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The Oriental And Gender Stereotype

Better Essays

indy Coronado
March 2, 15
HILD 7B
A10923676
TA: Josh Newton 1:00-1:50
The Oriental and Gender Stereotype
M.Butterfly, an opera by David Huang, is recognized as a reexamination of John Luther Long’s Madame Butterfly. During the beginning of the 20th century, Asian and Asian Americans were often perceived to a collective stereotype. Well-defined differences between the American Westerner and the Oriental are undermined in both of these readings as “the west” is seen as the more masculine region and “the east” as the more feminine. This clear yet distinct relationship also coincides with the differences between a woman and a man, which is challenged by David Huang. Male dominance and the preconceived idea of orientalism construct a generalized theme of power and stereotype. While Madame Butterfly constructs these stereotypes, M. Butterfly challenges patriarchy and orientalism by deconstructing these themes. However, despite these challenges, the same ideologies of western supremacy and feminist stereotypes are ultimately still present.
In Luther Long’s Madame Butterfly, gender stereotypes are formed as Pinkerton a Western patriarch is eager to overshadow and take control of Cio Cio San, a Japanese woman. This oriental fantasy causes him to take advantage of her, ultimately leading to a tragic ending. Cio Cio San is often ignored and disowned by Pinkerton. She often throws herself at him whenever he is around, begging for his attention and affection regardless of Pinkerton’s

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