The New Negro Movement, By Zora Neale Hurston

The Harlem Renaissance was “variously known as the New Negro movement, the New Negro Renaissance, and the Negro Renaissance, the movement emerged toward the end of World War I in 1918, blossomed in the mid- to late 1920s, and then withered in the mid-1930s. The Harlem Renaissance marked the first time mainstream publishers, critics took African American literature seriously, and that African American literature and arts attracted significant attention from the nation as a whole (1).”

The Harlem Renaissance was an event that started during World War One and lasted until the 1930’s. The Harlem Renaissance reshaped art, music, literature and theatre in the African American community. One debated during the Harlem Renaissance was whether folk art or high art best represented racial pride. Folk art best represents racial pride because it does not imitate other people’s art it shows the lives of everyday people, and people could relate to it.

The Harlem Renaissance was an intellectual and literary period of growth promoting a new African American cultural identity in the United States. The years of 1920 and 1990 and “were clear peak periods of African American cultural production.” During these years blacks were able to come together and form a united group that expressed a desire for enlightenment. “It is difficult not to recognize the signs that African Americans are in the midst of a cultural renaissance” (English 807). This renaissance allowed Blacks to have a uniform voice in a society based upon intellectual growth. The front-runners of this revival were extremely focused on cultural growth through means of intellect, literature, art and music. By using these means

After WWI, black people began to portray pride and respect for their race, sparking “The New Negro.” This revolutionary movement is more commonly known as the Harlem Renaissance- a social, cultural, and artistic explosion that took place Harlem, NY. Harlem became the cultural center and attracted many black writers, artists, musicians, photographers, poets, and scholars. Those from the South began to flee from its’ oppressive caste system to escape cruelty. The goal of this movement was to face all the hate they received by accomplishing their freaks and desires without anyone getting in their way.

History.com (2009) describes the Harlem Renaissance movement as “a literary, artistic, and intellectual movement that kindled a new black cultural identity.” The 1920s and 1930s emcompass a time in history where blacks found themselves ostracized from mainstream society. It was uncommon to see the expressions of black artistry in everyday life, especially on a literary level.

One of the many revolutionary eras in history was the Harlem renaissance. This was a sudden cultural revolution that was realized in the 1920s and it became popularly known as the “Harlem Renaissance” or “The New Negro movement”. This is a particular era that the African American people draw pride in. the era saw a cultural, social, music and art explosion of epic proportions This was aimed at shifting the stereotypical view of black people as uneducated, intellectually deprived farmers to one of a complex, organized and intellectually equal to the whites. The Harlem renaissance took place in 1920s thru 1930s. This era saw a phenomenon rise in famous black writers and marked the onset of blues, musical theatre, blues, dance and poetry. The new art caught on an appealed to the whites as well. Harlem became a cultural and literature center. The African Americans artists and writers were gaining recognition from the white. [2]

In the 1920s the expanding culture of African Americans was wildly represented by the Harlem Renaissance. It happened after the Great Migration, when they started to develop new styles of literature, art, and music (doc. 6,7). The 1920s were called the “Jazz Age” because musicians recombined blues, European- based music, and ragtime. The Harlem Renaissance changed the way African Americans were looked at by other people in the U.S. and how they lived. It did this by giving them the chance to overcome the things they had gone through in the past. The Harlem Renaissance also allowed them to express how they feeled and show their talents.

The Harlem Renaissance was different than I thought it was. I had imagined it was a time of African American’s gathering together in small groups and reading poems and writing stuff. When I began researching, the things that I found blew my mind. Seeing all of the big names of the Renaissance was cool because I have heard these names all my life, but never realized why those names were significant. Being a student in band, the name Louis Armstrong has been a name I have heard since 6th grade. Up until this project, I never knew the extent of the impact he made on the world of music.

The Harlem Renaissance was the name given to the cultural, social, and artistic explosion that took place in Harlem, New York between the conclusion of World War I and the middle of the 1930s. During this period, Harlem was a cultural center, drawing black writers, artists, musicians, photographers, poets, and scholars. Many had come from the South, fleeing its oppressive caste system in order to find a place where they could freely express their talents; this became known as The Great Migration. Among those artists whose works achieved recognition were Langston Hughes, Claude McKay, Countee Cullen, Arna Bontemps, Zora Neale Hurston, and Jean Toomer. The Renaissance involved racial pride, fueled in part by the violence of the "New Negro" demanding civil and political rights. The Renaissance incorporated jazz and the blues, attracting whites to Harlem speakeasies, where interracial couples danced. However, the Renaissance had little impact on breaking down the rigid barriers of Jim Crow that separated the races; while it may have contributed to a certain slackening of racial attitudes among young whites, perhaps its greatest impact was to reinforce race pride among blacks. The importance of the social movement we refer to as the Harlem Renaissance cannot afford to be overlooked. Like the musicians of their day, Harlem Renaissance poets advocated for an equal society, and incorporated personal anecdotes and historical snippets into their compositions to make the

The Harlem Renaissance, was part of the larger "New Negro" cultural and intelligent movement of the 1920s, remains one of the most studied and popular periods of American and African American literary and cultural history. It was also was a period between World War I and the Great Depression when black artists and writers flourished in the United States. Critics and historians have assigned varying dates to the movement 's beginning and end, but most tend to agree that by 1917 there were signs of increased cultural activity among black artists in the Harlem area of New York City and that by the mid-1930s the movement had lost much of its original vigor.

The Harlem Renaissance was a cultural, social, and artistic movement that took place in Harlem, New York. This mainly took place starting from the end of the First World War until the mid-1930s. Harlem, at this time, was the center of the African-American culture, and Harlem appealed lot of black artists, writers, scholars, musicians, poets, and photographers. Lots of these artists had fled from the South because they needed to get away from their oppressive caste system so that they could express themselves freely, and display their talents. The Harlem Renaissance was considered to be the “rebirth of African-American arts”. This movement mainly started around 1918 and ended during the mid-1930s. Some of the major writers during this time of the Harlem Renaissance were Langston Hughes, W.E.B. Du Bois, Countee Cullen, Zoe Neale Hurston, and Marcus Gravey. Lots of these themes that these writers wrote about are themes that to this day artists try to make a point of emphasis, including the American Dream, effects of racism on the black population, black identity, and human rights (Wormser).

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

The Harlem Renaissance was a time of reinvention and creation for the black citizens of America. Throughout this period in history, black Americans invented new dances, new music genres, new styles and trends. However, one of their most important contributions to this time period was that of their literary contributions which publicly spoke about political and personal issues that authors faced as black citizens. Gwendolyn Bennett, a poet and fiction writer, was one of the main contributors to this movement.

From the 1920’s to the mid 1930’s a literary, intellectual, and artistic movement occurred that kindled the African Americans a new cultural identity. This movement became known as the Harlem Renaissance, which is also known as the “New Negro Movement”. With this movement, African Americans sought out to challenge the “Negro” stereotype that they had received from others while developing innovation and great cultural activity. The Harlem Renaissance became an artistic explosion in the creative arts. Thus, many African Americans turned to writing, art, music, and theatrics to express their selves.

Harlem Renaissance, a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. Embracing literary, musical, theatrical, and visual arts, participants sought to reconceptualize “the Negro” apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other. They also sought to break free of Victorian moral values and bourgeois shame about aspects of their lives that might, as seen by whites, reinforce racist beliefs. Never dominated by a particular school of thought but rather characterized by intense debate, the movement laid the groundwork for all later African American literature and had