The Painted Dying Marriage Analysis

The Wife Of His Youth is a short story written by Charles Chesnutt in the late 1800’s. The story starts with the introduction to the Blue Veins society; A society where a small group of colored people formed up in the Northern City after the Civil War. Blue Veins society distinguished a person’s social standing but basically geared only toward those of light complexion where you could visibly see one’s Blue Veins. Mr. Ryder a handsome bachelor, and dean of the Blue Veins society is soon to end his bachelor status and marry Miss. Molly Dixon. That was soon to change when he is approached by a face of his past, the wife of his youth. Mr. Ryder a past apprentice during the Civil War was previously married to Liza Jane. Liza Jane spent 25 years in search of her love Sam Taylor or known now as Mr. Ryder. Late into the story Mr. Ryder throws a ball for the Blue Veins society in honor of Molly Dixon his “soon to be” wife. During the Blue Veins ball, Mr. Ryder reaches out to the crowd with hypothetical question about the wife of his youth; in regards to advice on what he should do. Mr.Ryder brings Liza Jane to the ball and introduces everyone in the crowd as the wife of his youth. This short story really makes one question the certain aspects of race.

Trauma and tragedy are inevitably regular and pervasive outcomes in romantic literature. Our literary heritage is filled with heartbreak, failed relationships and broken individuals. Wuthering Heights and Khaled Hosseini’s A Thousand Splendid Suns both exhibit broken relationships, through a backdrop of conflict in swar torn Afghanistan and the restrictions of Victorian social hierarchy played out on the wild and windswept North York Moors- destroying these implied impervious bonds.

Kate Chopin is an experienced short story writer from the beginning of the 1900s, who was ahead of her time due to her amazing ability to take such complex characters that are easy to identify with and create amazing short stories in such a small amount of space. Marriage is a common theme in her stories, because a "wife" was a defining role in women's lives back then. The only thing is, marriage is not always shown to be flowery and romantic like writings before her. She looked at the painfully real side of how marriage can be good and bad, notably in The Story of an Hour and The Storm. Kate Chopin's attitude towards marriage is primarily negative because it can become dull and it can repress women, yet at the same time her

These ideas are an interpretation of what society views as concepts of marriage. One of the things I found to be interesting in the above list was the absence of the word love.

When two people are tied together by their vows, it is each of their responsibility to fulfill the happiness of one another, and if one cannot then they should not expect the same in return. Sinclair Ross’s short story, “The Painted Door”, reveals the growing unhappiness of a farmer’s wife, Ann, who feels alone as her husband John leaves home to help his father in the harsh conditions of the storm. Ann seeks comfort and companionship with another man after 7 years of feeling neglected and unhappy with her husband. The responsibility for Ann’s infidelity, lays not only on Anne but John himself.

In the Victorian era, marriage was not as romanticized or fairytale-like as depicted in many novels of the time. On the contrary, love actually played a very minor role in the majority of matrimonies that took place. An engagement was entered into as one would approach a business deal, and there were some generally accepted rules and guidelines to follow.

The major movement regarding marriage in the eighteenth century was from church to state. Marital laws and customs, once administered and governed by the church, increasingly came to be controlled by legislators who passed many laws restricting the circumstances and legality of marriages. These restrictions tended to represent the interests of the wealthy and uphold patriarchal tradition. Backlash to these restrictions produced a number of undesirable practices, including promiscuity, wife-sale, and divorce.

The Other Wife is a short story written by Sidonie Gabrielle Colette. Colette is credited for challenging rigid attitudes and assumptions about gender roles. “The Other Wife” is about a French aristocrat and his second wife has a brief encounter with his ex-wife in a restaurant. The story’s point of view is 3rd person omniscient. An analysis of how France 20th century gender roles influence the multiple personalities of a husband, wife, and ex-wife.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sinclair Ross’s “The Painted Door” are both stories about women protagonists who feel emotionally isolated from their husbands, who both go by the name John. Ann in “The Painted the Door” and the wife whose name may or may not be Jane in “The Yellow Wallpaper” are women who deal with emotional isolation. Emotional isolation is a state of isolation where one may be in a relationship but still feel emotional separation. In these two stories, both women feel emotionally isolated from their husbands due to lack of communication. In both stories, lack of communication results from one individual failing to disclose their true feelings and instead he or she are beating around the bush, hoping the other party will know what they want. If both parties directly disclose their desires and feelings to one another, there would be a better understanding of each other which as a result would help save marriages. This paper will look at how both women lack communication, how they both their approach their emotional isolation differently, and how their failure to communicate to their husbands and their approach, results in the failure to save their marriage. “The Painted Door” and “The Yellow Wallpaper” are stories that show how both women protagonists are emotionally isolated due to their failure to communicate their feelings and desires to their husbands. Instead of direct communication to their husbands, the women find other

Love is defined as an intense feeling of deep affection. Although it is not as easily defined as some may make it. Every situation and the lessons we learn from those times, help to form what we believe love to be. For some it may be a physical attachment that others degrade to lust. For some it may be their reason for continuing on in life; but overall for most, love is what drives our lives. From childhood to adulthood we seek to find relationships that will fulfill our hearts and make our short time on Earth a little more enjoyable. However as well as any other activity we partake in, ways in which we perceive love and marriage have changed over time. Although there is slight variations, when most imagine the life of a married couple pure happiness is what is expected. As wonderful as that expectation may be, not every marriage fits into this ideal. The criteria of marriage used to be based off of what your partner can offer you. However as times have changed and gender roles have begun to disappear, marriage has now

As the story progresses, Perrault presents an example of the dire consequences that occur when a traditional woman shifts into a non-conformative one. Bluebeard's wife is shown as a imprudent, betraying her husbands trust by deliberately disobeying his orders. " She was so much pressed by her curiosity that, without considering that it was very uncivil for her to leave her company, she went down a little back staircase, and with such excessive haste that she nearly fell and broke her neck" (56). Because of her disobedience, she ends up discovering her husbands terrible secret- a room hiding the corpses of all his previous wives. Her curiosity is demonized as the cause of her misfortune. Bluebeard's marriage is an example of the traditional

Marriage, the central part of the lives of the main characters, is viewed in opposing ways through their actions. Susan's, Edgar's wife, description of what Edgar's love did for her involves the contrasting natural elements of snow and heat, also the elements of

Marriage has been a heated controversy for the past few years because people often marry for the wrong reasons. Anyone who thinks of an ideal marriage would think of two people loving each other and sharing a personal bond or goals together. Marriage is regularly defined as the legally or formally recognized union of two lovers as partners in a personal relationship. This definition remarks there is an actual connection between two people in marriage, but do people actually consider this when committing to “love” and “support” their partners forever? As research and studies have shown, people ultimately get married for many reasons, except love. This philosophy can be easily applied to the short poem, “Marriage” by Gregory Corso. In this emotional poem, the author argues marriage is more effectively understood or known for culture and convenience rather than through the abstract considerations of love. Here, we can identify people generally decide to marry for the incorrect reasons, for instance the story of the author himself. Corso finds himself confused multiple times, wondering if he should marry to not be lonely, for tradition and for his physical and mental health. He disregards love, a relationship or a connection with his future wife. General ways of convenience like loneliness, health and economic status between cultural stereotypes and religion are usually the true reasons of why people chose to have the commitment of marriage with another person.

Modern literature is known for questioning society and its various conventions. One question that these works often ask is, “What is real?” Some modern authors explore this question by placing their characters within self-constructed illusions that are later shattered by the introduction of reality. Marriages are frequently at the center of this theme, with one spouse crafting an illusory impression of the other. Modern literature demonstrates that a marriage built upon illusion will falter when exposed to reality.

The theme of the two stories revolves around the feminist issue of marriage. A common notion between the two short stories is that love is a failure and a mere comic when there is the failure to recognize the beloved as a person and not a mere convenience. The stories also deal with the 18th and the 19th century American life?declining in their spiritual and emotional lives.