In “The Trouble with Wilderness,” William Cronon illustrates the paradox within the notion of wilderness, describing that if wilderness is that which lies beyond civilization -- beyond humankind, then so is the notion of nature outside the realm of the human... that humans are therefore, unnatural. Further, he explains that if our concept of nature (and ultimately our concept of God) is outside of humanity, then our existence is synonymous with the downfall of nature. That wilderness is purely a construct of civilization is central to this argument. For example, Cronon asserts that “the removal of Indians to create an ‘uninhabited wilderness’---uninhabited as never before in human history of the place---reminds us just how invented, just how constructed, the American wilderness really is” (pg.79). Instead of in isolation from civilization, Cronon finds that his most spiritual experiences with nature have always been closer to home… a sense of wildness (versus wilderness) can be found in one’s backyard, gazing from a front porch, and in the melding of the human experience with mother nature. One of Into the Wild’s final scenes drives home this idea by altering the literal point of view that main character, Chris McCandless, has had of both himself and of the world since the beginning of his two year journey. Into the Wild attempts to dramatizes Cronon’s argument to rethink wilderness; we will examine how the film succeeds, and where it fails, to support its premise.
Throughout the film, between his interactions with the strangers he meets, who make him feel most at home, Chris’ POV as he looks to the sky symbolizes his view of himself. That is, he is a lone jet airplane, a jet stream in its wake, against a clear blue backdrop. Relate to Cronon's view that “wilderness is the natural, unfallen antithesis of an unnatural civilization that has lost its soul… a place of freedom in which we can recover the true selves we have lost to the corrupting influences of our artificial lives” (pg. 80), Chris sees himself as the product of a world of soullessness, and his response is to search for his true self. Then he is a lone traveller making his mark on the earth like an airplane headed for its destination. The
In his novel, Into the Wild, Jon Krakauer establishes young Christopher McCandless as a heroic and brave figure. Krakauer supports his portrayal of Chris by utilizing a narrative form and focusing on the relatable, human aspects of Chris, and by contrasting his story with the cautionary tales that are scattered throughout the history of the Alaskan wilderness. The author’s purpose is to promote his own theories and opinions on the boy’s life and death in order to establish what he believes to be the truth. The author writes in a fond tone for aspiring wilderness explorers and their critics.
Throughout Jon Krakauer’s Into the Wild, there are many details that help give the reader a deeper, more profound, meaning of the book's intended purpose. Krakauer is one of the most renowned American writers, publishing many books focused specifically focused on nature, and people’s struggles in nature. Through much of the book, Krakauer incorporates many examples of diction and imagery to help the reader grasp the essence of the book. By using a wide range of literary techniques, Krakauer is able to communicate the events that transpired throughout the book.
In nature, Chris focused only on himself and survival, rather than his troubles at home, the needs of others, or the standards of society. In a way, he was forced to go into the outdoors because of these poor relationships and inner conflicts within himself. Although Chris sought nature to help him, it destroyed him. He never returned from Alaska to put into practice what he had finally learned about himself and his need for others. Nature and his plan had worked against him, since, he eventually died of starvation.
In Into the Wild, Jon Krakauer explores the human fascination with the purpose of life and nature. Krakauer documents the life and death of Chris McCandless, a young man that embarked on an Odyssey in the Alaskan wilderness. Like many people, McCandless believed that he could give his life meaning by pursuing a relationship with nature. He also believed that rejecting human relationships, abandoning his materialistic ways, and purchasing a book about wildlife would strengthen his relationship with nature. However, after spending several months enduring the extreme conditions of the Alaskan wilderness, McCandless’ beliefs begin to work against him. He then accepts that he needs humans, cannot escape materialism, and can
The gripping tale of a young man who leaves all that he has and goes to live amidst the natural world, Into the Wild by Jon Krakauer showcases the two years Christopher McCandless had spent journeying throughout the United States before his unfortunate death. After graduating from Emory University in 1990, McCandless disconnected with all of his past relations and abandoned the majority of his possessions. McCandless’ decisions either seem extremely unwise or extremely courageous. He had a comfortable life with few worries yet he still chose to toss it all away and venture into unknown territories. What many wonder is why he would do such an irrational thing. Maybe, McCandless’ was simply trying to run away from his perception of reality.
Through removal and technology, humans have started to become isolated from the wilderness and the nature around them. This view distinctly contrasts with Thoreau’s perspective. “Though he [Thoreau] never put humans on the same moral level as animals or trees, for example, he does see them all linked as the expression of Spirit, which may only be described in terms of natural laws and unified fluid processes. The self is both humbled and empowered in its cosmic perspective,” states Ann Woodlief. The technologies that distract and consume us, and separate us from the natural world are apparent. Many people and children ins cities have seen little to no natural-grown things such as grass and trees. Even these things are often domesticated and tamed. Many people who have never been to a National Park or gone hiking through the wilderness do not understand its unruly, unforgiving, wild nature. These aspects, thought terrifying to many, are much of why the wilderness is so beautiful and striking to the human heart. “Thoreau builds a critique of American culture upon his conviction that ‘the mind can be permanently profaned by the habit of attending to trivial things, so that all our thoughts shall be tinged with triviality,’” pronounces Rick Furtak, quoting Thoreau’s Life
“Wilderness appealed to those bored or disgusted with man and his works” (Roderick Nash). Chris McCandless, a modern transcendentalist, sent out on an adventure to find his true self in the wilderness of the North American continent. In the two years he was away, he met many individuals he called his friends and explored the extent of the American West. However, Chris was found dead in an abandoned bus on the Stampede Trail in the deep wilderness of Alaska in early September 1992. Chris believed he could live his life without the disruption of others. Henry David Thoreau believed that individuals can strive for themselves without government interruption. Chris McCandless, in Jon Krakauer’s documentary Into the Wild, believes that living off the land and life to its fullest without help from others compares to Henry David Thoreau’s beliefs in his writing “Civil Disobedience.”
The transcendentalist philosopher Henry David Thoreau once wrote, “Most men even in this comparatively free country, through mere ignorance and mistake, are so occupied with the facetious cares and superfluously coarse labors of life that its finer fruits cannot be plucked by them.” Thoreau advocated simplifying life and the benefits of living in isolation from society in the wilderness to “suck the marrow out of life”. In the non-fiction book titled Into the Wild by Jon Krakauer, the young man Chris McCandless’ story is told. McCandless traveled to Alaska to experience the most extreme transcendentalist existence foretold by Thoreau. While in Alaska he meet his end, and many historians contemplate why he took this tremendous undertaking to
In the novel, Into the Wild by Jon Krakauer, Chris McCandless and Jack London both appreciated the beauty of nature. London said in a biography once, “ ‘When I first came here, tired of cities and people, I settled down on a little farm…130 acres of the most beautiful, primitive land to be found in California.’ ” Just like London, Chris had a great appreciation for the beauty of nature, and wanted to experience it himself. In Chris’s letter to Wayne he said, “If this adventure proves fatal, and you don’t ever hear from me again, I want you to know that you’re a great man. I know walk into the wild.” London and Chris both left their normal lives and escaped reality to go live among the wild. They both had a great appreciation for nature and wanted to experience it themselves. Chris decides to go into the wild to escape reality. In the authors note in Into the Wild Jon tells Chris’s reason for leaving, “And then he invented a new life for himself, taking up residence at the ragged margin of our society,
The desire to be at one with nature sometimes becomes apparent within some of us. Into The Wild by Jon Krakauer highlights the fact that Chris McCandless is a reckless fool and a narcissist due to his carelessness, ignorance, and incompetence.
Jon Krakauer’s Into the Wild, describes the adventure of Christopher McCandless, a young man that ventured into the wilderness of Alaska hoping to find himself and the meaning of life. He undergoes his dangerous journey because he was persuade by of writers like Henry D. Thoreau, who believe it is was best to get farther away from the mainstreams of life. McCandless’ wild adventure was supposed to lead him towards personal growth but instead resulted in his death caused by his unpreparedness towards the atrocity nature.
Throughout history, people encounter a stage in their lives where they feel the necessity to assert their independence and challenge their abilities and self-worth. In the book, Into the Wild by Jon Krakauer, the author shares his understanding and kinship with the main character, Chris McCandless, a young man who thrusts himself into a life of solitude and a harsh environment during his search for meaning to his life. Krakauer depicts himself and McCandless as modern day transcendentalists with an abundance of competency, resourcefulness and skills as naturalists. Although McCandless chose to experience a life of solitude and face the hazards that nature presents, his lack of preparedness prevented him from completing his endeavor successfully.
According to William Cronon’s “The Trouble with Wilderness”, the main concerns with the wilderness term being humanly constructed and lack of concern with the local environments. Cronon emphasize much of the historical and philological meanings of wilderness as a human construct via spiritual and religious perspectives. He desired for people stop putting so much emphasis on the above and beyond that is out of our reach and focus on the present. He pushed this into the idea of one should start putting emphasis and care into one’s own environment rather than just focusing on environments beyond the local one. He believes change should start locally.
However Cronon does acknowledge the positivity associated with the idea of wilderness when he concludes his argument with an intriguing question: How can we take the positive values we associate with wilderness and bring them closer to home? I believe that part of the answer to this question comes from the rhetoric of these vary same 19th Century romantic thinkers who were able to develop true connections to the landscape around them.
Nature in Into the Wild whether it be mountains, rivers, forests, or the desert represent and are the challenges and obstacles McCandless faces on his journey. The fixation of man to the wild is that man constantly wants to challenge himself and discover his limits or prove that he is stronger than