The North By Tayeb Salih

Nobody fully understands what drives people to undertake a mission, but it often causes people to take many risks. For example, Farah Ahmedi climbed a mountain on a prosthetic leg with a sick mother just to reach freedom. Rikki-Tikki fought for his life to save his family. John Steinbeck eavesdropped on people's conversations just to get material for his book. These stories show different people who had each set a goal for themselves. Ahmedi and Rikki-Tikki fought for their lives to survive and save their loved ones. While Steinbeck traveled to great lengths to write his book. Their goals may be different but they all had set a goal and they all eventually accomplished their goal.

The poem ‘Migrants by ‘Bruce Dawe ’should be included for the core text for journeying as it portrays journeying through the perceptions and experiences of a migrant group. This poem depicts feelings of ignorance and disrespectfulness encountered by the migrant group as they are treated with a lack of concern by people living in Australia.

In Larry Lankton’s text, “Beyond the Boundaries” we gradually enter an unknown world that is frightening yet filled with immense beauty for miles. Due to the copper mining industry, a gradual increase of working class men and their families start to migrate to the unknown world with unsteady emotion, yet hope for a prosperous new life. In “Beyond the Boundaries”, Lankton takes us on a journey on how the “world below” transformed the upper peninsula into a functional and accepted new part of the world.

Frantz Fanon was a Martinique-born, Afro-Caribbean psychiatrist, philosopher, revolutionary, and writer whose works are influential in the fields of post colonial studies, Marxism, and critical theory. He was born in 1925 and died in 1961. The quote above is from Fanon’s first book, Black Skin, White Masks (1952), originally titled as “An Essay for the Disalienation of Blacks.” Fanon, in this book is providing a prognosis about the lived experience of the black man. He is concerned with describing the place that is held by blacks in the mid 20th century and illustrates the issues of race and racism and to point the reader toward a better and free future for all men. The quote above shows how oppression gives rise to ways of being. Fanon’s experience and the background of the time period he was living in justifies his hostility when he argues that the black man is constantly trying, but never fully accomplishing, to be white and to integrate into the white man’s world. In this essay I will show the three phases Fanon goes through to reach this conclusion: to escape his blackness,

Racism is an issue that blacks face, and have faced throughout history directly and indirectly. Ralph Ellison has done a great job in demonstrating the effects of racism on individual identity through a black narrator. Throughout the story, Ellison provides several examples of what the narrator faced in trying to make his-self visible and acceptable in the white culture. Ellison engages the reader so deeply in the occurrences through the narrator’s agony, confusion, and ambiguity. In order to understand the narrators plight, and to see things through his eyes, it is important to understand that main characters of the story which contributes to his plight as well as the era in which the story takes place.

However, the narrator’s story takes a turn for the worse when the world ever so slowly and subtly becomes more harsh towards him and slowly makes him feel even more exiled, till finally, he feels completely cut off and invisible to society. As he began life as the “model” black citizen but was then thrusted into invisibility by the preconceived ideas of those around him and himself. Not to mention the narrator begins to feel

A lack of self-awareness tended the narrator’s life to seem frustrating and compelling to the reader. This lack often led him to offer generalizations about ““colored” people” without seeing them as human beings. He would often forget his own “colored” roots when doing so. He vacillated between intelligence and naivete, weak and strong will, identification with other African-Americans and a complete disavowal of them. He had a very difficult time making a decision for his life without hesitating and wondering if it would be the right one.

Richard Wright, wrote the fictional novel Native Son, using three intellectual forces, which include: Naturalism, Existentialism, and Communism. He uses these forces, along with racist ideology, to shape the life of a young black male, Bigger, living in the ‘Black Belt’ of Chicago in the 1940’s. Wright refers to the ‘Black Belt,’ as a ‘black world’ where violence is directed towards other American Americans, and warns that this violence will be aimed at white people. Bigger, is used to depict the criminal actions that come along with living in racial confinement under the fear of white people during this time.

A Thousand Splendid Suns by Khaled Hosseini is a beautiful tale of two women in Afghanistan during the Taliban uprising. They grow up on complete opposite sides of Afghan culture. The main character, Mariam, grows up in a more traditional way caused by her forced marriage to Rasheed. Laila on the other hand, grows up with a supportive father who encourages gender equality and education. There are many cultural differences such as, women’s rights, public executions, and the Taliban. The two main characters, Mariam and Laila, develop greatly throughout the novel. They push each other to be better and to stand up for equality. This plays into the themes of the novel. Women’s strength and loyalty are the two most important themes. They

Throughout world history women have been treated abysmally. Societies with male-dominance have abused and used women and continue to do so today. Women have been made vulnerable to a man due to the spread of cultural values and beliefs in society that condemn them from power. In Khaled Hosseini's novel A Thousand Splendid Suns, the two main characters Mariam and Laila develop an unconditional bond in which they become each others protectors. The immense inner strength of women from adversity has been exemplified through the growth of Mariam and Laila's contrasting relationship, the pain they endure from Rasheed which strengthens their bond and the courage within them that ultimately resolves their conflict.

A person’s heritage and cultural identity may be lost when moving to a new country where the culture is different and other cultures are not easily accepted. In the short story “Hindus”, Bharati Mukherjee uses setting, characters and the plot to discuss what it is like to lose your cultural identity while being a visible minority in America. Mukherjee uses the plot to describe the events that take place in the main characters life that lead her to realize how different the culture and life is in the America’s. She also uses the characters as a way of demonstrating how moving away from one’s culture and heritage can change a person’s perspective and ways of thinking. Mukerjee also uses setting in her story to identity the physical differences in culture between living in India and America. Alike the setting and characters, the plot helps describe the loss of culture with a sequence of events.

Khaled Hosseini presents the struggle Afghan women go through every day by discussing honour, marriage and the place of women in society in Afghanistan.

Plot summary: Amir flashbacks to when he was twelve years old in Afghanistan. He lives with his father, Baba, and has two servants, Ali and Hassan, who are also a father and son duo. The latter two are Hazaras, Afghan’s minority, and as such, are subjected to racial slurs and cruelty. Amir and Hassan are playing when Assef, Kamal, and

There is a recent form of prophetic interpretation known as Islamic End-Time Theory. This view was made popular from the book, Middle East Beast by Joel Richardson. The basic premise is that the last kingdom Daniel prophesied as the ten toes of the statue in chapter two and the fourth beast in chapter seven will be Islamic, and the Antichrist will be a Muslim and likely be seen by Muslims as the Mahdi.

Franz Fanon is one of the many profound voices of black identity during the 1950s. His work in the field of psychology features an unfathomed approach to critical theory, post-colonial studies and Marxism. In Black Skin White Masks, Fanon dives into the Negro psyche through understanding its origin. In studying this, Fanon comes to the argument that the dehumanizing process of colonization renders both Blacks and Whites crazy. In analyzing Africans, specifically, Fanon determines that the “Negro [is] enslaved by his inferiority [and] the white man enslaved by his superiority” and that is why they are both mentally unbalanced. It is this neurotic orientation through which Fanon discusses the process through which Africans become second-class French people. In discussing the Negro neurosis, Fanon begins with this statement: The Negro “becomes whiter as he renounces his blackness.”