The Paradoxes Of Kubla Khan

The Romantic era began in 1770, with its peak being from 1800 to 1850. With emphasis on the imagination and emotion, Romanticism emerged as a result of the Enlightenment period, which heavily placed values upon reason and order. Thus, Romanticism depends heavily on “the practical accomplishments of the prior un-Romantic era— a relationship between material wealth and scientific knowledge on one hand, and personal, spiritual, or emotional transcendence on the other, that twenty-first century Americans continue to manage.” The simplest explanation for what is Romantic is “‘anything but the here and now’ or whatever is not realistic” (“Romanticism”). The

The Romanticism art movement praised imagination over reason, emotions over logic, and literature over science. The Romanticism artists were known for replacing the classical 18th century literature heroes with much more complex and passionate characters. Romanticism focuses on self-expression and individual uniqueness that does not lend itself to be defined nor controlled by society. The landscape on Romanticism was commonly displayed in cool rich colors and untamed peaceful surroundings. In Romanticism, nature was used to represent the extension of the human personality, the capability of feeling love, serenity, and sympathy.

The Romantics also appreciated religion. This was in response to the anti-religion aspect of the Enlightenment and the French Revolution. As Romanticism was a rejection of Enlightenment thinking, it stressed feeling and emotion rather than logic. Furthermore, the Romantics emphasized the importance of religion and sought for a revival of religion in the 19th century.

Romanticism was an art movement that developed in the late eighteenth century and lasted for about one hundred years. Romanticism is a rejection of the traditional values of reason, order, and objectivity that characterized Classicism and Enlightenment, in particular Neoclassicism. For the romantic artist, Neoclassical principles hindered the artist’s vision and creativity. Rather, the romantic artist emphasized and valued intuition, juxtaposing emotions, and imagination. Generally, Britain and Germany were seen at the forefront of romanticism. The British Industrial Revolution initiated a disillusionment in rationalism and materialism, consequently rejecting classicism.

. ." (Drabble 853). As to emotions, Romanticism "expressed an extreme assertion of the self and the value of individual experience . . ." (Drabble 853). The Romantics also "sought reassurance in the face of change by thinking about the relationship between the human mind and what is out there . . ." (Anderson 606). It was within this faith of change that the ideas of the Romantics originated.

Coleridge sees the effect the writings of the Romantic Era has on those who are not writers which make the assistance of memory and dreams in the writings much more significant. Along with Coleridge’s significance to the Romantic Era, William Wordsworth also contributed to the movement of memory and dreams in the writings of the Romantic Era.

The Enlightenment focused in reason and science and put the emotions on the side, as reasonable as it sounds but it was not enough, people needed to have emotions to be happy or at least to feel their emotions instead on putting them on the side. On the other hand the Romantic era focused on emotions and nature, but it still had some of the influences that the Enlightenment era made. Every human being must think for themselves and must be able to make their own decisions, these concepts were from the Enlightenment era and they still were in the Romantic era.

The Romantic Era was a period of that examined emotions and put them into words. Romantics abandoned the logical traditional Western World thought which believed that intelligence was the method used to understand the world. However, the Romantics opted to espouse imagination and feelings as a veritable approach to empathize the world. (James ,488)

Romanticism can be used to describe a time period when poets, painters, essayists and composers increasingly came to view nature itself as the greatest teacher (Sayre 177). Romantic artist believed that the past Classical values of dominance were over. Romanticism believed by a new way of living one where emotion and feeling can into play. Romantics had a very deep and passionate feeling for the beauty of nature and how it corresponds to life. The emotion of the new view of an individual creator, whose creative spirit is more important than strict adherence to formal rules and traditional procedures in romanticism (Britannica). I feel that people felt a time of relief when painting they did not need to feel like they were subject to a certain

Romanticism is an artistic revolt that originated in Europe in the 18th century. It rejected the rationalism, logical thinking, and societal norms associated with the Age of Enlightenment. Rather, it embraced ideals that came out of the French Revolution. The works of art focused on promoting free-thinking and provoking feeling from its viewers. To further explain Romanticism, poet and critic Charles Baudelaire once wrote that "romanticism is precisely situated neither in choice of subject nor in exact truth, but in way of feeling." Various paintings throughout the 18th and 19th century helped to define this time in art history. During the Romanticism era, it was through the emphasis on emotion, freedom, and the everyday life that the Romantic principles of the sublime and the picturesque were expressed.

Such a situation warrants Coleridge the title of visionary, and therefore his poem becomes a vision: a Romantically textual utopia whose realisation was challenged by the rational status quo of its historical origin. Due to this, Coleridge’s work will always seek practical affirmation and will therefore constantly be the source of metaphysically-oriented debate, leaving the dualism that rules it to be decided by the reader and the ideologies he or she brings to the text. This conclusion is supported by the words of John Beer:

Romanticism was a movement in art and literature that started in the late 18th century and continued throughout the 19th century in Europe and America. The movement rebelled against classicism. The basic idea in Romanticism is that reason cannot explain everything. This in contrast to the Age of Enlightenment, which focused more on scientific and rational thinking, Romantics searched for deeper appeals, emotional directness of personal experience and visionary relationship to imagination and aspiration. Romantics favoured more natural, emotional and personal artistic themes. Some of the most notable writers of Romanticism were Mary Shelley, Johann Wolfgang von Goethe, Victor Hugo, Jean-Jacques Rousseau, and Friedrich von Schiller.

The beginning of the nineteenth century was also the start of a legendary movement in literature, known as Romanticism. Authors during this period created their own worlds by using their imaginations. Individuals no longer saw themselves a measure of everything around them, but rather as one more component of the great source of life and creativity: nature. The Romantics placed emphasis on emotions such as apprehension, terror, and awe as an authentic source of aesthetic experience, as well as the feelings that accompany confronting the sublimity and beauty of nature, especially. Supernatural elements are not present in all Romantic literature; however, the supernatural approach was an important and arguably crucial strategy for Romanticism to achieve its purposes.

Coleridge’s “Kubla Khan” is a bright example of the transforming power imagination has. The poet’s usage of diction and allegories transform this poem into a symbol for imagination. It is said that it was written after Coleridge’s encounter with the sublime while still being under the effect of opium, and when he went to record it, he was disrupted by a visitor and the remaining of the poem was lost even to him. In the poem he shows how possibilities are limitless as long as our imaginations are; Coleridge uses “caverns measureless to man” as a

One of the most popular themes for Romantic poetry in England was nature and an appreciation for natural beauty. The English Romantic poets were generally concerned with the human imagination as a counter to the rise of science. The growing intellectual movement of the 18th and 19th centuries placed scientific thought in the forefront of all knowledge, basing reality in material objects. The Romantics found this form of world view to be restrictive. They felt that imagination was crucial to individual happiness. The imagination also provides a common human bond; a means of sympathy, of identification. However, the absence of imagination, the Romantics felt, would lead