indy Coronado
March 2, 15
HILD 7B
A10923676
TA: Josh Newton 1:00-1:50
The Oriental and Gender Stereotype
M.Butterfly, an opera by David Huang, is recognized as a reexamination of John Luther Long’s Madame Butterfly. During the beginning of the 20th century, Asian and Asian Americans were often perceived to a collective stereotype. Well-defined differences between the American Westerner and the Oriental are undermined in both of these readings as “the west” is seen as the more masculine region and “the east” as the more feminine. This clear yet distinct relationship also coincides with the differences between a woman and a man, which is challenged by David Huang. Male dominance and the preconceived idea of orientalism construct a generalized theme of power and stereotype. While Madame Butterfly constructs these stereotypes, M. Butterfly challenges patriarchy and orientalism by deconstructing these themes. However, despite these challenges, the same ideologies of western supremacy and feminist stereotypes are ultimately still present.
In Luther Long’s Madame Butterfly, gender stereotypes are formed as Pinkerton a Western patriarch is eager to overshadow and take control of Cio Cio San, a Japanese woman. This oriental fantasy causes him to take advantage of her, ultimately leading to a tragic ending. Cio Cio San is often ignored and disowned by Pinkerton. She often throws herself at him whenever he is around, begging for his attention and affection regardless of Pinkerton’s
Nevertheless, Asian-American stars are recognized extremely played prototypical roles offered to them – model minority, sexualized the female or masculine women. There is much argument within the Asian American community whether to consider Liu as a protagonist or a hateful. In playing highlighting sexuality roles such as Ling Woo on Ally McBeal, a role who is a ‘self-described “tramp” … simultaneously addicted to casual sex and uses sex to have her way with men’ (Goldsea.com 2008). Is she bolstering the sexploitation of Asian females, or is she an Asian image who plays her strong points? Moreover, there are already some problems in the critical writing as to whether Liu is to be considered an action star or an actor. Some argues that, in Charlie’s Angels
Who is stronger? The East or the West? Do the Oriental people truly succumb to the threats of the western white man? Based on the views of the non-oriental people, the Oriental people secretly want to get dominated by a stronger force, comparing them to a woman, or just simply calling their race feminine. The show M. Butterfly by David Henry Hwang is able to express different issues regarding the theory of Orientalism by hiding it amongst several conversations between characters. The play can be seen as highly political because of topics it chooses to discuss despite the fact that the lead character is a diplomat. Though somewhat unrelated; M. Butterfly can even have a certain Brecht-esque quality to it. Because it contains several
Western portrayals of Asian women in media have often been stereotypical, one-dimensional characters such as the submissive and docile Lotus Blossom, the strong and domineering, but deceitful Dragon Lady, or the Asian hooker who is used as nothing more than a mere prop for the male gaze (Kuo, Rachel). However, the Western audience has also been exposed to other portrayals of Asian women through another form of entertainment called anime. Anime, or Japanese animation, has many genres that are named according to the target audience it is made for. For shounen, meaning male adolescents, is largely about action-packed adventures and accomplishing a goal or defeating an enemy (Eisenbeis, Richard). The shounen genre, however, despite its target audience that is
For many years Asian people have been degraded, oversexualized and belittled due to their cultural differences and appearance. Asian women are often portrayed differently than their American counterpart as the submissive or seductive type in movies, shows and books. Asian men are seen as ‘unmanly’ compared to other men. In school, the Asian youth are held to a higher standard. Asian youth are being ingrained with the stereotypes and “fetishization” placed upon them by the media and western world.
Explicit yellowface is that it creates power imbalance between white and Asian/Americans. That it is okay for racial masquerading and playing yellowface, as well as adopting characteristics and behaviors.
The three main points are orientalism, the contribution of literature and influence of war have been the means that solidified the conceptualization of the term “China doll”. Asian women have and are continually being seen as delicate and sensualized figures in a much similar fashion to which the term China doll was coined from, and makes its way to entertain and appeal the long existing fetish for exoticness of Westernized society. The diversity of culture that to which Asians, particularly women of Asia belong to begins to shrink into a more generalized view and with little more to show for as sex symbols. This leads to the perversion of Asian culture in itself, as can be seen when one searches in the media for this stereotype.
We have all been stereotyped at a point of our lives because of the “groups” we were born into, like our gender or nationality. People identify Arabian Americans as terrorists because they are middle eastern. Others assume that all Mexicans came to America illegally. It is predetermined that girls can only become nurses, not doctors. We commonly categorize people into groups that society has a popular belief about. Society associates these individuals into groups we think we they should be in. We make judgements about someone, taking their identity away before even meeting them. It seems as though stereotypes are used so we can justify our racist behaviors and attitudes.
At last, Asian American are victims of cultural stereotypes. For example, it is told “that they practice martial arts”, “eat cats and dogs,” and “try to look European”.
In David Henry Hwang’s M. Butterfly exemplifies three keywords that have such a greater meaning: race, gender, and orientalism.
Last week, everyone with access to the Internet would have came across the BBC video featuring an ordinary interview that took an interesting turn. Professor Robert E. Kelly was live on air giving his analysis of the geopolitics of South and North Korea when his two children burst in unwittingly, interrupting the interview. This hilarious snafu blew up the internet, and became an instant viral sensation.
In China, many people would consider women who have not got married at age or pass 27-year-old as “left-over ladies”. The meaning behind “left-over” is that many people in Chinese society perceive single women who older than 27 are inferior to women who found partners before 27. Two of my female cousins are older than 27 years old now, and have encounters being called “left-over girl” many times, even though sometimes people say it as a joke. However, the term clearly contains a stereotype, which is “a belief about the personal attributes of a group of people. Stereotypes are sometimes overgeneralized, inaccurate, and resistant to new information (and sometimes accurate)” (Myers, 2013). The belief that these people have is intertwined with
Do you guys actually eat cats?” said Nick curiously. During my time in Vernon, I met some interesting people resulting in some interesting racist stories involving me being stereotyped. During grade 7 and early grade 8, being asian was hard to convince other people that I actually don’t fit these racist asian stereotypes, like being smart or nerdy. To deal with these stereotypes I always had to rely on my first impression. I would always try to make my first impression sports related, I would use my passion for volleyball to appear athletic to avoid fitting one of the common asian stereotypes. Mainly I always wanted to avoid asian stereotypes because they always made me feel uncomfortable and out of place because I was always surrounded by
A barrier to my personal engagement in culturally competent practice with Muslims is that I am still trying to figure out how to rationalize my negative thoughts and fears that I hold towards this group. In addition, I am still learning and growing personally in my cultural development. When still trying to learn and grow personally, being competent can be difficult, because I am not yet competent within myself. Before I can assist anyone else in attaining their personal values, beliefs, whether related to cultural ties or not, I need to be aware of my own values and beliefs that lie within my faith and cultural background; I need to become more culturally aware of myself. (Lum, 2011).
When the subject of eating disorders comes up it is mostly teenage girls or women that are put in the spotlight. People focus on the modeling and advertising industries by calling them out for the unhealthy image they create for young women, even though it is well known that most if not all their images are photoshopped. The implied message of most advertisements raising awareness for eating disorders is that women are the only one that suffer from them. Based on the visualization of two ads- one from dove encouraging women to love their bodies and the other from NEDA (National eating disorder association) for a helpline both the of ads help to reinforce the false belief, that women are the only ones that suffer from eating disorders. But one aspect that people tend to overlook and that has not come to public attention until just recently is the rising number of cases in men and adolescent boys
How women are perceived by others, and how women perceive themselves, impacts their leadership roles in the work place. Stereotypes and gender biases are themes women have been dealing with for centuries. How women are perceived by social medial and television have been influencing how they are treated by men, and how they view themselves when it comes to taking a leadership role in their organization. According to Omega Institute (2012), “The rapidly shifting landscape of new media and technology, including reality television and celebrity culture, continue to reinforce gender stereotypes” (p. 1). This leads to men still growing up viewing women as home makers versus bread winner. With more women entering leadership roles in the work place they lack the respect from men due to how these men have grown up to know the typical role of a man and woman. Men tend to feel belittled due to the gender stereotypes seen on television, and this leads to women struggling to succeed as a leader with the lack of support from their male counterparts. Lack of confidence with women in the workplace is also influenced and effected by how women are perceived in social media and television. According to Steele (2005), “Exposure to stereotypic commercials persuade women to avoid leadership roles” (p. 276). As young women grow up seeing the typical gender stereotypes they lack ambitions to break the mold and