The Outcasts Of Poker Flat Character Analysis

Sykes’s physical cruelty and unfaithfulness go together, and are apparent not only to the one’s involved, but outsiders as well. A group of village men sitting on a

In ‘’The Possibility of Evil’’, Miss Adela Strangeworth is depicted as a villain. Miss Strangeworth in fact is similar to a rose, a rose is a simple flower that looks angelic but has thorns that can prick someone and cause harm. Miss Strangeworth gives the illusion of a 71 year-old lady that can cause no harm and has a heart of gold that cares and worries for everyone. But behind the pretty picture, is a villainous woman who is controlling, bullies the other townspeople, and is jealous of others success.

Mrs. Wright eventually deteriorated just has her environment, her rocking chair, and the canary. In “Jury of Her Peers” Minnie Wright’s situation illustrates many women of the world. In the story and in our society many woman are stereotyped in the marriage to complete all home duties and take of care the children while consumed in pleasing their husband. While doing so we lose ourselves. While reading the store I also realized how blessed I am to be symbolized as a modern

Mrs. May views Mrs. Greenleaf, the wife of her hand around the farm, as one of the lowest members of society. Mrs. May not only sees her as less of a woman than she is, but is resentful of the manner in which she lives her life. From Mrs. May’s first introduction to the woman of the Greenleaf family, when Mrs. Greenleaf and her five daughters pulled up to her farm in a “pieced-together truck” (26), she has resented the mangy manner in that the Greenleaf woman, lead by Mrs. Greenleaf, live their life. Because they do not necessarily care about being the stately woman Mrs. May thinks they should be, Mrs. May views them as less than her and not as true woman. Further, Mrs. May has an incident when she runs into Mrs. Greenleaf observing her religious practices in the woods. This involved Mrs. Greenleaf, after she cut out horrible stories from newspapers digging a hole in the woods, burying them and falling to the group and moaning for an hour or so. Mrs. May describes the experience as Mrs. Greenleaf, “moving her huge arms back and

In Jane Austen’s Pride and Prejudice, there are many peculiar characters that readers are introduced to. Lady Catherine De Bourgh is a supercilious character who constantly displays her pride and ego throughout the course of the novel. In the beginning of chapter 29, we meet Lady Catherine who doesn’t even remotely try to welcome her guests with kindness upon meeting them. Her pompous ways are evident in the line, “nor was her manner…to make her visitors forget their inferior rank” (Austen 139). Through this quite the reader sees the way Lady Catherine draws a line between her class and the class of her guests who are not as wealthy as her. Lady Catherine is a very opinionated character who

The third conflict in the story is between lustful women and innocent women. The Duchess, who represents the lustful woman, and Piney, who represents the innocent woman, are found dead in each other's arms at the end of the story. Harte writes, “when pitying fingers brushed the snow from their wan faces, you could scarcely have told them from the equal peace that dwelt upon them” (8). This event is extremely hypocritical in that a prostitute and a virginal woman, who would not typically be associated with each other, cannot be told apart from one another. This exposes the truth about death; that all are equal.

Fitting with the common theme between the two novels of the judgment of others, each heroine falls victim to a horrible misjudgment of the character of another. After discovering that the engagement between her brother and her friend Isabella has been broken, Catherine finds she has grossly misjudged her friend’s character, and thinks, “She was ashamed of Isabella, ashamed of ever having loved her” (Northanger 150). Elizabeth, on the other hand, finds her attachment the Wickham wholly inappropriate after receiving her letter from Mr. Darcy. After digesting the shocking contents of the letter, Elizabeth “grew absolutely ashamed of herself.—Of neither Darcy nor Wickham could she think, without feeling that she had been blind, partial, prejudiced, absurd” (Pride 156). And indeed, as suggested by Elizabeth’s mention of Darcy, this misjudgment goes on to affect each girl’s attachment to her future husband.

Mark Twain's story, "The Notorious Jumping Frog of Calaveras County," and Bret Harte's short story, “The Outcasts of Poker Flat” is both works in the Western genre and portrays culture in the West. However, both stories being similar in setting, the two stories are still very different.

Total Opposites In the short story "The Outcasts of Poker Flat" by Bret Harte, the author uses characters in the story that have very similar characteristics, except for one, "Uncle Billy." John Oakhurst is a big time gambler in Poker Flat. He took large sums of money from many people in town. The residents of Poker Flat were very upset with him always winning bets and all of their money. Out of all the people that are banned from Poker Flat, Oakhurst possesses the best qualities out of the group. The people of the town were attempting to clean up Poker Flat, but they really only rid themselves of one thief and three good hearted people that had some bad breaks. The other people that were forced to leave were "The Duchess" and "Mother

Intro - In The Outcasts of Poker Flat, Bret Harte creates John Oakhurst to be morally ambiguous to express that one should not judge others at first glance.

There are three women in Chaucer’s Canterbury Tales, the prioress, the wife of Bath and the prostitute in the Shipman’s Tale. The prioress and the wife of Bath are the only ones of the three that have a fully developed part of the overall work. They are equal to the male characterizations; the prostitute is only minor player. Women are rarely mentioned in the other pilgrim’s tales. The wife of Bath and the Prioress are examples of strong medieval women. As Chaucer depicts them, they are a departure from the typical sinful daughters of Eve with the exception of the prostitute. The wife Dame Alisoun, and the prioress are both pious, successful females but they are still under the domain of men. Chaucer’s women are still part of the patriarchal world of the late middle ages.

Hence, Austen’s protagonist Catherine Morland, is not the typical gothic heroine, she is an ordinary, gullible, and naïve young girl. However, stereotypically, to the gothic novels she reads, Catherine becomes absorbed with the metonymical language, and hackneyed fantasised events portrayed in this gothic fiction. Thus, Catherine’s ingenuousness disposition makes it difficult for her to differentiate between the fictitious gothic world, and real life-reality. Ultimately, she misunderstands situations, confuses friendships, and fails to distinguish between manipulative and genuine

When she sees that it is her friend Charlotte in this heart breaking situation, she says: “gracious heaven is this possible? And bursting into tears, she reclined the burning head of Charlotte on her own bosom; and folding her arms about her, wept over in silence” [125]. In this passage, Mrs. Beauchamp proves how sentimental and good she could be because not only does she have a sick child at home, but she finds the time to actually care about others and because she actually cries for Charlotte, a person who is not even her relative. She is a sentimental person because she is the only one that in the beginning offered Charlotte her friendship and because thanks to her, Charlotte’s father is able to see Charlotte one last time and forgive her. In many cases, this might be confused with weakness but it is not weakness. It is the ability to feel others pain as your own, it is the ability to care for others as you would your own relative; it is being a moral person and only through the act of sensibility can this be shown. In a situation like this, an immoral person might have only thought about their own problems and not the problems of others.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.