The Old Man and the Sea by Ernest Hemingway Essay

     Hemingway's view of human nature was that happiness was rare and was found within a man and not in his outside circumstances or surroundings.  Hemingway illustrates this in three ways.  First, he portrays the human nature of Santiago, the main character, as being one of humility and compassion, full of strength and pride.  He is shown not as a gleefully happy man, but one who meets life with a serene, quiet resilience.  Second, Santiago's fellow villagers are shown as shallow and materialistic, with a narrow view of life compared to his.  Their focus on appearances is in sharp contrast to Santiago's focus on intrinsic values.  Third, it will be shown that his rare

In the book The Old Man and the Sea, Ernest Hemingway uses the flashback technique in order to characterize Santiago and develop key themes of the novel, such as Santiago’s connection with nature and what it means to be a hero. Hemingway employs several flashbacks as an effective technique that develops Santiago’s character as he recalls past occurrences in order to renew his strength of will. There are three flashbacks in particular that are critical to the development of this story. The first flashback describes a time when Santiago associated himself with the marlins. The second flashback occurs when Santiago arm-wrestled the town’s strongest

“He did not truly feel good because the pain from the cord across his back had almost passed pain and into dullness that he mistrusted.”(74) Once both the fish and Santiago had reached the breaking point of conflict the story seemed to slow down in time to exemplify the adverse conditions that both characters were suffering from. The old man proves himself worthy of personal suffering with the cuts and scars on his hands and back along with all of the pulling and slipping the cords had upon his fragile body. Hemmingway shows in a big way how an out of proportioned conflict with an old fisherman and an 18 foot long marlin helps to magnify the significance of Santiago searching for his rebirth to manhood. With constant abstraction describing the fish and the sea in relation to brotherhood create interesting questions for Santiago to ponder. His rationalization for his fishing is that he was born to do it. “A man can be destroyed but not defeated.” (103) Hemmingway proves that this fish represents all of Santiago’s built up tension to total the size of a gigantic marlin that is perceived as devastating but not unconquerable. The old man’s hopes and aspirations can overcome the adversity of the marlin’s size, along with the conditions of the old, hungry, and exhausted fisherman. Through outright suffering Santiago achieves a goal above his previous manhood by combating pain and

Sometimes people have to do sacrifices, which appears in the rising action of the book. “‘Fish,’ he said, ‘I love you and respect you very much. But I will kill you dead before the day ends’” (Hemingway 54). Why did he have to kill it? Why couldn’t he hold on a little longer? Santiago sacrifices the fish for his self interest. In spite of the fact that he respects the fish, the old man’s determination reflects his belief that his purpose in life is to be a fisherman, and that comes first. As well, Santiago advises himself that he doesn't have Manolin, his beloved companion, with him and must battle against the fish by himself. It has been four struggling days of being pulled by the huge marlin, Santiago decided that that was enough. Even though

The Old Man and The Sea, is a tale of an old man named Santiago who is a fisherman. He hasn’t had any luck with fishing, resulting in the other town members viewing him as a lame old man. A boy who used to fish with him inspires to change up his usual fishing tactics resulting in him catching a great huge fish. After fighting the fish for a couple days in his tiny boat he ties it to the side, headed for shore. On the way in sharks eat his entire catch leaving a skeleton to show for his work. The reader can see a clear metaphor painted by Hemingway. The fish

‘I am a tired old man. But I have killed this fish which is my brother and now I must do the slave work’” (95). This relates to perseverance because Santiago has finally caught the fish he’s sought after for days. Most people would have been celebrating their victory, but not Santiago. Santiago surveys the situation and lays his head in his hands. He is tired and ill from his long battle. Santiago only takes a short break. He knows he still has much to do. Santiago now has to worry about bringing the fish home. He thought of the fish as an equal and can’t let his body go to waste. He has traveled at sea for a days and therefore has a long journey home ahead of him. He can’t stop until he makes it home. Finally, Santiago makes it home, “He unstepped the mast and furled the sail and tied it. Then he shouldered the mast and started to climb. It was then he knew the depth of his tiredness. He stopped for a moment and looked back and saw in the reflection from the street light the great tail of the fish standing up well behind the skiff’s stern. He saw the white naked line of his backbone and the dark mass of the head with the projecting bill and all the nakedness

succeed. He uses his hands and he uses his instincts to master the art of

In the novella, The Old Man and the Sea, Santiago is an unlucky fisherman who has not caught anything in 84 days.  Yet he sets out alone on the 85th day to try again.  For three days he struggles with a large marlin which he finally kills; but, despite his best efforts, he loses the fish to repeated shark attacks.

Ernest Hemingway's The Old Man and the Sea has engendered some lively debate in literary circles. Critics have concentrated on everything in the novella from the verity of Rigel's early evening appearance over Cuban skies in September (Weeks 192) to William Faulkner's judgment that Hemingway discovered God while writing The Old Man and the Sea (Bradford 158-62). Yet the most insightful commentary has gravitated invariably toward biblical, natural, and classical imagery in the novel. These images turn an otherwise simple fishing tale into a sublime narrative of human endurance. A reading that examines these images will serve to clarify the hidden significance in

“But man is not made for defeat," he said. "A man can be destroyed but not defeated. (Hemingway 103).” This quote, written by Ernest Hemingway in the short story The Old Man and the Sea, captures the theme perseverance in numerous ways. This quote describes when the old man Santiago was struck down physically, with the injuries of his hands and the pain of staying awake for a number of days. However, he mentally kept pushing forward, leading to his ultimate survival and his arrival home. Ernest Hemingway wanted the readers of this story to learn about the rewards of perseverance because of the hardship Santiago and the marlin had to endure, rather than themes such as luck, pride, and suffering.

     In the timeless novel The Old Man and the Sea, the hero is undoubtedly the old man, Santiago, whom us as readers become very acquainted with. Santiago is a hard-worker and perseveres through every problem nature brings to him. He is in the midst of a horrendous fishing drought, during which the townspeople laugh and ridicule him. Santiago just lets the criticism pass him by because he is confident that the fish of his lifetime is coming soon. In a sense, Santiago represents the ideas of honor and pride. He is also a hero to a young boy named Manolin who conveys the image that the old man is whom he would rather live

He tries to reel it in but he can't. Instead the fish is pulling the boat! He struggles and struggles with the fish for hours. After a while fatigue takes it's toll as his hands clamp up, and his back aches from the line tied around it. The fish surfaces and Santiago realizes that it is longer than the boat he is on! An unexpected jerk leaves a gash in his hand only to add to his pain. After a very long while Santiago shortens the line to harpoon it. He latches the fish to the side of the boat and begind to tow it back to shore triumphant. Then a mako shark approaches and takes a large bite out of the marlin. Santiago kills it with a harpoon. Only later did he realize that the sharks blood would attract more sharks. As more sharks approached Santiago fought with all his might to save his fish but there was too many sharks. By the time he got to shore, he had nothing more than a skeleton. Santiago collapses from exhaustion on the shore but is found by Manolin and calls for help. The community marveled at the size of the skeleton that is still attached to the boat. Manolin takes care of the old man and vows to return to him as an apprentice. Santiago finally gets the repect from his community.

The nobility of character of the old man prevents him from feel hate and rancor toward the other fishermen. Despite the taunts of the other fishermen, Santiago is quiet and admits having a bad streak of luck. This makes him an honorable man, which avoids any conflict and is able to recognize his flaws as a fisherman. Although the sea has given him several bitter drinks, he is able to keeping on loving it. “A man is honest when he acts honestly, he is humble when he acts humbly, he loves when he is loving or being loved.” (Waldmeir 165). Perhaps, the crowning act of humility in Santiago is when he is forced to recognize that by his own forces he will not be enough to grab the fish, and decides to carry out prayers to the Almighty. At the end of the hunting of the big animal, Santiago does not become conceited. His simple and humble soul thanks with a prayer for the outcome of his effort. Although the fighting has been severe and bloody, the old man was not self-styled "hero”. Santiago humbly considers himself as one fisherman more, and the categorization as a hero depends on the readers. “It is the knowledge that a simple man is capable of such decency, dignity, and even heroism, and that his struggle can be seen in heroic terms, that largely distinguishes this book.” (Young 131). The evident relation between his humility and dignity helps to place Santiago as a perfect

Over and over again he is remarked to be a strange old man, and he himself is the one to glorify that. He seems to struggle with the fact that he must prove himself to the other fisherman who mock him and believe him to be a fallen hero. He sets off to sea in his boat one day, but what he does not know that it will be the three most tiring days of his life. He first catches a smaller fish and instead of turning back, he decides to go farther out into the ocean to see what he can catch with that fish. He soon is dragged all over and back by a shiny purple marlin, that is two feet longer than his skiff. The response to Santiago’s poor decision or lack of creativity to harpoon the marlin instead of try to kill it another was as to not attract mako sharks was confusing. He is shown to be a man of intelligence and greatness, yet his decision to kill the marlin in this manner knowing what could happen proves that he had a distinct motive for harpooning the fish. By the words of Gery Brenner, “that motive is self validation-the need to prove himself”(Brenner 55). In the end, after the three day struggle, when Santiago returns to the dock, he is told by Manolin later that he was said to be lost at sea, and everyone was completely taken away by the length of the mangled carcass that he brought in. The take many get from Hemingway’s novel is

Many of Ernest Hemingway’s stories are either literally or figuratively based on his life experiences. The Old Man and the Sea is a novella written by the American author Ernest Hemingway in 1951 in Bimini, Bahamas, and published in 1952. It was the last major work by Hemingway that was published during his lifetime. Its writing was influenced by his life around him. This is shown through the way the novella is written and key events and parts within it. The Old Man and the Sea can be interpreted as an allegory of Hemingway’s life and career at the time he wrote it.