as absolute and her rights as unchallengeable. The poem puts forward the idea of “friendship or love” which means choosing a significant person and excluding other people. Dickinson reveals that she was shutting people from her life, but because it had been so long, they are no longer interested in taking part of her life. Dickinson’s actions imply that the ability to create and construct a world for oneself, such as choosing your own actions, provides an example of a god-like achievement. Overall, Dickson asserts the importance of “the Self” theme which is shown my just speaking and writing as a ratification of the will to explore and express “the Self” to others.

What Dreams May Come is a movie about life, loss, death, afterlife and rebirth. The film explores the emotions evoked by a variety of characters when they are faced with coping with tragedy and death. It also delves into the manifestations of heaven and the variety of forms heaven takes in the minds of different people.

Everyone is told that they can be anyone they want to be, be anything they want to be, and go anywhere they want to go. I took this to heart and determined that I would go to my dream college, Washington University in St. Louis, and become an astounding author with an English degree to be proud of. However, I knew that I might need a backup college, and I settled upon Kansas University. Although the choice between the two originally seemed clear to me, after doing extensive research, my views were quickly morphed. While most people would chase after their dream college, I have found that facing reality, and choosing the so-called backup college, is by far the better choice.

The article “In the Dreamscape of Nightmares, Clues to Why We Dream at All”, written by Natalie Angier, introduces various types of insight on nightmares and the reasons behind why they occur. Nightmares are dreams, able to jolt you awake. Although few suffer from nightmares so terrifying that help is sought, dreams are a universal human experience. A majority of our dreamlike states are spent negatively. As a result, numerous people have studied dreams and discovered that there may be reasons behind the existence of nightmares and dreams overall.

*Reprinted by permission of the publisher and the Trustees of Amherst College from The Poems of Emily Dickinson, Thomas H. Johnson, ed. Cambridge, Mass.: The Belknap Press of Harvard University Press, copyright 1951,

This poem is written in ballad form which is odd because one would think of a ballad and think a love story or an author gushing on about nature not an allegory about personified Death. Dickinson both unites and contrasts love/courtship with death, experimenting with both reader’s expectations and the poetic convention dictating specific poem form. This is why Dickinson is widely hailed because of her unconventional writing methods.

Emily Dickinson a modern romantic writer, whose poems considered imaginative and natural, but also dark as she uses death as the main theme many times in her writings. She made the death look natural and painless since she wanted the reader to look for what after death and not be stuck in that single moment. In her poems imagination play a big role as it sets the ground for everything to unfold in a magical way. The speakers in Dickinson’s poetry, are sharp-sighted observers who see the inescapable limitations of their societies as well as their imagined and imaginable escapes. To make the abstract tangible, to define meaning without confining it, to inhabit a house that never became a prison, Dickinson created in her writing a distinctively elliptical language for expressing what was possible but not yet realized. She turned increasingly to this style that came to define her writing. The poems are rich in aphorism and dense

In the novel, Waiting for the Barbarians by J.M Coetzee, the magistrate’s progressive, non-linear dreams are a parallel to his growing involvement with the barbarians and his growing distaste for the empire. The great psychoanalyst, Sigmund Freud said, “The interpretation of dreams is the royal road to a knowledge of the unconscious.” In every dream there is a hidden meaning and when the reader starts analyzing the magistrate’s dreams he reveals that he is oddly attracted to the barbarians and knows he should not get involved and it will be a trial to get close to them.