The Old Masters And The Racer By Amit Chaudhuri

“They wept together, for the things they now knew.”(104) The last sentence of the first story in Interpreter of Maladies, reveals the cruelty of the elapsed romance in a marriage. In the two collections, A Temporary Matter and The Third and Final Continent, Jhumpa Lahiri demonstrates that a marriage can be either uplifting or discouraging depends on the mindset held by the couple and the strength of human bonding. Lahiri emphasizes the significance of mindset and human bondings through the ending of the two stories. The endings of the two stories are polar opposite : In A Temporary Matter, Shukumar and Shobha weeps for the termination of their relationship; The Third and Final Continent, by contrast, the protagonist(MIT) enjoys a fairytale-like

The novel centers on the theme of social class, a key factor that separates the world of Amir from Hassan and tries to hinder their true friendship from blossoming. As what caste system suggests, those who are under the dominant and powerful party must adhere to rendering service to those in the upper class. True enough, in the novel, Hassan respects and admires upper-class Amir amid neighborhood bullies and intimidation which make them stick together through any hindrance. It is in their friendship that the concept of caste system is explicated.

Tara is a victim of social prejudices. She has all the qualities of an emerging new woman ready to defy age-old prejudices and compulsions. Her emergence as a new woman is reflected in her ability to take decision and assert her identity. The present study focuses on Mahesh Dattani’s concerns and perceptions of the problems arising out of clash of values, old and new, and it is an exploration of the dark secrets of human consciousness that creates tension and emotional turmoil in the present. Pressure of the past is the characteristic feature of Dattani's play. We find various revelations of past experience in this play, where each individual in his own way has to bear the burden of social values and their efforts to go beyond them, bring helplessness in their lives.

After our class viewing of the Age of Champions as well as reading the numerous articles including one by Rowe & Kahn, it is clear that there is a variety of ways people can view the term “aging successfully.” A variety of gerontologists have similarities and differences in their definition of the term, and this paper will compare some of the athletes from the film these definitions.

In the story, The Natural, certain characters and events are portrayed in a distinctive way that makes this story unique to other books and shows the typical writing style of the narrator. The author uses a repetitive writing technique that is impossible to overlook. The writer of this book is able to catch the reader’s eye with his concept of the importance of beautiful description. The Natural, by Bernard Malamud, uses great imagery that makes the story appealing.

He didn't admit to himself that he was gay until he was 18. He then

In the novel The Art of Racing in the Rain by Garth Stein, the majority of the twin’s actions are for Eve and Zoë’s benefit. Given that they are always trying to provide Eve and Zoë with the best of everything, secondly they take Eve and Zoë’s feelings into consideration while making decisions and ultimately they often put their pride aside and negotiate with whatever makes Zoë and Eve content.

Perhaps the most powerful, fluent, and forceful paper promoting liberal Christianity is indeed Harry Emerson Fosdick's 1922 sermon “Shall the Fundamentalists Win?”. Fosdick seemed as if he was a very captivating human being in history during his time of existence. He wrote one of the most engaging papers that I have yet to read thus this far. It was definitely a wise decision to go ahead and read the two articles discussing fundamentalism to catch me up so that I did not have trouble keeping up with Fosdick's movement that he established in his sermon. Initially, I believe that the arising church is, amongst other things, is a rectifying of liberalism for a postmodern age. And I'm convinced that the same claims made by Fosdick in 1922 are just what we hear form emergents today. There is nothing new that lies under the sun today. It is only natural that the specifics argued for by the modernists are not those of the postmodern emergents.

People experience different emotions that can drastically change within seconds and, cannot remain controlled. During the course of “The Most Dangerous Game”, “Scarlet Ibis” and “The Use of Force”, the author demonstrates how a person can change from calm and collected to an assailant. Sickness comes in many forms, both physical and mental. Together both can affect emotions, actions which those two then lead into flaws and faults being revealed. All humans have flaws and the authors are attempting to aid the reader in understanding flaws and that can be embraced or overpower a person. The narrators and characters of these stories have many flaws these faults which are both extremely subtle and obvious.

By using his prodigious skills as an American author, Hosseini captures a childhood relationship between two very different boys. In his influential New York Times Bestseller, Hosseini weaves the lines of a very delicate relationship between Amir and Hassan which eventually comes crashing down. In this relationship, Hassan serves his master, Amir, and, to Hassan's peril, the duo's entire relationship rests on the shoulders of the youthful Amir.

Amir had been around sadness and guilt all his life, a change in Amir’s environment would greatly influence a change as big as Amir’s character change. “All my life, I’d been around men. That night, I discovered the tenderness of a woman” (Hosseini 171). All of his life, Amir had been around guilt, sadness, death and hate. For once in his life, Amir had finally experienced true happiness and a change in environment.

People may speak out words in life that may affect themselves and other after losing someone that was significant, which can connect to Indian and Pakistani literature. All parts of a struggle coming back to a character facing the past being alone in life can create emotions overall. Readers must comprehend that people in society today can relate to Indian and Pakistani literature where one feels alone. A reader who looks at Indian and Pakistani literature can understand that people with struggles in India or Pakistan countries can go through a lot with their emotional past. For the most part, the significance of Indian and Pakistani literature is to make a reader acknowledge how going through a tough situation can cause circumstances that get emotional for a character's self and others around them. In today's society, people may associate to this literature to distinguish a relationship with people being alone through the countries India and

The story of Bhuli Pisima as the narrator illustrates is a subject that defies the charisma of power relations in any society that infect the sociopolitical practices surrounding the division-strategy. Selfless service and a deeply rooted sense of goodness make the narrator’s aunt, Bhuli Pisima, ever memorable to her. Bhuli pisima is her Pisi’s sister-in-law. A widow at an early age, Bhuli Pisima has wonder thirst. If she is eventually in a long distance train without a ticket and is asked to get off the train, she has no hesitation to spend the night on the platform. Wherever she goes, she builds a strong bond of humanity with the people around her. She uses to say, “People are so marvelous” (33; ch.6). Despite being directly affected by the violence of the riots, she never loses her faith in humanity. She often speaks about the philosophical

Through the story, Tagore is primarily concerned with criticism of social behaviour, which he condemns without didacticism but also without complacency. Women, in Tagore’s short stories is most often a living-dead, a known person whom society deprives of independence. At first subjected to her father, then to her husband, and at last to her son. They are caught in a conflict between the individual aspirations and social demands. They are torn between self- expression and social stigmas ( psychological and material ). In the story, the writer deals with a contrast between good and evil, innocence and experience, life and death. He blends in it the techniques of psycho-analysis and being unconscious—factors (forging a short span of death) to interpret her existence at social and personal levels. The author leads the audience to participate emotionally in the protagonist’s conflict with her own unconscious experience. He aims his audience to achieve a state of awareness, which implies both an intellectual perception of the wholeness of situations and more importantly emotionally behaviour of the turmoiled life.

The protagonists' quest for identity gets largely accentuated due to their frustrating experiences in the Indian patriarchal society. In her novels, the host of male characters — husbands, lovers, fathers and other relations — display different