The Negro Speaks Of Rivers Analysis

Zora Neal Hurston was criticized by other African American writers for her use of dialect and folk speech. Richard Wright was one of her harshest critics and likened Hurston’s technique “to that of a minstrel show designed to appease a white audience” (www.pbs.org).Given the time frame, the Harlem Renaissance, it is understandable that Zora Neale Hurston may be criticized. The Harlem Renaissance was a cultural movement which redefined how America, and the world, viewed African Americans, so her folk speech could be seen as perpetuating main stream society’s view of African Americans as ignorant and incapable of speaking in complete sentences. However, others, such as philosopher and critic Alain Locke, praised her. He considered Hurston’s “gift for poetic phrase and rare dialect, a welcome replacement for so much faulty local color fiction about Negroes” (www.pbs.org).

The well known poet Langston Hughes was an inspiring character during the Harlem Renaissance to provide a push for the black communities to fight for the rights they deserved. Hughes wrote his poetry to deliver important messages and provide support to the movements. When he was at a young age a teacher introduced him to poets Carl Sandburg and Walt Whitman, and they inspired him to start his own. Being a “darker brother,” as he called blacks, he experienced and wanted his rights, and that inspired him. Although literary critics felt that Langston Hughes portrayed an unattractive view of black life, the poems demonstrate reality. Hughes used the Blues and Jazz to add effect to his work as well as his extravagant word use and literary

The Harlem Renaissance is an important time in American literature. There were writers at this time like Wallace Thurman, Zora Neale Hurston, and Langston Hughes. Langston Hughes wrote many poems such as the “The Negro Speaks of Rivers” and “The Weary Blues.”

The African Americans: Many Rivers to Cross, is a six-part Public Broadcasting Service (PBS) television series that chronicles the African-American experience beginning with the origins of the transatlantic slave trade, journeying to the inauguration of the first African-American president. It recounts the African American history, exploring the African-American people, including the diversity of cultural institutions, political strategies, and the religious and social perspectives they have developed- establishing their own culture, history, and society all while traveling a journey of unimaginable odds. In addition, this series travels through 5 centuries of historical events and struggles, ending with the present- detailing the strides African Americans made towards resiliency, a sense of community, social connections, social networks, social support, and connections of faith.

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

Being one of the most influential times in African American history, the Harlem Renaissance helped individuals of the African American race and culture in a way that ultimately propelled them to a greater level in the artistic and literary world. All of this information is important to think about when reading this paper because the Harlem Renaissance has enabled African Americans to express their true feelings through the arts and it has also created a movement for other generations to follow as well as other races who extensively

The Harlem Renaissance was a time where creativity flourished throughout the African American community. At the time many African Americans were treated as second class citizens. The Harlem Renaissance acted as artistic and cultural outlet for the African-American community. The Harlem Renaissance, otherwise known as “The New Negro Movement” was an unexpected outburst of creative activity among African Americans In the poems Harlem by Langston Hughes, America by Claude McKay, and Incident by Countee Cullen all use frustration and hope as reoccurring themes to help empower the African-American population and realize the injustices they face day to day. The Harlem Renaissance was a period marked by great change and forever altered the

During the 1920’s a new movement began to arise. This movement known as the Harlem Renaissance expressed the new African American culture. The new African American culture was expressed through the writing of books, poetry, essays, the playing of music, and through sculptures and paintings. Three poems and their poets express the new African American culture with ease. (Jordan 848-891) The poems also express the position of themselves and other African Americans during this time. “You and Your Whole Race”, “Yet Do I Marvel”, and “The Lynching” are the three poems whose themes are the same. The poets of these poems are, as in order, Langston Hughes, Countee Cullen, and Claude Mckay.

One of the foremost poets of the Harlem Renaissance was Langston Hughes. Many of Hughes' poems are about the act of writing poetry, justifying African-American poets' right to speak and create verse, which was denied in previous eras. The act of literacy for African-Americans was depicted as a radical, self-conscious act in Hughes' output. This is explicitly seen in Hughes' poem "Theme for English B." The poem very literally portrays a young, African-American man (presumably Hughes himself) being given an assignment by a white teacher to write about himself. The poet is forced into a paradox he is in a white-run institution, using the language of whites, and yet he must speak about himself truthfully:

The Harlem Renaissance was an evolutionary period in terms of African-American cultural expression; in fact, the movement changed the way that black musicians, poets, authors, and even ordinary people perceived themselves. One of the most influential poets of the time was Langston Hughes. Hughes’ works display a pride in being black that most African-Americans are too afraid to show, even today. Moreover, he adamantly refused to submit to the sentiment that he should be ashamed of his heritage, instead believing that “no great poet has ever been afraid of being himself.”(p1990 From the Negro Artist). In the article “‘Don’t Turn Back’: Langston Hughes, Barack Obama, and Martin Luther King, Jr.” by Jason Miller, Miller analyzes how Hughes’ poetry has been used by Martin Luther King, Jr. and Barack Obama and how the House of Un-american Activities Committee affected that use.

Race plays a big part in this poem. He speaks on Harlem and its culture and this environment but also about mutual interest with people

The Harlem Renaissance was a wonderful allotment of advancement for the black poets and writers of the 1920s and early ‘30s. I see the Harlem Renaissance as a time where people gather together and express their work throughout the world for everyone to see the brilliance and talent the black descendants harness.

“The Harlem Renaissance was a time where the Afro-American came of age; he became self-assertive and racially conscious… he proclaimed himself to be a man and deserving respect. Those Afro-Americans who were part of that time period saw themselves as principals in that moment of transformation from old to new” (Huggins 3). African Americans migrated to the North in great numbers to seek better lives than in the South as the northern economy was booming and industrial jobs were numerous. This movement brought new ideas and talents that shifted the culture forever. Black writers, such as Langston Hughes, used their work to claim a place for themselves and to demand self-respect in society. Poems that Langston Hughes wrote captured the essence of the complexity of a life that mixes joy and frustration of black American life through the incorporation of jazz and blues in order to examine the paradox of being black in mostly white America, the land of the not quite free.

The great philosopher Plato once orated: “Every heart sings a song, incomplete, until another heart whispers back. PBS defines the the Harlem Renaissance a “Cultural, social, and artistic explosion that took place in Harlem between the end of World War I and the middle of the 1930s. During this period Harlem was a cultural center, drawing black writers, artists, musicians, photographers, poets, and scholars.” Those who wish to sing always find a song. At the touch of a lover, everyone becomes a poet.”Authors such as Langston Hughes, Lucille Clifton, and Colleen McElroy explore their cultural heritage through hard-hitting poetry.

The 1920s and 1930s were the years of the Jazz Age and the Harlem Renaissance. This period of the Roaring Twenties is said to have begun around the end of the war and lasted well until the Great Depression. Partially due to the migration of more and more African Americans into the north of the United States, the national literature, arts and music movement developed into something, until then, completely new and literary modernism spread further (Perkins and Perkins 212). The 1920s were a time of immense change, with women becoming eligible to vote, alcoholic beverages become prohibited to sell, and later on the crash of the stock market (Perkins and Perkins). With modernism and the invention of new things like the television, Americans