The Palace Of Versailles As A Hunting Lodge

The film is not entirely based on the positive details about Louis XIV or Versailles, but also the terrible working conditions during the building of Versailles. According to the film, it was very dangerous to work on the construction of the palace. A lot of people died on the site. People were very upset about the working conditions.

Still, the negative aspects of France’s rule under King Louis XIV far outweigh the positive ones. His reign can best be described by the statement “L’état, c’est moi,” (I am the state) that is attributed to him. King Louis XIV spent state money to pay for his own luxuries and monuments that glorified his image. It was also customary for the artists King Louis XIV sponsored to include direct or indirect allusions to him in their productions thus creating a god-like image of him. The Palace of Versailles alone used 5% of France’s income. This liberal

Castles, palaces, and cathedrals are scattered across Europe. Each one possesses unique characteristics and architecture bearing resemblance of their time. Some castles incorporate Greek influence, roman or gothic influence in design. Other castles and palaces are surrounded by sculptures outside in the courtyard or include sculptures worshiped as an altarpiece. While any one of these things would serve to make an ordinary castle more elaborate there is one palace that possesses all of these: The Palace of Versailles in France. The Palace of Versailles has managed to incorporate classic architecture, exquisite sculptures, and amalgamated the old design with the newer design trends of the day.

Great elegance and refinement marked life in Japan and Europe's capitals. In Europe and Japan great castles were built marking the capital of each separate country. The royal families promoted the arts, medicine, and science. One of the most memorable of European castles lies just outside of Paris, France. The Palace of Versailles built by King Louis XIV in the seventeenth century. In Japan however, the funerals of the emperors and empresses was more memorable. Kofun Mounds were mounds of earth piled over their ruler's graves. The largest keyhole tomb measured 486m in length, 305m in width, and 33.6m in height. It was provided for Emperor Nintoku.

He built Versailles, a beautiful palace outside of Paris for his nobles. Lined with gardens and filled with fountains + opulent architecture + decorations Versailles was a veritable playground for the nobles. There were balls, fancy clothes + huge numbers of servants, and most of the nobles¡¯ incomes were spent on these luxuries. Thus, the status of the nobles was high and they were wealthy + lived an indulgent lifestyle, but they had no political power in the French government.

Another great piece of evidence supporting the statement that Louis XIV is the best example of an absolute monarch is his palace at Versailles. This palace was bigger than any other palace, more expensive, and better in just about everyway, except for being good for its country, France. The palace at Versailles was originally built as a small hunting lodge by Louis XIV’s father, Louis XIII in 1624. In 1669, Louis XIV decided to expand the palace, and moved into the palace in 1682 while parts of the building were still under construction. The palace was of monumental size, with a around 2,000 rooms, 15,000 acres of gardens and lawns and woods, and costing what would cost an estimated $2 billion in 1994, a extremely large sum of money for France. To run the fountains, it would cost so much money and use so much water that Louis’ workers would turn the fountains on when they saw him coming, and turn them off when he passed. The palace usually held about 7,000

Castle designs have changed over history. This is because of changes in technology over time. The first castles were simply 'mounds' of earth, and medieval castle designs improved on these basics - adding ditches in the Bailey design, which is the name given to the lay out of the castle.

The imperial palaces were built on a grand scale, sparing no expense to display the majesty and dignity of the imperial power of the time. Each successive emperor contributed grandeur to the structures, and today, these palaces stand for all to enjoy. Each imperial palace is a testament to the history and glory of Chinese culture. These glorious structures clearly demonstrate the creative essence and imperial traditions of the Chinese

Looking further we face the problem of space as such. It is something that is animated by the movements within it or the effect produced by operations of its orientation. If place is location then space is the dimensions of it, the position in which the palace was constructed. Space is more of a three dimensional term because it is determined by the operations which specify it. Considering this we still need to keep in mind that Louis XIV in his palace is immobile and a sovereign figure who beams eternity and unchangeability. This is where we understand the importance of the place related to the absolutism of the king. And while space is rather linked to an action or a process of history, place is the conclusion of the entire action. Simply put space is the largeness of the palace complex. It is what, after realizing the importance of the location, amazes the traveler.

Another thing that Louis changed was the appearance and way of life of France. These great towns of France went under a sort of "metamorphosis". The landscape was altered and monuments were built everywhere. Louis decided that he wanted to isolate the center of government from the city of Paris, so he constructed the palace of Versailles. It was an object of universal admiration and enhanced French prestige. It became Louis’ permanent address in 1682 and was also the home to thousands of the more important nobles, royal officials, and

The Treaty of Versailles was penned during the Paris Peace Conference, mainly to decide upon Germany’s consequences for beginning World War One. When Germany signed the treaty, it lost a tenth of its land to surrounding countries. Not only did they lose part of their country, but they also lost their overseas territories, including Chinese ports, Pacific Islands, and African colonies. One of the actual causes of the war was that Germany wanted ‘a place in the sun’, and requested

The reign of Louis XIV was the longest of the modern era, and during his time, France reached remarkable achievements in art and architecture, such as the Palace of Versailles. Louis XIV was responsible for creating the lavish complex that was filled with Baroque interiors and surrounded by French and English gardens. In its later years, it was further renovated for other kings then given to the Republic for public use. Through its elaborate ornamentation and massive scale, the Palace of Versailles represents the glory of the Sun King and expresses the power of the French monarchy.

The Interior of the Panthéon is really unique and creative. It is used to accommodate the remains of the great men of France. After that it was adjusted as a pantheon by architect Quatremère de Quincy and since

Louis proved willing to pay the price of being a strong ruler . He established a consci entious routine from which he seldom deviated, but he did not look upon his duties as drudgery since he judged his royal profession to be "grand, noble, and delightful." Eager for glory, Louis created a grand and majestic spec tacle at the court of Versailles (see Daily Life at the Court of Versailles later in the chapter). Consequently, Louis and his court came to set the standard for monar chies and aristocracies all over Europe. Less than fifty years after his death, the great French writer Voltaire used the title "Age of Louis XIV" to describe his history of Europe

The Louvre was not founded as a museum, and the road to attaining today’s program expanded across six centuries of monarchies, wars, treaties, and revolution. Dating far back to the 12th century as a fortress for King Phillip II, the Louvre laid foundations with protective walls, and underground crypts to function not as a gallery for the public, but rather a stronghold for the private. As the decades turned, the old Louvre acclimated to the needs of the monarchies, undergoing usage as both a stronghold and a retreat, but entirely defense-based nonetheless (Deitz). Two centuries passed when Charles V altered the program from a bulwark of protection, changing it into a residency. Here the program shifted towards a notion of more public structure. Several French kings after, Francis I decorated the bulky fortress with a French renaissance style, further changing the Louvre’s appearance and adapting the architecture to the art style of the time. This move would be seen again in I. M. Pei’s controversial addition. Under King Henry IV, the Louvre underwent reconstruction (Kostof). During the rise of Versailles, artisans resided within the Louvre’s halls, giving way to the notion of an art influenced program for the building