The Omaha Beach Scene In Steven Spielberg's Saving Private Ryan

The rambunctious behavior of the soldier’s triumphant victory is a strong message visually for the viewer. These soldiers struggle to find their identity and once the war ends, the identity they’ve build at war vanishes, (McCutcheon, 2007). As a result, they essentially lose a part of them selves, (McCutcheon, 2007). When they return home, many soldiers struggle with psychological issues that prevent them from resuming their once regular lives, (McCutcheon, 2007). The images of soldiers celebrating at the end of war give the viewer a taste of this problem. This also allows the viewer insight to the deeper issues surrounding an American soldier’s mental stability and mentality. Through this image, along with many others throughout the film, the viewer is able to dig deeper and truly analyze what they are seeing.

gives us simple a wide view, so that we can see lot more scenes and

There is one scene where the three flag raisers entered a crowded stadium before a football game which typified how an image of war can be so different to the reality of war. The flash photography, the cheering, the roar of the crowd all went to John Bradley’s head and he had flash backs of the fighting on Iwo Jima and the genuine heroes that he had left behind. This scene contrasts what the reality of war, were all the men are dug in and fighting for there life, and the images of war. Ira Hayes says “I know it’s a good thing, raising the money and that, ‘cause we need it. But, I can’t take them calling me a hero. All I did was try not to get shot. Some of the things I saw done, things I did, they weren’t things to be proud of, you know?” Clint Eastwood shows continuously, through his characters physiology shows how one single photo can be so different what really makes up the battle of Iwo Jima. The aim was to get war bonds; the minds of the three main characters through Clint Eastwood’s directing showed a strong insight to how the reality of a war and an image of war can be so contrasting.

The beaches were indeed covered with bodies, and the water was red with the blood of the slaughtered soldiers. The recreation of this battle by Steven Spielberg has succeeded in bringing this war, this battle in particular, out of the history books and into larger than life color on America’s movie screens. Everyone I interviewed already knew of the terrible acts of the Germans during World War II, but hey had not, however, ever really been able to comprehend the degree of loss that many families experienced. They had also never really been able to picture the battles of the soldiers themselves in quite the detail that Saving Private Ryan provided them with. This is one movie that should not be negatively reviewed because of the degree of violence. Saving Private Ryan is about a horrible war, that took place because of a madman’s craziness, and this war was an ugly thing that happened very much like this movie portrayed it. The continuous gore is difficult to watch at times, but leaves the viewer with a greater appreciation of their nation’s military, and the sacrifice of the soldiers who serve willingly.

This is very important for the story because it is what keeps them strong and keeps them moving forward without giving up, it’s the image of them being able to grasp them emotionally and give them motivation to continue on til the end of the war, the visual of this can assist the audience and allow the viewer to be empathic to the POWs.

The elements of cinematography in the film include a low angle shot looking up at the farmer as he chops wood at the beginning of the scene. The shot is preceded by the infamous extreme long shot of the military convoy. The director uses close ups to capture emotions throughout the entire opening scene. Fear in the faces of the farmer’s daughters as they come face to face with the Jew Hunter. Fear in the face of the farmer when he prepares himself as the military convoy approaches. Close ups are used at the table when the confrontation looms; the camera zooms in when the farmer begins to crack under the

The director uses multiple camera shots to highlight the love during troublesome times and the emotions that are present. A wide shot is used when the audience watches Guido marching in front of the soldier shortly before his death. Guido does this as he is aware that his son is watching and still wants the experience of the camp to be a fun game and does not want Giosue to be afraid of what is happening. Close up shots are commonly used throughout the film to give more detail into the emotions that the characters are feeling. A

Saving Private Ryan is a theatrical masterpiece that incorporates many universal themes that almost all people can relate to. The movie follows a squad of U.S. soldiers as they battle through the trenches of World War II. Directed by the great Stephen Spielberg, the movie is claimed by many to be the most accurate presentation of war in any movie to date. The movie includes several themes that helps captivate the audience and truly help people understand just how horrible war is. The idea of losing loved ones frightens even the toughest of us, and being lost in a foreign land scares many others. Both of these themes are thoroughly explored and propelled onto the audience to experience. The extremely accurate depiction of war, the universal themes that everyone can relate to, and the film being a theatrical masterpiece are all reasons why everyone should watch Saving Private Ryan.

To convey the terrible truth that the Allies lost 10,000 men on June 6th, the director had to recreate the gruesome blood soaked waters and beaches and the piles of dead and dying soldiers. The scene when Miller’s men go rummaging through the huge pile of dog tags is surreal.

all which I think was a big mistake by the director. I did not feel

Since 1968, there have been at least 25 films made that portray the events of the Vietnam War. Historians have to ask themselves when watching these films, "Did the fictional character represent historical figures accurately? Is this how a soldier would react in this situation?" The point of view of the director of the film can change with simple alterations in camera angles. For example, a view from the ground of a battle seen can show how the innocent people had the war in their own backyards. The view from a helicopter can show Viet Cong firing rounds at American troops and the troops can't tell the difference between the innocent and the enemy. The audience feels empathy and sympathy for the person from whose point of view the

eyes when he picks up his helmet and puts it on his head and the

The first fascinating difference between this work and the majority of other war photography presents itself in a fairly obvious manner. The soldiers’ faces in “Into the Jaws of Death” are turned away from the photo so as to make them invisible to the audience. Instead, we see only the supplies on their backs and the camouflage on their uniforms. The effect of this lack of eye contact is that the audience cannot connect with the people in the photograph. The majority of other wartime photographs used iconic images of courageous and vibrant soldiers rushing fearlessly into the glory of battle or contained motivational quotes requesting support for the troops. “Into the Jaws Of Death” does neither of these, entirely on purpose. Because we as the audience do not have eye contact

In 1998, Spielberg came out with Saving Private Ryan, which captured war in gory and shocking detail as his soldiers stormed the beaches of Normandy. This again shows his willingness to deal with larger, more serious issues.

1. What is the true subject or the theme of the film, and What kind of statement, if any, does the film make about the subject? Which elements and which themes contributed most to addressing the theme of the film?