The Never-Ending Journey of the Sisyphean Hero in "The Big Sleep" by Raymond Chandler

One of Washington Irving’s short and most famous stories ‘The Legend of Sleepy Hollow’ has become a ghoulish characteristic yet an individual might still be unaccustomed with its idiocy (Hoffman, 425). Based on the real legend of Ichabod Crane, the story reveals how he disappeared. For that reason, the story revolves around the themes of wealth, appearances, truth, warfare, supernatural, gluttony and greed. On the other hand, 'The Tell-Tale Heart ' is a short story that has been written by Edgar Allen Poe. Within the story, Poe reveals two major themes of madness and guilt whereby the narrator unable to deal with his guilt making him confess everything to the police

The author of The Big Sleep wrote this novel to expose the immortality and degeneracy of American society. Throughout the novel, everyone seems to have been corrupted in one way or another; even the police and media seem to be corrupt since the police can be bribed and the newspaper hide the truth and make up their own version of the story. The author shows the dishonesty of the media when Marlowe states, “It was a nice write-up. It gave the impression that Geiger had been killed the night before, that Brody had been killed about an hour later, and that Captain Cronjager had solved both murders while lighting a cigarette. The suicide of Taylor made Page One of Section II (Chandler, page 118-119).” This statement tells the reader that the media has kept many details from the public. Even Marlowe is depicted as slightly corrupt when he kept important details and events from the law. The novel is

During the dawn of the Second World War, a new era began for women across America. As men departed to fight the war, women were left to fill their void in the workplace. Familiar role models such as “Rosie the Riveter” radiated strength and know-how traits historically emphasized only in men. As woman’s role in society broadened, new visions of attractiveness developed to accommodate this unprecedented aspect of femininity. Raymond Chandler’s portrayal of women in The Big Sleep (1939) highlights these changes in social construction of female sexuality and appeal in the setting of a male dominated society.

The author skillfully uses literary techniques to convey his purpose of giving life to a man on an extraordinary path that led to his eventual demise and truthfully telling the somber story of Christopher McCandless. Krakauer enhances the story by using irony to establish Chris’s unique personality. The author also uses Characterization the give details about Chris’s lifestyle and his choices that affect his journey. Another literary element Krakauer uses is theme. The many themes in the story attract a diverse audience. Krakauer’s telling is world famous for being the truest, and most heart-felt account of Christopher McCandless’s life. The use of literary techniques including irony, characterization and theme help convey the authors

In the books The Big Sleep and Sir Gawain and the Green Knight, both authors, Raymond Chandler (The Big Sleep) and Simon Armitage (Sir Gawain and the Green Knight), create the protagonist of each story into archetypal knights. The protagonist of The Big Sleep is named Phillip Marlowe and in Sir Gawain and the Green Knight the protagonist is named Sir Gawain. The 3 knightly qualities that we will be focusing on in this essay are self-sacrifice, loyalty and courage. These qualities are displayed throughout each story in different and similar ways throughout each book.

Have you ever wondered if the ordeals you went through could become a “rite of passage?” These ordeals could be a big event that could change a person’s entire foundation, such as marriage, or it can be something small, like being inspired to cook because of feedback. The novella, “The Body” written by Gordie Lachance, elaborates about the author’s childhood where he and his friends went through an ordeal that is a rite of passage. This ordeal was considered a journey for the boys as they believed in the frame and glory once they found the corpse of Ray Browser, a young boy around the same age as the author and his friends. The journey started out as an easygoing adventure, a playful type that could be considered as an innocent boy running in the park playing tag with his buddies. However, the journey changes into a more “serious business” for the author and his friends have to face many circumstances where it becomes flight-or-fight situations. In the novella, Gordie reveals many insights into the characteristics of his friends and himself

The story McCandless’s lifestyle persuades society to examine and observe the world from a different person’s perspective. It is believed in Krakauer’s novel that McCandless alienated himself from society because he was upset to learn that his father was a bigamist and others believed that he went to find himself through exploration. His journey teaches the larger picture of life such as living life in a way that makes you happy- a message shown in journals written by McCandless. Although he knew he was in danger he made no attempt to receive help and his journal entries portray no evidence that

By all means, death can take on many forms, illness can take the lives of millions, and wars can take the lives of thousands, however, murder is an intimate and decisive choice. While the psychosis of hundreds of killers have been examined, there is not a singular bond that will group them together conclusively. Comparing both murders, Montresor, in The Cask of Amontillado, written by Edgar Allan Poe and The Misfit, in A Good Man is Hard to Find, written by Flannery O’Connor, will shed light on each their motives. In both stories, conflict and vantage points are used to give the reader a different encounter with the murders; however, the themes in each story have significant differences. To explore these differences will allow readers to have a clear understanding of the true morals of the stories; and how life, as well as death, can be viewed.

Every day, people are forced into positions they do not want to be in. Christopher McCandless, the protagonist of Jon Krakauer’s non-fiction book Into the Wild, and Gregor Samsa, the protagonist in Franz Kafka’s fictional novel The Metamorphosis, are perfect examples of people who are unhappy with their current lives. Both men are tired of their mundane existences. On the surface, the men seem to have a lot in common, including their subpar familial situations and their discontentedness with their current existences. Both stories unfortunately also end in misery that eventually leads to death. Despite McCandless’s and Samsa’s similarities, the men are actually very different. It is much easier to relate and gain insight into McCandless’s world than it is into Samsa’s world, largely because of their differences.

This essay will discuss the themes in Poe’s writing that mirror his personal life and, in addition, the fear and supernatural motivators for his characters. First, I will discuss Poe’s background and explore how he became best known as a poet for his tales of mystery and macabre.

In Raymond Chandler’s novel The Big Sleep, a private detective is trying to unravel a blackmailing case for a dying millionaire, General Sternwood. Philip Marlowe, the detective, finds that the case not only involves blackmail, but also homicide. Set and written in 1930’s America, the economic devastation of the Great Depression has a significant influence on the book’s plot, and showcases character’s struggle to retain honor and virtue in a world that revolves around profit-seeking delinquency and organized corruption. Marlowe’s work as a private detective brings him face to face with criminals of every variety, and each corresponds to a piece on the chessboard that appears repeatedly in the story. Marlowe’s symbolic identity is the well-intentioned knight, who represents the shred of chivalry that remains in a society of pawns and crooked kings, and the chess game is his combat against crime in a period of national despondency.

Edgar Allan Poe’s short story “The Tell-Tale Heart” is an ingenious tale, that contains terrifyingly evocative details. In the “Tell-Tale Heart” there comes a man that committed an iniquitous crime, who constantly assures the readers that he is sane simultaneously, while proceeding to perpetrate homicide. Edgar Allan Poe applies supernatural that contains a reasonable explanation, dramatic irony, and the dangers that dwell inside a human, to reinforce the horror of the story and to uncover that humans cannot endure guilt and must eventually confess.

On this peaceful evening I stood staring a the sleeping bishop. I was holding a candlestick in my right hand. My brain was not working correctly this night. In my crazy mind I wanted to steal everything, but I know this is very wrong. My body reacted nervously and grabbed the silverware and took off. What had I just done? I dashed off as fast as I could.

As the United States became a flourishing nation in the 1800’s, American entertainment such as poetry and short stories began to unfold by up-and-coming writers. Among these artists of text, Edgar Allan Poe is without a doubt an incredibly prominent figure when discussing American literature. A celebrity after his critically acclaimed poem, “The Raven,” he was one of the earliest American authors to craft and perfect the short story. Furthermore, Poe is credited to contribute much to the horror and science-fiction genres, as well as being the inventor of the detective-fiction genre, as his novel The Murders in the Rue Morgue in 1841, predates the most famous character of the genre, Sherlock Holmes, in 1887 (Genesis: 1841). Under a constant struggle to make ends meet, he was among the first American authors to make a living strictly off his pieces of literature, which was not exactly a successful money-making career path (Graves). Which made matters even worse, several of his closest family members, relatives, and relationships all fell to tuberculosis, the final of which he attempted to take care of by himself, even though he was essentially penniless up to his mysterious death in 1849 (Hossick). With great success, however, it is important to analyze how this legendary writer came to be.

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.