The Opening Line Of The Middle Of Things

This story’s general setting takes place in nineteenth century Russia. But, there are also many particular settings throughout this narrative that largely affect the characters and create many problems the narrator and Anna Sergeyevna have to face. In the beginning of the story Gurov and Anna find themselves taking vacations in the same city to get away from their other lives. But, when they have to part they realize how much they actually mean to each other. This can be seen in the following excerpt when Gurov realizes that Anna has not left his mind ever since they went home, “He would pace a long time about in his room, remembering it all and smiling; then his memories passed into dreams, and in his fancy the past was mingled with what was to come. Anna Sergeyevna did not visit him in his dreams, but followed him about everywhere like a shadow” (Chekhov 172). Therefore, the conflict that the setting creates is the distance between Gurov and

Tolstoy talks about a sort of scholarly emergency that he endured late in his life, and his recuperation from it. In spite of the fact that Tolstoy appreciated what might conventionally be viewed as a successful and agreeable life, he started feeling tormented by worries of unimportance. Specifically, he reports starting to question why he should think about things that he once thought about, or why he should do the things that he would choose to do. At last, he discovered it inconceivably hard to give answers to these inquiries. The outcome, he reports, is feeling as though his life were a doltish, pointless trap played someone has bestowed upon him. He felt as though every individual task he attempted, and also his life in its totality, were without importance.

In The Death of Ivan Ilych Leo Tolstoy conveys the psychological importance of the last, pivotal scene through the use of diction, symbolism, irony. As Ivan Ilych suffers through his last moments on earth, Tolstoy narrates this man's struggle to evolve and to ultimately realize his life was not perfect. Using symbols Tolstoy creates a vivid image pertaining to a topic few people can even start to comprehend- the reexamination of one's life while on the brink of death. In using symbols and irony Tolstoy vividly conveys the manner in which Ilych views death as darkness unto his last moments of life when he finally admits imperfection.

paced. This trait is important to Sergei’s character because it shows that Sergei’s character is

Gurov, dissatisfied with his monotonous life, goes to Anna because he needs the scandal to relieve a numbness that has taken effect, not because he loves her. She merely reciprocates his affection, not out of love, but to escape the entrapment she feels from her marriage. In a subtle climax during his return home to Moscow, Gurov feels the agonizing absence of anyone he can talk to meaningfully about the personal secrecies of his life, specifically Anna. This intolerable sensation sends him to “S—,“ to find her. Only when Gurov is standing outside Anna’s house does he actually relate to her situation and form some genuine connection. “Just opposite the house stretched a long grey fence adorned with nails…One would run away from a fence like that," thought Gurov, looking from the fence to the windows of the house and back again…He loathed the grey fence more and more, and by now he thought irritably that Anna Sergeyevna had forgotten him, and was perhaps already amusing herself with some one else, and that that was very natural in a young woman who had nothing to look at from morning till night but that confounded fence” (p.230). With Gurov’s realization, he actually escapes his fenced in world and partially enters her miserable one. In sharing a connection, their emotions and psychological needs start to blend together and they become entrapped by the same fence, where inside, the two of them are alone and vulnerable in a shared arena. This isolation

In Bisclavret, we see a prominent moment of fear. Bisclavret’s wife becomes afraid of him even because of his disappearance for three days at a time with no explanation on where he went and what became of him. Although, he was never violent towards her, his anger and unknown whereabouts made her fearful. Moreover, she feared that his disappearance meant she was losing him to another women. This distress is made known when the lady confronts her husband and asks him with hesitation about his whereabouts. Her husband gives an honest response and assures her that she has nothing to worry about. However, the wife has a lack of understanding and decides that she cannot “lie with him” anymore.

The library was the crown jewel of the house. It was at the center, and occupied both floors with a cherry wood spiral staircase connecting both the floors. It also had a great balcony off the second floor that overlooked the whole estate, and her parents hosted a multitude of social gatherings with “important, respectable people” whose names Essily couldn’t be bothered to remember. Every wall of the library was covered with bookshelves that were either filled with books, or various souvenirs her parents had acquired through the years, such as a large globe or a painting of some idyllic city. It was all lit by an enormous chandelier.Waiting at one of the tables in the center of the library was her tutor, Mr. Smith, and her

Along in with the author’s use of metaphors is the frequent use of imagery. In this reading, it is simple to envision the scenes as the different scenarios are explained and the audience can easily picture Staples in the places he is describing and also the people he comes across. Perhaps the most powerful and memorable imagery is provided in the author’s description of people’s different reactions and faces when they come into contact with him. Actions speak volumes and an immediate change of facial expression is possibly one of the

The characters of the story represent those in the revolution, and they each have key characteristics that each Russian leader or citizens possessed. The events that occur throughout the story correlate with each major event of Soviet history, such as the start of the revolution and the turning point of their societies. The allegory explains the importance of questioning authority and following people blindly. We, as independent thinkers, must always question and examine what others tell us, no matter what position they hold. This applies to both ancient and modern times. There will always be those ignorant to what goes on in society, and by questioning our surroundings, we can prevent corrupt leadership from

The room is as shabby as it is small--not a seemingly likely place for posing intellectual questions of great significance. But Dostoevsky is a writer fond of achieving great things with equally great economy. Just as he stretches a two-week period into a hefty novel, Dostoevsky makes a dingy student's apartment more important than a grand palace. Raskolnikov's room becomes a nexus for the story. It is there Raskolnikov cowers, broods and slips into depraved and fitful slumber. Almost all of the major characters in the book pay a visit to the room, and sometimes it even seems as if they are all stuffed into the tiny space at once. Yet the room is more than just a meeting place, more than a central location. It takes on a character of its own, illustrating Raskolnikov's mental turmoil, becoming an image of him to others and perhaps even doing much to induce or at least enforce his degenerate state.

The initial three passages are committed to setting the scene‐describing Myop ("...her dull darker hand...") and placing her in setting ("...her family's tenant farmer cabin...", "...the spring, where her family got drinking water..."). Compelling portrayal gives believability to the earth, and makes the later occasions all the additionally stunning: "Myop viewed the modest white air pockets disturb the thin dark size of soil and the dilute rose and slid away the stream."

The excerpt begins with a harsh tone about a woman she describes to be the cause of her separation with her lover. This portrays the simplicity and disorganization of the notebook entries which downright signifies the author’s unsystematic flow of thought. It triggers the readers’ attentions as the sentence presents confusion and

o This is highly improbable due to the fact that Raskolnikov has acted very strange on multiple occasions when the crime was brought up in conversation o Shows that he doesn’t want to bust Raskolnikov but let him come to terms with it himself 5. List contradicting behaviors apparent in Raskolnikov. • It is apparent from the first chapters of the novel that Raskolnikov is having an internal struggle. •

The peculiarity of the first two paragraphs is a wide usage of such stylistic devices, which author employed in order to create the tense atmosphere of a tragedy. The text under analysis is very emotive and causes the reader a sense of terror.

Throughout the plot of the book the motif of City versus Country has been ever present. This motif is characterized by the contrasting idea of morals, rebirth, facades, foreshadowing, and acceptance. These literary elements have developed and shaped the storyline into one of Leo Tolstoy’s many literary works.