In Lewis Carroll’s, Alice in Wonderland, traditional gender roles are reversed by portraying women with masculine behaviors and males with qualities generally attributed to women. Where aggressive and dominating behavior is seen as masculine, and sensitive and submissive acts are considered feminine, Carroll paints a picture of a society where these qualities are switched. For instance, the Queen of Hearts is a dominating and aggressive figure who terrorizes her meek husband. While some characters seem to possess qualities that Carroll's contemporaries would consider traditional, they are in the minority and they serve the purpose of teaching Alice something about the true meaning of gender. Alice has to navigate this bizarre world to discover
Some things about fairy tales we know to be true. They begin with "once upon a time." They end with "happily ever after." And somewhere in between the prince rescues the damsel in distress. Of course, this is not actually the case. Many fairytales omit these essential words. But few fairytales in the Western tradition indeed fail to have a beautiful, passive maiden rescued by a vibrant man, usually her superior in either social rank or in moral standing. Indeed, it is precisely the passivity of the women in fairy tales that has led so many progressive parents to wonder whether their children should be exposed to them. Can any girl ever really believe that she can grow up to be president or CEO or an
First sentence: “Once upon a time in a land not so far away, man created the idea that it was a woman’s job to conform to the ideologies generated in fairy tales.”
This tale shows the consequences of a childish dependence clung to for a long time. The princess trusts her mother who then sends her off to get married. Because she was protected as a child she did not develop autonomy. She was very dependent on her parents. Her dependence is then shifted to her maid who robs her of her title. The princess fears the maid and goes along with
His fervent and imperious ways were in instilled in her since birth. Knowing the princess’s nature, the king did not just “happen” to find out about their affair it was planned. The fact was obvious, her choice in men was not one of which her father would approve. The discovery was a perfect way to ride her of the youth. She had no future.
She did not leave her house; therefore, she did not have many friends to she could talk to or rely on to help her. She mainly socialized with her stepmother and stepsisters. Her stepmother enforced her gender role because she would order Cinderella to cook, clean and get her daughters ready. In addition, her stepsisters constantly reminded Cinderella that beauty was everything and they demonstrated this when they got ready to go out. Same sex siblings influence the younger sibling’s choices and actions a lot (Gender & Gender Identity). If they were not same sex siblings, Cinderella would have engaged in activities that are more masculine (Gender Role Development). She developed a female gender role because she had the stereotypical role in which a woman cooks, clean, sews, sings and obeys authority. This gravely affected her because she did not know a man’s characteristics since she was never around them. If Cinderella were around men more, she would have picked up on the things they do. Since the men at that time portrayed strength and chivalry, Cinderella might have been strong enough to fight back her stepmother. Gender roles carry on as the individual get older and they do the same chores outside their home; therefore, Cinderella is likely to display the same role at her husband’s house. This might result in a problem because the Prince has his own servant and Cinderella will have to adjust to commanding other
Children fairy tales are some of the first books we’re introduced to growing up. Typically, the princess is saved by the heroic prince and they lived “happily ever after”. Some may think our life should be like a fairy tales while others don’t. These tales created gender roles in which appeared to be very important. In the Grimm Brothers fairy tale, “Hansel and Gretel”, the parents leave the children in the forest to starve due to not having enough money to buy food in order to sustain life. The children later find a house deep in the woods where an old, evil witch lures them in and tried to eat Hansel and Gretel. They eventually kill the witch and find their way home to their father with no stepmother to be found as she has died while the children were away. In the fairy tale, “Hansel and Gretel” gender and feminist criticism are highlighted throughout the tale by defining characteristics, consequences from their actions, and societal roles and expectations that were both prominent in German history and modern society.
The Prince stereotypes the role of women being in need of a destined lover. He is the one that identifies Cinderella as the one in the dress, though excluding behavior, her appearance dazzles him for two nights at the ball. Most importantly, he’s not the hero of the fairytale, but readers can interpret the fairy godmother as the savior of Cinderella’s demise. The role of magic comes in part with the acceptance of achieving the imagery of an elegant woman, impressing the Prince who gains interest in her. The
Disney’s Cinderella demonstrates that, whatever the intention of its makers, modern day fairy tales function in our society as hidden instructions for morals and behaviors that we give children. On the surface, it seems to be a simple story about a young woman whose wishes come true. However, the story also reflects cultural expectations of women’s behaviors and goals and defines expectations of “goodness” for women. Power belongs to men in “Cinderella”, and it is depicted as a female ambition and goal. The storyline describes the rise of the submissive haracter to becoming a Princess; she is portrayed as a passive character who waits for the Prince to come for her. While waiting for her Prince Charming she also bears the mistreatment from her stepmother and stepsisters. While masculine power is taken for granted in the figure of the Prince, becoming his wife is the only way women have to share this power. The
The men in “Cinderella” also value women for their beauty. The prince has a ball for all the maidens in the land to find his future wife, which “amounts to a beauty contest” (Lieberman 386) for a new trophy wife. While some argue that Cinderella’s rebellion of going against her stepmother’s instructions of staying home shows that the story has feminist qualities, the prince weakens her achievement when he chooses her only because of her beauty as “girls win the prize if they are the fairest of them all” (Lieberman 385). Her need for independence is transformed into the prince’s need for a pretty wife, making her again an object in her family. Once integrated into the prince’s family, Cinderella goes from the maid of her family to the smiling porcelain doll next to the prince as the “first job of a fairy tale princess is to be beautiful” (Röhrich 110). This gives the impression that the only way
Remarkably throughout all of history, females have encountered the issue of oppression while any form of power is ripped away from them. The concept is plainly indicated within countless fairytales, much like Cinderella as it is narrated from the female perspective. When examining and using the feminist lens for the folk tale of Cinderella, numerous power relationships were clearly viewed. In other words, the relationships correspond with both gender, and how the individual is portrayed. At the beginning of the story’s context, the power connection between Cinderella and her step-mother is rather obvious. In addition, the constant power relationships among male and females within the general public greatly influences Cinderella. Therefore every
In well-known fairy tales the males and females characters are often portrayed in the same light. The male characters are often described as the hero with strong masculine traits while the female characters are portrayed as the damsel in distress. Throughout the years fairytales have been casting the same stereotypes for their characters. In the story Beauty and the Beast the author de beaumont depiction of what an ideal woman is lays in Beauty. She is meant to embody the role of a feminine, humble caretaker, lover, and savior. The author depicts males as provider’s, however, it is clear that the men in the story are dependent on a positive female figure for life. Beauty’s disappearance threatens both her father and beast with death, symbolizing
In Sleeping Beauty, the Prince is portrayed a strong and courageous person, he can be seen as a great character because he overcomes many obstacles to be able to help the Princess survive. Although Sleeping Beauty is a fairy tale and is stereotypically more admired by girls, the masculine tale might be liked by the male population because they aspire to be the male hero. Maleficent shows the feminine tale and warns the girls that not men cannot be trusted in some cases, and that there is no need to have a man by your side. A woman can survive on their own using her own intelligence and courage to overcome any obstacle that she might face. For the female population, this change is very important because this “hero” story helps us relate to the character and our desire to do great and special acts (Seger 387). This film proved that a woman is capable of defeating evil, and brings a new perspective into Disney
Cinderella in this film is portrayed as a sweet and innocent child who years to be loved after her father passes on leaving her in the care of a very evil stepmother. The character of the prince was very different then in the first film. In the other film we find that the prince has feelings and emotions, whereas in this film, he is portrayed as a very dedicated man who falls in love and becomes obsessed. The odd thing about his character is that he is not seen very much in the film, it focuses more on Cinderella, and her family and her attempts to go to the "ball". Also it focuses on the fact that the king is forcing his son to marry.
Once upon a time in a land not so far away, the society of man created the idea that it was a woman’s job to conform to the ideologies generated in fairy tales. From women depending on their prince charmings all the way to romanticized sexual abuse and lack of consent, stories like Cinderella and Snow White radiate sexism within an array of scenes of the stories and films. Not only does this affect the way that men view women, but it has had a relatively negative effect on the ways that many women view themselves. Many fairy tales have made their way into mainstream culture, and today many young girls and boys grow up hearing and seeing the subliminal messages in fairy tales. As more and more fairy tales make their way onto the big screen, it can be seen that all princesses seem to share a common feature other than their crowns and lack of self worth without a man by their side; their tiny waists. In recent years during the 21st century more and more people in the media have been calling out fairy tales for their anti-feminist attitudes with sexism, body standards as well as societal comments about women being dependent on men.