The Old Man And The Sea By Ernest Hemingway

In the book The Old Man and the Sea, Ernest Hemingway uses the flashback technique in order to characterize Santiago and develop key themes of the novel, such as Santiago’s connection with nature and what it means to be a hero. Hemingway employs several flashbacks as an effective technique that develops Santiago’s character as he recalls past occurrences in order to renew his strength of will. There are three flashbacks in particular that are critical to the development of this story. The first flashback describes a time when Santiago associated himself with the marlins. The second flashback occurs when Santiago arm-wrestled the town’s strongest

“He did not truly feel good because the pain from the cord across his back had almost passed pain and into dullness that he mistrusted.”(74) Once both the fish and Santiago had reached the breaking point of conflict the story seemed to slow down in time to exemplify the adverse conditions that both characters were suffering from. The old man proves himself worthy of personal suffering with the cuts and scars on his hands and back along with all of the pulling and slipping the cords had upon his fragile body. Hemmingway shows in a big way how an out of proportioned conflict with an old fisherman and an 18 foot long marlin helps to magnify the significance of Santiago searching for his rebirth to manhood. With constant abstraction describing the fish and the sea in relation to brotherhood create interesting questions for Santiago to ponder. His rationalization for his fishing is that he was born to do it. “A man can be destroyed but not defeated.” (103) Hemmingway proves that this fish represents all of Santiago’s built up tension to total the size of a gigantic marlin that is perceived as devastating but not unconquerable. The old man’s hopes and aspirations can overcome the adversity of the marlin’s size, along with the conditions of the old, hungry, and exhausted fisherman. Through outright suffering Santiago achieves a goal above his previous manhood by combating pain and

Even though he is an adolescent boy, Manolin loves spending time with Santiago. He loves to go out fishing with him but, his parents no longer will let him. The reason for this is because Santiago has not caught a fish for eighty-four days. As a result of this unfortunate occurrence, others deem Santiago the term salao, or the worst kind of unlucky. Knowing the struggle Santiago is facing, Manolin tries to help him in as many ways as possible. Manolin brings Santiago drinks, food and the newspaper so they can talk about baseball and the great Joe DiMaggio. In spending all this time with the old man, Manolin develops a form of respect for him. He comes to understand that despite the recent unlucky situations, Santiago remains hopeful as well as prideful. This is why Manolin looks up to the old man so much. “Santiago… I could go with you again. We have made some money. The old man had taught the boy to fish and the boy loved him” (Hemingway 10). Along with just loving Santiago for himself, Manolin also looks up to him because Santiago taught him how to fish. Manolin understands that he is a large part of Santiago’s life and feels honored and

Baca’s essay shows the reader how he grew as a person. Even though he had many obstacles his intention was to become a better person. The first steps he took towards growing as a person was by listening to someone read to him. Before long he was able to start reading books on his own. After succeeding in learning how to read, he accomplished his biggest goal yet, Baca was able to write. Thus, causing him to feel a sense of freedom and no longer anxious.

Ernest Hemingway is an American twentieth century novelist who served in World War I. During World War I, he served as an ambulance driver for the Italian army. He wrote the novel The Sun Also Rises in Paris in the 1920s. Hemingway argues that the Lost Generation suffered immensely after World War I because of severe problems with masculinity, alcohol, and love.

In the classic novel The Sun Also Rises, author Earnest Hemmingway carefully follows the lives of several Americans, impacted by times of World War I. The cohort of people highlighted in this time period is often referred to as the "Lost Generation." The war was commonly known as the Great War, and shaped the way people lived in that particular time period. Known for its fast times and lack of morals, the war set a new standards for the people of its time, and changed many people's beliefs in traditional values of love, morals, and religion. Throughout the novel, the results of the war affected the characters in every aspect of their lives.

When an old man named Santiago sets out to sea nothing seems to be biting that day until one afternoon, far away from shore. He feels a great tug on his line, and the struggle for dominance begins. The author shows us the old man's perseverance and strength, which becomes even more evident in his epic struggle to capture the titian of all fishes. Marlins grow but the one Santiago catches is colossal. The man respects the fish, and the fish respects the man, and together they fight for two whole days, until one can no longer go on. Santiago struggles for dominance for days while he tries to conquer and tame

In the novella, The Old Man and the Sea, Santiago is an unlucky fisherman who has not caught anything in 84 days.  Yet he sets out alone on the 85th day to try again.  For three days he struggles with a large marlin which he finally kills; but, despite his best efforts, he loses the fish to repeated shark attacks.

Here, Hemingway portrays the angler’s opinion of the fish and of his achievement once he catches it as great and glorious. The author utilizes the marlin to illustrate Santiago’s determination of apprehending the fish no matter what circumstances arise because of the gratification and increase in self-glorification that results from it. Without seizing the creature, the angler would have no proof of the encounter making him a laughingstock in his village. The people already doubt his abilities and think of him as someone too old to catch fish anymore. The marlin has the potential bring everything around in the angler’s favor.

His expertise in fishing proves that he has earned this trying experience with the Marlin. Santiago is not a man going against nature, but he is a part of nature himself, and accepts that every living thing will eventually die. The solitude, pain and brotherhood he holds for the sea and more specifically the Marlin, creates for a Christ-like comparison. Manolin, who looks up to the man, can be compared to a disciple of Christ. Through Manolin, Santiago’s wise knowledge of the sea will outlive him, and Manolin himself is willing to sacrifice his parent’s approval to be taught under

He is a fisherman, who has taught a young man named Manolin how to fish. Presently, he is older, poor, and loses faith in catching a fish. Based on the events he encounters and his battle with faith, he builds up a christ-like figure of himself. Initially, when Santiago tells himself. “I am not good for many turns.

The Old Man and the Sea was written by Ernest Hemingway and published in 1952. This is a captivating fiction story about a man named Santiago and his adventure when one day, he goes on a fishing journey to catch the big one. However, this adventure quickly becomes one of pain and suffering when things take a turn for the worse.

The nobility of character of the old man prevents him from feel hate and rancor toward the other fishermen. Despite the taunts of the other fishermen, Santiago is quiet and admits having a bad streak of luck. This makes him an honorable man, which avoids any conflict and is able to recognize his flaws as a fisherman. Although the sea has given him several bitter drinks, he is able to keeping on loving it. “A man is honest when he acts honestly, he is humble when he acts humbly, he loves when he is loving or being loved.” (Waldmeir 165). Perhaps, the crowning act of humility in Santiago is when he is forced to recognize that by his own forces he will not be enough to grab the fish, and decides to carry out prayers to the Almighty. At the end of the hunting of the big animal, Santiago does not become conceited. His simple and humble soul thanks with a prayer for the outcome of his effort. Although the fighting has been severe and bloody, the old man was not self-styled "hero”. Santiago humbly considers himself as one fisherman more, and the categorization as a hero depends on the readers. “It is the knowledge that a simple man is capable of such decency, dignity, and even heroism, and that his struggle can be seen in heroic terms, that largely distinguishes this book.” (Young 131). The evident relation between his humility and dignity helps to place Santiago as a perfect

Over and over again he is remarked to be a strange old man, and he himself is the one to glorify that. He seems to struggle with the fact that he must prove himself to the other fisherman who mock him and believe him to be a fallen hero. He sets off to sea in his boat one day, but what he does not know that it will be the three most tiring days of his life. He first catches a smaller fish and instead of turning back, he decides to go farther out into the ocean to see what he can catch with that fish. He soon is dragged all over and back by a shiny purple marlin, that is two feet longer than his skiff. The response to Santiago’s poor decision or lack of creativity to harpoon the marlin instead of try to kill it another was as to not attract mako sharks was confusing. He is shown to be a man of intelligence and greatness, yet his decision to kill the marlin in this manner knowing what could happen proves that he had a distinct motive for harpooning the fish. By the words of Gery Brenner, “that motive is self validation-the need to prove himself”(Brenner 55). In the end, after the three day struggle, when Santiago returns to the dock, he is told by Manolin later that he was said to be lost at sea, and everyone was completely taken away by the length of the mangled carcass that he brought in. The take many get from Hemingway’s novel is

Many of Ernest Hemingway’s stories are either literally or figuratively based on his life experiences. The Old Man and the Sea is a novella written by the American author Ernest Hemingway in 1951 in Bimini, Bahamas, and published in 1952. It was the last major work by Hemingway that was published during his lifetime. Its writing was influenced by his life around him. This is shown through the way the novella is written and key events and parts within it. The Old Man and the Sea can be interpreted as an allegory of Hemingway’s life and career at the time he wrote it.