The Outsider – Albert Camus
Albert Camus presents ideas of identity and the human condition in his classic novel The Outsider, through his exploration of gender and cultural representations as well as an insight into absurdum and existentialism. These concepts of identity and the human condition reflect on the society in which the novella has been set, demonstrating how women, those of other cultures and those who are considered to be different are represented. The novella tells a recollection of events of a young man named Meursault, emotionally detached from a society where he refuses to conform to society’s conventions and in turn a refusal to ‘play the game’. The novella begins with the death of Meursault’s mother and ends with his
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The culture references in the novella show how culture is represented in society. Those in control leave the culture that is not in control isolated and divided.
Death plays a major role in the novella The Outsider. The story both begins and concludes with a death, creating the idea that death is all a part of the human condition; we all die in the end, which reveals Camus’ own ideologies of absurdism. Death is explored through the structure of the novella, through the parallels between the death of Meursault’s mother in the beginning and the lead up to his execution in the end. When Meursault’s, he shows what most would consider an unusual reaction to the death of a love one and accepts it. He shows little emotion to the subject and demonstrates his understanding of death, it is part of our human condition and he has no control over it. ’It’s not my fault’ (page 9). Majority of this absurdist content is addressed as Meursault awaits his execution in his prison cell. Whilst sitting there one evening, his thoughts wonder to the memory of Marie, as he tried to reason why she hadn’t written to him. It crossed his mind that she may be ill or dead, and again like with his mother, feels no emotion towards the possible death of his girlfriend. ‘It was the natural order of things… I wasn’t interested in her anymore if she was dead’ (page 110). Meursault sees life as
“I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation (Martin Luther King).” “GETTYSBURG ADDRESS” (19 NOVEMBER 1863) [1] Fourscore and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal ( Abraham Lincoln).” “We meet at a time of tension between the United States and Muslims around the world – tension rooted in historical forces that go beyond any current policy debate (Barack Obama).” All of these are the starting point of great changes. These famous historical figures are considered “Outsiders” The Term “Outsider” Literally means “One who does not belong to a particular group.” Perception is the main key in deciding if someone belongs when they are an outsider. If you look at it from one group they don’t belong and from another they do.
An outsider is defined as “a person who does not belong to a particular group.” In the book, The Outsiders, many of the characters can be described as being an outcast from the social society. Ponyboy, Johnny, and Cherry are outsiders in this novel because none of them really fit into the groups that they’re “supposed” to be in.
Everyone will die. Meursault’s awareness of death contributes to his nonchalant attitude toward every death he witness or must endure in The Stranger. Death fails to upset Meursault. In The Stranger, Albert Camus emphasizes mortality in order to expose the ignorance humanity has towards the inevitable or unknown end.
In Albert Camus novel, The Stranger (The Outsider), the main character Meursault displays a unique indifference to his surroundings and the world around him. It takes him a degree of time to come to terms with his indifference, but when he does he feels truly free from society's constricting bonds. He leads an apathetic lifestyle that is characterized by his constant lack of a definitive personality. Meursault wanders through life as if in a drunken stupor, living the life of a pleasure seeker. When he accepts his death he is relieved of the pressure of dealing with guilt and with relationships towards other people.
An outsider is someone who stands out from the crowd. They have their own beliefs, their own way or thinking. Standing out is often thought of in a negative way, but it can bring along many positive things. During the time period of Martin Luther King Jr., there were many protestors who began to stand up for themselves and their race. Even though many people did it, there were only a few people who started the movement, and those people, were outsiders. Two people who were outsiders from that time period were Jackie Robinson and Rosa Parks. They stood against normal beliefs and tried to change the way of life, which is what many outsiders do. An outsider is not simply someone who is misjudged or misunderstood.
I believe the Outsiders are representation sped up by the greasers like Ponyboy, Dally, Soda, and the others. They are extracted from others and are people that don’t fit in with the crowd. The factor is they are poor and are unnoticed unless they make trouble. These are boys who don’t care they smoke and act like a family. Unlike the other gangs this has no leader and have individual leaders. Like for these examples to use Outsider it needs to be defined. Outsider or an Outsider is a man or woman or group whom doesn’t fit with the rest of the crowd and ends up sticking out like a ball in a haystack it is extractable but easier than the needle. There are many ways to describe this like how in a crowd of people the Socials could spot Ponyboy
The Outsiders by S.E Hinton and The Clay Marble by Minfong Ho both center around the motif of being an outsider. The theme of both books is that you are never an outsider when you have friends and family. This is shown through the two main characters, Dara and Ponyboy. While they share similarities, the two are also vastly different.
The solitude of man with the innate endeavoring nature to incessantly find passion, be fruitful, and embrace the tangibles causes us to lose focus of the scornful end. The condemnation we find ourselves in subsequent to the impotent attempts to satiate our inexplicable questions, is the puncture to our ideal notion . The disenchantment the truth of our obscure being offered is masqueraded with the absurdity through which we seamlessly wander through this life. The irrefutable desire to numb the conscious is the bittersweet burden which we carry to suppress the abyss of disparity which we are floating amidst. Monsieur Meursault in Albert Camus’ The Stranger is the blaring anomaly. Fortifying himself through his indifferent nature and blunt honesty, Meursault is ostracized. Deemed with a psychosis he finds comfort in the unruly inescapable solace of life, death, which morphs into his gradual declination. The sun tracing his unusual circumstances, catalyzing his imminent reactions provides itself as the only paradigm to symbolize Meursault. The intricacies which unfold are reiterated by the Sun which juxtapose the indigenous contingency to find meaning. Meursault’s paradoxical compel and abhorrence to the sun highlights the idea that the what we choose to learn may not be abiding in beauty. Our choice in this duality sets forth the invitation to introspection offering its only absolute form through our own willingness. Meursault understanding himself is bonded to the sun
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as
“Things are rough all over.” (Hinton 35) Ponyboy Curtis says this in the book The Outsiders by S.E. Hinton. An outsider is someone who is different or doesn’t fit in in a certain way, which is why Hinton never emphasizes who the outsiders are; readers can interpret this book and the outsiders in their own way because Hinton proves that everyone is an outsider in their own manner. While it can be argued that every character is an outsider, the main outsiders in this book are Ponyboy Curtis, Johnny Cade, and Cherry Valance.
When people hear the word “outsider” it typically doesn’t reflect positivity and joy. Usually it is used to point out how different the other party is from the social norm or standard already set. There are numerous ways a person can be pegged as an outsider, either by the way they dress, their thoughts and their actions. These thoughts and actions can have negative outcomes in terms of social acceptance because of how strange these people seem or act compared to the ordinary. With this in mind Kafka’s work The Metamorphosis can be introduced. In this short story, Gregor Samsa, the main character, has undergone a change that makes him into an outcast. This metamorphosis is not by choice, but nonetheless it leads to negative reactions from those around him. Equally, the related video dealing not only with Kafka's work, but also with the idea of changing as a human being can also used to tie in the idea of being different from the crowd. In addition, my own experiences of feeling isolated and different show how being an outcast is not a foreign idea. Due to this it can be said that outsiders are simply people who are misjudged or misunderstood and to emphasize this The Metamorphosis can be used as the first source of support.
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not
In The Stranger, Albert Camus writes about a detached yet normal man, Meursault, who encounters unusual situations that evidently leads to his demise. From cover to cover, it was established by the author that Meursault had an unusual way of thinking and that he was continuously revealing his peculiar perspective on life and death. Throughout the novel, Meursault is reminded of death and continues to be judged by everyone in the society that he lives in, for instance, when he was put on trial for shooting an Arab man. Camus writes about the main character by describing his absurdist mindset. It is through the focus of funeral scene, however, that Camus is able to formulate the values of the character and the society in which they live in. This scene was able to reveal Meursault’s perspective on life as well as death.
Death is the only certainty everyone will die regardless of everything. The Stranger by Albert Camus relies on death to show the degradation of Meursault's , the main character , absurdist beliefs throughout the novel with a sudden revitalization at the end. Through Meursault’s encounters with death at different points in the novel the author Camus conveys to his readers how death or coming to accept death allows a person to accept their beliefs while living yet not accepting death causes people to contradict their beliefs. In the novel, Meursault experiences the funeral of his mother, trail for the murder of an arab, and himself being condemned to death thus these events in the novel allows to Camus expresses his message about death.